Such a lovely vibrant soundtrack, Jennifer.

Très belle composition. J'aime bien la photo aussi

Très belle mélodie avec une ambiance cinématographique

Special thanks to 5Eleven for his a cappella.....

WAIT PLEASE. feat 5Eleven

Lovers in Paris

A new composition....what I am feeling today
Image: Alex simplifier
Lyrics:
In the quiet of the night, I’ll whisper low,
Shining the light where the dark waters flow,
Yet the train of lies rolls heavy and fast,
A silver-tongued serpent, weaving shadows that last.


Criminals dancing in pockets of gold
While justice is tangled, bought and sold
The bribes keep rolling like thunder in the sky
As the truth fades away, who’s to justify


Time’s a thief with a grin, ticking down our days
Marching to the walls where the light starts to sway
When will we see justice? Maybe never, it seems
In this cruel reality, we’re lost in our dreams



Life feels unfair, like a game stacked in jest
Some ride on the fast train, while others are stressed
Evil lurks in corners, a predator unseen
Swallowing whole what’s been, what could have been



A trail of destruction where innocence once lay
The end is coming near, cloaked in shadows of gray
Yet I’ll keep singing, my heart beats the truth
In a world that’s forgotten the brightness of youth



So let’s shine a light in the depths of despair
Fight for the voiceless, show them we care
Together we'll gather, a chorus to rise
For in the heart of the darkness, we’ll ignite the skies



So let the shadows tremble, let them break and bend
With love as our weapon, we’ll rise in the end
Though the night feels endless, our spirits won’t hide
Together we’ll shine, and become the light

All music and lyrics by: Len Bennati FM Folk Copyright 2025
Mastered by Distrokid Mixea

Let the Light Shine (Folk Rock Mix)

332
Views
Mar 11
2025
"Friday Night" – A High-Energy, Funk-Infused Celebration
"Friday Night" is an uptempo, groove-heavy track that blends lively bass, funky guitar and drums, and a brilliantly arranged saxophone section to create an infectious, feel-good anthem. The song evolved organically through the contributions of musicians from around the world, showcasing the collaborative spirit of what is quickly becoming known as the Intercontinental Collaborative (ICC).
Credits:
    •    Roger Whittlesey (USA) – Words & music, lead and background vocals, keys, drums
    •    Georg Boehme (Germany) – Saxophone arrangement, tenor, alto, and baritone saxophones
    •    Tim Jordan (USA) – Lead and rhythm electric guitar, funky outro figures
    •    Noel Barrett (Ireland) – Bass guitar
    •    Christy Bluhm (USA) – Background vocals (verses and outro)
The song took shape in a truly international fashion:
    •    New Hampshire, USA – Whittlesey wrote and recorded the foundation of the track.
    •    Cork City, Ireland – Barrett infused the song with his signature bass groove.
    •    Philadelphia, USA – Jordan layered in three guitar tracks, adding a funky rhythm and refined lead licks that elevated the song. He also introduced the funky outro figures that would later become a highlight.
    •    New Hampshire, USA – Bluhm enriched the track with her soulful background vocals, expanding upon Jordan’s outro idea.
    •    Cologne, Germany – Boehme crafted an intricate sax arrangement featuring close harmonies and syncopated lines. He then capped off the song with a sizzling baritone sax solo in the outro, turning up the heat.
Lyrics:
(Verse 1)
I can’t wait for Friday night
We’ll drive away from city lights
I will be with you-know-who!!
Playing Keno in the bar.
We’ll leave our worries in the car.
I will be with you-know-who
(Chorus)
Bring me the smile that I love
The one I’m thinking of
Sing me the song I adore
There’s nothing that I want more
(Verse 2)
When I’m at work how time does crawl
But Friday night’s the best of all
I will be with you-know-who
(Chorus & Outro)
With its driving beat, funky instrumentation, and dynamic sax section, "Friday Night" is a testament to the power of musical collaboration across borders, delivering a track that is both playful and electrifying.

Friday Night

method: vst, mainly, and balabolka TTS - until Jeff plucked his guitar into that magic pedal .... I had to dumb the upload down from wav to mp3 to make soundcloud accept it.

narration: you might be familiar with the lyrics - yes, this is the very poem you have heard on Hakan's Shuffle in a different setting ;-)

image: copyright jo richter (using elements photographed on a theatre in Budapest in 2009)

Poem / copyright Jeff Gardiner and jo richter:

in the nick of time
he gave in to dissent
for the mute perceptive mime
manically made him raise his head and unmaimed hand in mine

praise the unerring rebellion
in subconsentious unison
the empty shells of every single silly little thing
ahh, the knell, the bells, fashioned from our fathers’ coral vaults

selling out, shelling round, all around in disarray
vainly making everybody wane and wade into the fray
with withered, bamboo-watered canes - - - fracking shist
where our homes are still purported to exist

while scattered scraps of all things past, scantily, scantily clad,
protrude and flutter in the wind, strained and restrained by the net
of pleasant pleas - and subltleties are colors bright and crude -
watch the Mad Hatter's stint unwind in minor keys -
i thought that that - that hat that sat so squat- was you

at the academy of sovereignty
where massive piles of bones and crows
dominate the dark demeanor of the distant
tears of laughter, tears of loudly lovin’ laughter, that's exactly what we're after

in the purple land of diffidence
buying purple brands of pale deliverance
in the hidden forgotten region, religion
where forgetting – like neglecting - is an optional behavior
and of course, everybody's carcass, corpse keeps looking for a savior

down by the trodden, the unsavoury sovereign shouted
raw with the rotten game of galactic gallows and thrones
ah the one and only poet of starvation
standing in the market of used emotion

endless aisles, end base piles of sadness
masters mean and dirty and their slaves
bargain bins of binary longing, belonging, unrequited love
there’s a sale on betrayal - two for a dollar and three for none

thought i saw a broken bit of joy that once belonged to me
Though when i had it, it was absolutely free
Now they're askin’ fifty, literally frivolous dollars--

mother of deception of the self
see me on my knees, subordinate
to her immaculate calamity
that has transactional realities cooperate
under towers dark with blinded blinds
of my infantile infinity--

i asked my shadow: would she follow me
like a puppy with a crush, herself a pet invertebrate,
to inclinations more persian, more parisian than her will or mine
where i might find a package deal on Love -

on the moon, it read in slowly moving neon letters -
shadows neither show nor speak concerning primal matters!
no, said I, shadows squall and squeal and squeak

drinking gin on the rocks is not that bad at all
since it became impossible to find an Avacado
or my favorite alcohol
just don't answer when she fails to call-

kung tze in the subway car

Kung Tze in the Subway Car - with stonerjazz

Cosmos Cosmo

It's been a while since I put out a jazz tune so I decided to put out this standard by Gershwin played on my nylon string. I had a look at a few different examples of sheet music for this one. Interestingly there seem to be quite a few variations of the chords. One of the beauties of jazz! I used the chords in a cool old songbook I bought at a garage sale. The tune was written in the 1930s so I reckon the songbook is as old as 1940s. 

A simple chordal representation of the tune. Hope you enjoy!

Summertime (by George Gershwin)

"Gan Da" (Live @ Via Kosmische 2025/04/05).

Today’s #MusicalMinute illustrates how these tracks can allude to empathy, something much needed today.  I’ve always liked the quote: “When we give ourselves permission to walk in someone else's shoes, we open ourselves up to a world of understanding and compassion." - Unknown.  What do you think?

13 May 25 Swapping Places

Music, instrumentation and production : Torbjørn Vagle https://soundcloud.com/tobbenv
poem, melody for the voice, and vocals: Oddrun Eikli

So This Is Spring

So this is Spring
You can feel it within
Love keeps on giving
Birds whistle and sing
In the first day of Spring

Faces that smile
New Wave and new style
Look at the colors
Listen to the sound
Daffodills and Bluebells
Are covering the ground

So this is Spring
You can feel it within
Love keeps on giving
Birds whistle and sing
In the first day of Spring

So This Is Spring. Torbjørn Vagle and Oddrun Eikli

My Frist Track for the new album. Mixing with my new high end equipment. A song of reflection about the early music festival scene near San Francisco  where I grew up.

Freedom Free Love Free To Be Heard by GLEN GRANTHEM
Play it like you use to play it when you were young
Tearing up a fret board until you reached number one
Spend those days on the green lost in the crowd
Shoulder to shoulder as the band rocks out
Singing songs about peace and love and Smoking grass as guitars strum

Day after day the music was life 
Turntables spin all through the night
One hand on a pipe carved out of stone
All your friends felt right at home
With both hands in the air and Every face wore long hair
Viet Nam was miles away  Every song had its place
Solo
The sixties were like no other time in our life
Draft cards ,Protests , Equal rights
We were coming of age to save the world
Freedom , Free Love , Free To Be Heard
Singing songs about peace and love Smoking grass as Guitars Strum
With Both hands in the air 
Singing Songs About Peace and Love.....

Freedom , Free Love , Free To Be Heard ( Original ) with Lyrics

My name is Jennifer Mougin, I am 34 years old and I am a self-taught and independent French composer melodist of electro-orchestral music.

Lovers in Paris

Jennifer Mougin

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