EVENTS - PODCAST - LABEL - BOOKING
General Inquiries > contact@paradoxproject.org
Booking > moulay@paradoxbooking.com
Demos > label@sotorrecords.com
Podcast & Premiere requests > nabil@paradoxproject.org

ROSTER 2025
https://soundcloud.com/moteka
https://soundcloud.com/electricrescue
https://soundcloud.com/m-d3rn
https://soundcloud.com/alaeparadox
https://soundcloud.com/kosme
https://soundcloud.com/voltaire0music
https://soundcloud.com/greg-toxic-1

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Deep, Lounge, Chill House | 22 year old producer 



Contact: contact@musicbyaden.com about ghosting, licensing, etc.

Un podcast destiné aux femmes, aux hommes qui se posent des questions sur eux-mêmes. Un jeudi sur trois. Une émission animée par Victoire Tuaillon. Un podcast de Binge Audio.

Dial Records - Schaperstrasse 12 - 10719 Berlin - Germany

https://www.facebook.com/DIAL-RECORDS-44035208169

contact:dial(at)dial-rec.de

27 years old. Email: contact@dimatis.music

Yizack Rangel, known as Dimatis, is a Panamanian electronic music producer, born and raised in La Chorrera, Panama on June 15th, 1998. He began producing music in 2013 at the age of 15, and by 2014, he launched the Dimatis project.

Dimatis significantly impacted the Melodic Dubstep and Chillstep communities by combining these two genres into a unique style that characterizes him from others. In 2019 he released his first EP Floating, featuring two of his most popular tracks, Mists and What Awaits Us. In 2020, he followed up with his first full-length album, Experiences in which his song Overcoming gained viral attention in France and became widely used in vlogs and social media content.

Between 2020 and 2021, he collaborated with several talented vocalists, including Elvya, Miss Lina, Salvo producing standout songs like Out There, Fly Again, Paying For It.

In 2024, Dimatis consistently released new music, including standout collaborations such as The Songs of Yesterday and To Stand Again, both released on Jade City Records, featuring vocals from Sydney Grimm and Calmseer. He also performed at the Magefest 2024 Online Festival hosted by Mox Jade.

Throughout the years, he has steadily improved his production quality and achieved millions of streams. His music has been featured on YouTube channels like AirwaveMusicTV, OnlyChillstep, La Musique Libre, MixHound, HearWeGo.

His mission is to share his music with the world by providing beautiful emotions through the melodies of his songs and one day be recognized for his music.

Artists who inspire him are: Au5, Blackmill, Chime, CMA, Collin McLoughlin, Crystal Skies, ILLENIUM, Jason Ross, Said The Sky, Seven Lions, Skrux, Tim Schaufert, Xeuphoria, Xilent, among many others.

archives de DJ mix

Fait parti du duo K&B http://soundcloud.com/k-b-djs

aurelien.g (from K&amp;B) is following

aurelien.g (from K&B) is following