Immersif à souhait... Que de belles idées et quelle polyvalence ! J'en suis toujours bluffé ! :)

An amazing composition and arrangement....Fabulous sound too

Magique et fantastique cette merveilleuse composition. C'est très cinématographique.

Une belle excursion au pays des fées. Super orchestration.

Martin is such a talented song creator, and when he asked me to write words to his track, I felt thrilled to be able to work with him again..   
My deepest thanks for collaborating with me once again Martin xx

Copyright Nat Daniels * Martin Hirsch 2021
Gentle Rain Records
Instrumental track written by Martin Hirsch https://soundcloud.com/martin-hirsch-656665916
Written by Nat Daniels 

Ever mine, Ever thine.. ☀️🌻

Lyrics:
Whenever we say Goodbye

Evergreen we all begin 
Never knowing what we lose and what we win
We take our chances where we can
Finding love between a woman and man

But with the sweet comes the bitter
With sunshine, there’s always been some rain,
And raging like the drops that splatter
I believe in us, through the laughter and the pain
Though the road may take you, You’ll come home again, 
‘Cause you know inside, our songs all sound the same  
And we’ll fight until we tumble in our breathless fire and come alive again.. 

And Whenever we say goodbye…
A little of me dies each time..
Time will flow … we’ll be together..
No Goodbye….. Oh no..  Goodbye’s not forever..
  
Sometimes hearts must break and shatter
But hindsight can renew and mend again….
It takes two minds that know what matters
And the courage to reach out and make a change…
I may not say all the time,    
And sometimes I may fail at being kind…
But I will love you ’till I die,
No Goodbye is not forever.. When we say goodbye
Goodbye’s not forever…

Whenever We Say Goodbye

Whenever We Say Goodbye - Nat Daniels & Martin Hirsch

Composed, arranged, performed, and produced by
Carlos Vivanco

Race Against The Wind

Midnight In Ashram

Here we go!  
Thank you to David Dunham for again allowing me to scribble all over his  beautiful composition.  @david-dunhamuser589535203

Flight Pattern (With David Dunham, guitar)

In this track I used celesta, strings, flutes, clarinets, bassoons, harp and glockenspiel.
Thank you for listening !

Composition: Julien Apelian
Recording studio: Audio Colors
April, 6th, 2022.

Fairytale

To my dear friends in Ukraine!

Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?
 
Where have all the young girls gone, long time passing?
Where have all the young girls gone, long time ago?
Where have all the young girls gone?
Gone for husbands everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?
 
Where have all the husbands gone, long time passing?
Where have all the husbands gone, long time ago?
Where have all the husbands gone?
Gone for soldiers everyone
Oh, when will they ever learn?
Oh, when will they ever learn?
 
Where have all the soldiers gone, long time passing?
Where have all the soldiers gone, long time ago?
Where have all the soldiers gone?
Gone to graveyards, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?
 
Where have all the graveyards gone, long time passing?
Where have all the graveyards gone, long time ago?
Where have all the graveyards gone?
Gone to flowers, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?
 
Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Pete Seeger wrote the song in October 1955, claiming to have borrowed the basic idea from the Don Cossack song Koloda Duda, three verses of which he had discovered as a quotation in the novel "The Quiet Don" by Mikhail Sholokhov. Marlene Dietrich made the German version of "Where Have All The Flowers Gone" famous in 1962. It is hardly known that the song goes back to Ukrainian music, but also to Russian. Ultimately, the song does not fit into national pigeonholes. Marlene Dietrich helped this song to its eventual popularity in 1962, although this must also be seen with critical eyes! Another German artist took up the song: Juliane Werding. Unsurpassed, however, is the version by Joan Baez. The bottom line is that it ultimately doesn't matter how the song came about, who wrote it, etc. 

Here I use an instrumental version to draw attention once again to the folly of the war in Ukraine!

Infinite Couplings: Mary Travers of "Peter, Paul and Mary" grew up near Seeger....unbelievable!

...

Sag mir wo die Blumen sind,
Wo sind sie geblieben
Sag mir wo die Blumen sind,
Was ist geschehen?
Sag mir wo die Blumen sind,
Mädchen pflückten sie geschwind
Wann wird man je verstehen,
Wann wird man je verstehen?

Sag mir wo die Mädchen sind,
Wo sind sie geblieben?
Sag mir wo die Mädchen sind,
Was ist geschehen?
Sag mir wo die Mädchen sind,
Männer nahmen sie geschwind
Wann wird man je verstehen?
Wann wird man je verstehen?


Sag mir wo die Männer sind
Wo sind sie geblieben?
Sag mir wo die Männer sind,
Was ist geschehen?
Sag mir wo die Männer sind,
Zogen fort, der Krieg beginnt,
Wann wird man je verstehen?
Wann wird man je verstehen?

Sag wo die Soldaten sind,
Wo sind sie geblieben?
Sag wo die Soldaten sind,
Was ist geschehen?
Sag wo die Soldaten sind,
Über Gräben weht der Wind
Wann wird man je verstehen?
Wann wird man je verstehen?

Sag mir wo die Gräber sind,
Wo sind sie geblieben?
Sag mir wo die Gräber sind,
Was ist geschehen?
Sag mir wo die Gräber sind,
Blumen wehen im Sommerwind
Wann wird man je verstehen?
Wann wird man je verstehen?

WHERE HAVE ALL THE FLOWERS GONE (Wo sind all die Blumen hin)

To love is not to look into each other's eyes, but to look together in the same direction.

Direction

Jo Richter @sonic-textures a.k.a. Sonic Textures and Silent Stretches produced a really fascinating soundscape with poetry that he offered as an open collaboration. Here is the link to the original:
https://soundcloud.com/sonic-textures/concatenandus?in=sonic-textures/sets/open-for-collaboration
Here is a link to a version which Stonerjazz @user-911083679 added to. My remix is working from this one:
https://soundcloud.com/user-911083679/song-0049wav
And if you'd like to hear one more iteration of this open collab, here is a great one from Nic: https://soundcloud.com/nic_nic_nic/concatenandus-nic-version

I also have just released a version that includes the full text of Jo's poem that was included in his original track. I found the poem very inspiring. I added the full text back in after chopping up some elements of it to create this soundscape, and when it the words sit on top they line up in some very interesting serendipitous ways.
http://soundcloud.com/tea_are_sea/words-and-photographs

Photographs: Concatenandus Remix with Jo Richter

Thanks for listening to this track. 
Walk your life without being bound by the memories of the past.
People set their own limits.
There is no such thing as a limit!
Let's jump out on our own, not the open road.
Old photos should have been full of smiles

Maximum limit to be Fate

Faunes Et Satyres

Faunes Et Satyres - No.2 - Bacchus - Les Mysteres Dionysiaques - Jules Massenet

@ApproachToSilence2 - 17.5.20  [Teaser]

Dedicated to my muse :-)
Michael

https://open.spotify.com/album/75kL5oaa2KzBHKRw7tIR41
https://www.deezer.com/de/album/148811022

ApproachToSilence_2020

Verzauberung

Music is an infinite source of creation and a Universal language.
Recording, compositions, mixing and mastering at Audio Colors studio.

My other Soundcloud profile: https://soundcloud.com/jules-keys-1
Thank you for passing by and listening !

Fairytale

Audio Colors

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