Commentarium in apocalypsin , is a musical piece conceived for an exhibition, and it is inspired by some of themes presented , such as the themes of destruction and creation, the medieval apocalyptic vision and even the reappearance of the idea of ​​the human apocalypse in the contemporary age.
 Divided into three movements, the piece is united by the permanence of time, Grave, one of the slowest in musical composition. From the height variations of the C mode, the three tempos are developed, with the brass instruments and the voices playing the role of suggestion and emotion, against a background created by a sound designer. Some compositional elements are particularly perceptive, such as the Gregorian reminiscence, although here in a polyphonic register (referring to the Portuguese manuscript "Apocalypse of Lorvão" 1189 ), in the First Movement, it manifests itself in a fragile human universal order, which serves as a catchphrase for the themes melodic presented by the horns, incorporating increasingly intricate harmonies, amplified by the increasing degree of dissonance, foreshadowing the appearance of the Second Movement, dedicated to the human apocalypse. dissonant, they accompany the dynamic increase, with intervals that clash and fight each other, which is also manifested in the choral work, especially in the level of the recording of the sopranos, symbology of a struggle that is established at the same time on earth, but also in the In the final step, which was intended to be reconciliation and rebirth, the mode moves away from its character of that and seeks to accompany the idea of ​​a world that seeks to regenerate itself, probably without humanity already being present. Brass winds and horns in particular carry, in this last movement, the idea of ​​a symbolic element of the construction that carries within itself the gene of destruction.

Commentarium In Apocaplysin Theme

This is a headphone mix for a 3D audio piece, so please use headphones if you have them! 
Meticulously handcrafted ornamental items made with exquisite craftsmanship are considered objects of vertu. While creating Inside a Mirage of Vertu, I have been weighing consequences of generative art forms, with more focus on those that rely on artificial intelligence, and I have been trying to come to terms with how this kind of art will transform artists' craft. Inside a Mirage of Vertu does not use an AI in its production, but does use automated processes for spatialization like ambisonic granulation which generate 3D gestures and soundscapes. These soundscapes represent the surreal image of a musical singing bird box, a rather iconic object of vertu, but the piece places you inside a mirage – an apparition manufactured to exist in the world as if it were real.

Inside A Mirage Of Vertu (Binaural Mix)

OVERNIGHT FILMS PRESENTS
A.K.A BLACKBIRD (A LIFE - IN BITS.)


RATED "R" FOR "RADIO-PLAY".

A.K.A Blackbird (A life in bits) Sneak Peek

A.K.A Blackbird (A Life in bits.) Sneak peek!

Mythos 2: Glamis

Mythos 3: Albion

Fragment met communicerende klopkevers in een dode boomstam. Opgenomen met 2x diy piezo contact microfoons via Olympus LS-5 naar Zoom F6 en Aquarian H2A hydrofoon in contact modus.

Fragment with communicating deathwatch beetles in a dead tree trunk. Recorded with 2x diy piezo contact microphones via Olympus LS-5 to Zoom F6 and Aquarian H2A hydrophone in contact mode.

Klopkevers in stam / Deathwatch beetles in trunk

"Sunn O))) live: Das musst du mal erlebt haben!" Seit 25 Jahren spricht es sich rum, inzwischen ist das Drone-Duo eine Erfolgsgeschichte, wie man sie in solchen Nischen nur selten erlebt.

In einem längeren Gespräch mit Musikredaktor Omar Fra spricht Stephen O'Malley über die Langlebigkeit und den Erfolg der Band, geht auf ihre Ursprünge und Ziele ein. Er reflektiert seine Rolle als Musikhörer über überhaupt seinen Musikkonsum. Immer wieder dreht es sich um den Begriff des "Engagement" oder eben um den Zugang, den man sich zu Musik verschafft, sei es jetzt O'Malleys neuste Endeckung von einem Festival oder ein hypotethisches Publikumsmitglied, das nachher zum ersten Mal die Band live hören wird - weil sich eben rumspricht: "Sunn O))) live: Das musst du mal erlebt haben!"

25 years of quality sonic experience: Stephen O'Malley von Sunn O))) im Gespräch

From the upcoming Fiasko! by Kaboom Karavan

June 2024

Kaboom Karavan - How to put valium in a madmans drink

A compilation by Mark Fisher, uploaded here because the original download link expired

“King of Sorrow (Cottonbelly Remix)” – Sade
“Too Much On My Mind” – The Kinks
“Sittin’ Here” – Dizzee Rascal
“I am Sold” – James Blake
“Still Walking” – Throbbing Gristle
“I Made My Excuses and Left” – Pet Shop Boys
“Got To Get Away From Here” – New Age Steppers feat. Ari Up
“Invoices In My Head” – eMMplekz
“Because You’re Frightened” – Magazine
“Liveable Shit” – Sleaford Mods
“Just Who Is the Five O’Clock Hero” – The Jam
“As I Lie In Your Arms” – Annie Anxiety Bandez
“Circle” – Siouxsie and the Banshees
“Gimme Shelter” – The Rolling Stones feat. Merry Clayton

http://k-punk.org/track-listing-for-look-what-fears-done-to-my-body/
k-punk.org/look-what-fears-done-to-my-body-2/

"A new mix, exploring the sadness and frustration in England at the moment, using some recent-ish music and some from further back … The mix ends with a very familiar track, but one I listened to obsessively in the immediate wake of the election defeat, hearing it in a very different way …

This is for the students on my new Popular Modernism modules at Goldsmiths, who produced some amazing work this year …. and for those at the “top” of the Parliamentary Labour Party, none of whom will ever hear it – in any sense …"

July 2015

k-punk: 'look what fear's done to my body' (mark fisher compilation)

Walking on the pier close to the Oslo opera recording. The boat we call danskebåten, a ferry going to Denmark on the other side of the harbour. Finding a space underneath the pier to record from. In the summer there is a place called Sukkerbiten, now closed for the season on top of the dripping water cave. The ferry is constantly giving out a bass pulse.

Recorded with a Zoom H4n. 
24 bit 48 khz Stereo.

To find it on the map go to http://aporee.org/maps/work/?loc=29069

Arne Borgan - Oslo 30082011. On the pier, close to the opera.

Artist, Musician.
Analog modular digital electro-acoustic soundscapes. Fieldrecordings. Remix. Live sets.
100% Arne Borgan. 
50% Cloudbuilder with Ulf A. S. Holbrook. 
25% CTLab with Arnfinn Killingtveit, Martin Palmer and Ulf A.S. Holbrook. 
Used to be 33.333...% of ARM with Are Mokkelbost and Alexander Rishaug.
Based in Oslo Norway since 1997.
Contact: arne.borgan(at)arneborgan.com

https://soundcloud.com/arneborgan
http://www.arneborgan.com
http://cloudbuilder.no/
http://ctlab.teks.no/

All photos by me except where noted.

Arne Borgan - Oslo 30082011. On the pier, close to the opera.

Borgan

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