@rocketgrooverecords
Bookings: jon@arcticmgmt.com
Promo: https://tstack.app/jaycrusoe

Higher Viiibrations | South of Saturn | Modern Delivery Express | NVDRZ | Gritty | Rawsome | Baikonur | Materialism | Vibrancy | Hood Politics | Groove Bassment | Spira

Supported by: 
John Summit, FISHER, Mau P, Gorgon City,  Eric Prydz, ACRAZE, Layton Giordani, Black V Neck, Diplo, Danny Avila, Carlita, Ky William, Miguel Bastida, Ilario Alicante, Natalia Roth, Paskman, Manda Moor,  Lisbona Sisters, Cloverdale, 9B49, Samuele Scelfo, Farouki, Ell Jordan, Aitor Astiz, Havoc and Lawn, AG Swifty, Reelow, Jullian Collazos, Cuartero, Duke & Jones, Facu Baez and more!

rocket groove forever.
record label & creative hub.
@jaycrusoe

PR & Booking Agency based in Berlin 
General Enquiries: info@pullproxy.com

DEMO POLICY
send your Demos to: seb@audiolabor-label.de
>>Please make sure your music fits to the sound of the label. Thanks.<<

AUDIOLABOR founded in 2009 by <a href="http://soundcloud.com/audiolabor" rel="nofollow" target="_blank">Seb</a> in Berlin Germany. Featuring well known berlin fashioned real techno and dubtechno.

Audiolabor is exclusively distributing via DigDis germany and directly via Bandcamp. You will found our releases on every good digital plattform around the world.

This page is only for you to send me emails and links for tracks for inclusion on my radio show / dj sets.

Spanish techno music platform rooted in Asturias, Spain’s north side. Established in 2004, well known by its raw, muscular, mental & grey sound.

PoleGroup Artists:
Birth of frequency (@birthoffrequency)
Conceptual (@conceptual2020)
El Joven Prisionero
Exium (@exium)
Jonas Kopp (@jonas-kopp)
Kessell (@kessell)
Kwartz (@kwartz)
Lewis Fautzi (@lewisfautzi)
Nørbak @norbakmusic
Oscar Mulero (@oscarmulero)
P.E.A.R.L. (@p-e-a-r-l)
Pfirter (@pfirtermusic)
Reeko (@reeko)
Refracted (@refracted-music)
Ribé (@musicribe)
Selección Natural
Spherical Coordinates
Tensal (@tensal)

Daniel Benito Kunz (produced as "D.I.C.E") tracks are perfect compressed German/Detroit Techno stories which put out all the stops in the matter of historical conciousness and heroic admiration for Techno with her Oldschool charm, her subliminal emotionalism and her raw Deepness, however, besides, D.I.C.E sounds at the same time fresh and funky.However, till then he wants hold in his own small mythology. Power also fun."he attempt to describe, D.I.C.E / KZTWRK (Kunztwerk Records) Sound is a very hard task,sits somewhere between everything in the dance music and D.I.C.E own imagination ! It is not minimal, not maximal, and always in compliance with the historic atmosphere of Detroit.We call it Techno ! To prevent repetition is something in D.I.C.E is working hard, so his live DJ sets are never the same not a show for a second time, are therefore excited.

PRESS TEXT / 

D.I.C.E. ( Daniel Benito Kunz / Kunztwerk ) seems indeed to wallow in the overheated shimmering constellations of driving bass drums and hi-hats with a sound aesthetic that sometimes almost reminiscent Schranz , but the tracks always remain darn sparks and a few melodies have a tragic seductive Dub Backround . Very nimble in the modulations , slammend in their martial radio while somehow always so extensive sunk in that you actually do not get enough of it , which is why the tracks also just do not know how to stop . 100% RAW! ANALOG  Productions.

DE : BUG MAGAZINE

Daniel works with the Berlin Based Label AUDIOLABOR 

2013 / first VINYL 12" DEBUT on NASTY TEMPER RECORDS / a french based Label /
2013 DANIEL STARTS HIS OWN LABEL CALLED / KUNZTWERK / KZTWRK

Daniel Played in Clubs like : Tresor (berlin) Magdalena (Berlin) Raumstation (Swiss) and many many more…. Peaktime on Mainfloors. People Loved it ! stay until end of Daniels set times always. 2014-2018 Danile keep Distance from Techno scene , Rehab , Safe Inspirations to built & get back in the studio in middle of 2017 what is finished now and he feel comfortable with it. Daniel Built in 1 Year an Analog Mothership and is still in his session to create just a bigger one with more tools. His independent Label (Kunztwerk) which re-presents his outputs straight & Only via Bandcamp runs well and People can Download Daniels Tracks for free via Soundcloud at least / since always. 

2018 Daniel wants to get back on stages & Re-Present some Driving Peaktime Techno.

since 1999...
to be continued...

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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