Running @FeverAM w/ @MorElian
Bookings –
EU/World: michiel@frameworks-agency.com
N/S America: s@icartists.net

Clubs, festivals, theaters, football stadiums, museums, beaches, mountains and beyond - Peter Van Hoesen's visceral take on contemporary techno has been presented worldwide in many different settings. 

One central element always remains: a deep love and understanding of sound and all its influential effects. 

Since December 2024 he runs Memento Mastering, a mastering studio located in Ho Chi Minh City.

Bookings: mike (at) berytus (dot) art

mementomastering.com
petervanhoesen.com

After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouse, backyard, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the monikers David F & Audio Injection, which landed him on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 as resident at the now defunct yet infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. He currently runs a new event series together with Drumcell and Oktaform named “Observe”.

In early 2011, he started the project Truncate to focus on the deeper, raw side of techno. His Truncate releases early on gained critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, Eats Everything, Joris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink, Slam, Loco Dice, Ben Sims, Josh Wink, Ellen Alien, Miss Kittin, Carl Cox & Nicole Moudaber. He has also released original works on 50 Weapons, Ultramajic, Blueprint, Ei8ht, Figure and of course his own imprint Truncate. He has also collaborated with Jimmy Edgar, Chambray and most recently started a new project with Ben Sims as ‘Assailants’ which they’ve released on their own imprint ‘Obscurity Is Infinite’.

A rigorous international tour schedule has since followed, including stops and regular appearances at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam, Output in New York, and many more.

With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.

This is the official Soundcloud-page of Ray Kajioka.
Ray Kajioka is a German Techno producer, DJ and Live Act since 1995. Best known for his works on Kanzleramt, most notably for his releases "Spark" and "Thrill", as well as "Never Ending" on Cocoon Recordings, which became huge hits and have been listed in many DJ charts since. Further known by his remixes for Truncate, Joel Mull, Elbee Bad, Alexander Kowalski, Heiko Laux, Tom Hades, Housemeister, Victor Calderone, DJ T-1000, to name a few. Ray's music is characterized by a warm spheric and impulsive sound, that can be deep and trippy on the one side. Or simply banging and pushing forward.

🌍 will @ thefinaagency.com
🎶 ben @ menschmusicmanagement.com

Room Service Recordings

Aurore 404 / Banoffee Pies / Curving Track / Holding Hands / On Loop / Ostgut Ton / Permanent Vacation / Rhythm Section / Semi Delicious / Slump Recordings

bookings:  ali@warmagency.com
RA: https://www.residentadvisor.net/dj/demuja

www.facebook.com/iamdemuja
www.demuja.com

Home to the Counterchange & Globuli labels and other releases by Ed Davenport (aka Inland). Ed is a British producer, DJ and label operator based in Berlin.

I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

Aron Mody is following