2017:

11.02.17 - Mantissa Launch [UK]
16.02.17 - Locked In presents: Cynthia Spiering [NL]
11.03.17 - The Rumours [GR]
10.05.17 - Mantissa [UK]

WOLS IS SLOW.

Booking Request
日本
wolsbooking@gmail.com

WORLDWIDE
STANDA 
email:anti@uclub.sk 




booking contact :clara@acheron-booking.com

Terence Fixmer's music has the remarkable ability to not only set feet in motion on the dance floor but also resonate deeply with the searching soul, all while maintaining a profound musical depth and integrity.
In the world of techno, Terence Fixmer is a highly respected figure, celebrated for his innovative and genre-defying approach to music production. With a career spanning over two decades, he has released numerous albums and EPs on some of the most prestigious techno labels. His remixing talents have extended to tracks from industry giants like Depeche Mode, Yann Tiersen, Sven Väth, Dave Clarke, Front 242, Nitzer Ebb, Indochine, and more.
Terence Fixmer is renowned for the quality of his live performances, gracing renowned clubs and festivals worldwide.

Chapter 1: 1998-2007.

In 1998, Terence established his own label, Planete Rouge. From 1999 to 2007, he gained worldwide recognition with the release of his debut album, "Muscle Machine," under DJ Hell's legendary International Deejay Gigolos imprint. This album masterfully blended elements of electro, industrial, EBM, and techno, pioneering a dancefloor-oriented style later recognized as "Techno Body Music." Tracks like "Electrostatic," "Body Pressure," and "Electric Vision" are still hailed as modern classics today.

In 2002, Fixmer joined forces with Nitzer Ebb's lead singer, Douglas McCarthy, to form Fixmer/McCarthy. Together, they released two full-length albums that pushed the boundaries of Techno EBM to the maximum. The album "Fixmer McCarthy Between the Devil" has earned its place as a revered classic, and the band has become iconic in the Techno EBM scene.The duo has performed their energetic live sets at numerous renowned clubs and festivals all across the globe.Fixmer/McCarthy earned respect in the global scene for their unique way of creating truly pioneering sound fusions by elegantly blending the aggression of Techno Body Music and the sensuality of Electronica.

Chapter 2: 2007-2015

Fixmer continued to expand the horizons of modern techno, releasing albums and EPs under his own name as well as various alter egos, showcasing his ability to maintain a unique sonic personality while avoiding repetition. His works found homes on highly respected techno labels such as Electric De Luxe (notably the "Comedy of Menace" album in 2010), Prologue, Jealous God, CLR (including the "Depth Charged" album in 2014), Aufnahme + Wiedergabe.

Chapter 3: 2015-2020

Terence Fixmer continued to evolve his sound in 2015. His EP "Aktion Mekanik," originally released in 2003, was reissued on Ostgut Ton, marking his entry into the Ostgut Ton family—the flagship label of Berlin's Berghain club. He subsequently released various EPs and his album "Through the Cortex."
 Fixmer's distinct sound signature remained in high demand, leading to remix requests from notable artists such as Depeche Mode, Front 242, Ellen Allien, Front Line Assembly, Arnaud Rebotini, Yann Tiersen etc..

Chapter 4: 2020- 
 
Terence produced music for Thomas Cohen (formerly of Scum) with tracks like "Braid" and "Chain of Love" on Mute Records.

Additionally, he signed with the legendary label Mute Records, renowned for its roster of innovative and influential artists. 
In 2022, he released his first album on Mute Records titled "Shifting Signals" .
His music has been used by Fashion brand, such as Prada, Raf Simons ...
A 2nd album is in the plan for 2024.


Terence Fixmer's unwavering drive to craft experimental, mind-bending, and relentless sounds continues to transcend the boundaries of the musical mainstream, solidifying his place as a visionary within the techno and electronic music landscape.

info@velvetmay.com
https://www.instagram.com/velvetxmay

𝕿𝖊𝖆𝖗𝖘 𝖔𝖓 𝖂𝖆𝖛𝖊𝖘
http://velvetmay.bandcamp.com
https://linktr.ee/velvetmay

Jagged edges of electronic body music meet fractured breakbeats and off-kilter rhythms, with subtle cinematic color and a propulsive energy that nods to the bold new wave sounds of the ’80s and the adventurous electronic explorations of the ’90s. It’s a space where cheerful euphoria, ecstatic transcendence, and a sense of alienation coexist — a fusion born from transition, friction, and reinvention.

As a versatile live performer, singer, and DJ, Velvet May moves beyond the ordinary, blending experimentation, meticulous sound design, and rhythmic tension that reflects the ever-shifting frontiers of electronic music. His sonic identity is a collision of Industrial grit, evocative Body Music, and raw Rock intensity — an independent form that intertwines psychedelic inflections and breakbeat pulse into its DNA.

The project took shape in late 2018, debuting with Vast As Black Night on his label Tears On Waves, quickly gaining recognition within the underground scene. In 2019, Unknown Bodies followed — its title track carving out a distinct signature: an erotic and infernal narrative of touch, gazes, and surrender.
With Phoebe’s White Skin (2020), Velvet May crystallized his aesthetic — a visceral fusion of 80s/90s raw textures, Cold Wave melancholy, and the physical drive of Body Music. Alongside his solo work, he explored more Punk and Rock-oriented projects, expanding his creative territory.

His live performances — physical, charged, and organic — extend the emotional and sonic architecture of his studio work, translating sound into motion.
In 2024, he released his debut album on Veyl Records, and joined Supplant Band (Stoner Rock, Shoegaze, Alternative Rock) as a vocalist, adding another layer to his creative evolution.

Velvet May’s music is a raw and unfiltered projection of his inner drama — no gloss, no disguise, only the pure tension between beauty and decay, order and chaos.

For bookings please contact Laura Callegaro laura@elitemm.co.uk
mobile: +44 7966614990
office phone: +44 (0) 1273 55 40 22

• Soundarchitect • Composer • DJ

Cio D’Or is an artist, composer and DJ who seamlessly bridges the worlds of techno, art and composi,on. Her artistic drive and creative process begins with an idea that emerges from silence and aims to convey something inexpressible and indescribable. Her work testifies to the timeless possibilities of music and movement.
Cio D’Or’s sound is characterised by attention to detail, weaving together ethereal textures, subtle rhythmic complexity and an undeniable emotional depth, creating a balance between architectural precision and fluid, cinematic immersion. Each element is placed with intention and shaped by a keen awareness of structure and space.
Her releases on Semantica, Prologue and Kynant are timeless expressions of her minimalist and cinematic approach to electronic music.
Known for her dramaturgically structured DJ sets and cinematic productions, she has performed at Berghain, Dekmantel, Bassiani, De School and festivals worldwide.
Cio D’Or’s sound blends architectural precision with immersive atmospheres, informed by influences from Eno to Vainiø, from Bach to Stravinsky, and rooted in decades of sonic exploration. Her music continues to evolve. Her lifelong study of music does, too.

Artist Curriculum Vita 
Education
1977–82 first piano lessons, autodidactic learning of xylophone, congas, kalimba, guitar,
1982–85 Private school for contemporary dance, Martha Graham technique, Berlin  
1999–today Studies in music production, sound creation, composition, dramaturgy, video scoring, photography and visual media. Skills include vinyl mixing, electronic music techniques, MPC 2000 sampling, field recordings, synthesizers, keyboards and music software – developed both on journeys and in the studio.

 Career [Selection]
1976 Conga performer in a jazz band
1981–87 Choreographies modern Ballet, Graham technique in Hanover, Berlin
1983–85 Teacher in modern dance, choreography and gymnastics at VHS Berlin
1984-86 Modern Ballet for André Heller [Fire theatre “Sturz durch Träume“] by L.A. Ellis, as well as in the cinema film by John Frankenheimer„The Holcroft Covenant“
Dance theatre by B. Seidel
2015-today Visual artist for her music: shooting and editing music videos, photographing covers, developing visual concepts
Publications [2000-today]  Musical theatre, 2 films, 3 albums, 14 EPs, international podcasts, various national/international interviews. Labels, among others: Prologue and Semantica

Stage [1999-today]  Over 400 national/international dramaturgical hybrid DJ and ambient performances 

2005 Affiliated member GEMA
2010 Resident Advisor Top 100 DJ worldwide [64th ranking]
2013 Composition „Distanz“ for the Taschenopernfestival in Salzburg
2013 Lecturer Landesmusikrat NRW: “Rmx. Regendered Workshop”
2013 Dommune TV–Tokyo, Japan
2014 PULSA:RE with Brigitta Muntendorf; premiere: Deutschlandfunk
2015 Goethe Institut Sweden„Grammophon“
2015 Lecturer „Loop–A Summit for Music Makers/Ableton“
2015 Film score Ataraxya [1st prize Int.Dig.Animation Nagoya,Japan]   Man on Mars filmmusic
2015 Music for the Haute Couture CHANEL Show Fall-Winter 2015/16 & Karl Lagerfeld Interview   
2016 Dave-Festival, Dresden: Music/Dramaturgy for 2 modern-dancers with visuals in a cinema, assignment Dresden
2020 Extraordinary member of GEMA [composer]

2020–2024 Advanced studies in classical music theory and piano (including fugues). Conceptual and dramaturgical development of projects combining classical and contemporary music worlds, integrating new sound developments, followed by project planning supported by consecutive scholarships. Scholarships: 2× Ministry of Culture and Science NRW, 3× Musikfonds, GEMA
• 60-minute live act with instruments for EU festivals : dramaturgy & composition
• Piano compositions [52 minutes] for film and European stage productions
• Electronic–orchestral interplay [Polar Q, Kynant Records 019, vinyl & digital]
• Music trilogy [Clavier | Orchestral | Ambient, 3 CDs] for publication and stage
• Music portrait of a homeless person
2024 Music for the Haute Couture Show LOEWE Spring-Summer 2025 2025 On behalf of Francisco Tavoni for the exhibition The Source – Astral Projections at the Lindberg Galleries, Melbourne, she created a 40‑minute mix for the sound installation with her sounds and music, including binaural tracks at 4 Hz and 7.5 Hz.
2026 Guest Curator for Electronic Music at the Art Festival Hanover Herrenhausen, Germany

Press Comments [Selection]
n.n.
Minimal Collective (Text: Brent van den Elshout)
In a world driven by volume and spectacle, Cio D’Or stands apart, mastering the power of the barely perceptible. This editorial explores her philosophy of sonic minimalism—where silence, restraint, and nuance challenge conventional ideas of presence in music. Through her creative process, live performances, and the balance between macro and micro perspectives, we uncover how Cio D’Or transforms the ‘power of less’ into a profound, intentional form of presence.

Orb Mag (Text: Cédric Finkbeiner) 
Designer of an instantly recognizable sound, she produces warm and deep complex structures, constantly on a fence between light and dark cliffs, noises and silences, cinematic settings and authentic presence. Part of a family of intricated sounds brought by artists such as Aleksi Perälä, Alva Noto, and Ryuichi Sakamoto, she’s a high representative of the minimal movement. She honors painter and pioneer Frank Stella’s quote “The aim of art is to create space,” she does through deep refined electronic music compositions and stripped piano pieces, delicate yet substantial.
Intriguing and engaging, her musical minimalism invites the listeners to bridge gaps with their thoughts, making them active in the artistic process and, therefore, contributing to the immersive effect. The mental activity is yet effortless for them: minimalism allows a focus on the essentials, by eliminating the dispensable sonic excesses and by creating space. Such a process brings mental freedom to the listeners, by breaking through the wall that a too-dense track would normally build. On the contrary, Cio D’Or’s music is open, and inviting, with an exquisite balance between artistic depth and hopeful, melancholic intelligence.

Monument Podcast (Text: Joe Mayberry)
What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more.
Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.
Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work.

These are my personal rules based on experience and love for music, promoters and audiences:
Set: 2 hours main time, 3 hours at the beginning of a night***
1 hour live (hopefully from Mid 2026)
Live recording:  
a) I love mixes that I perfect at home for an hour, because the idea, dramaturgy and a mix should, ideally, express something and be timeless.
b) there are far too many mixes online ( I prefer quality over quantity ).. 
Deeply thank you for your understanding! Love, Cio ~∆*

AV/N is following