Upcoming DJ, stay tuned!
Harddance, Classics, Trance and Hardstyle❣️

As the first Italian DJ to tour the world, he’s put his homeland on the global techno map. As the first DJ to mix live on the eminent BBC music show Top Of The Pops, he’s helped bring techno to the widest audience possible. As the man behind Meganite – one of Ibiza’s most successful and longest running nights – he has recruited some of the world’s most respected underground DJs as residents; Adam Beyer, Marco Carola and Chris Liebing.

This journey to legendary status began over 25 years, 700 releases and 7 million unit sales ago when he became the first Italian finalist in the world DMC championships in 1988. Galvanising this success the following year with a win on a live broadcast Italian DJ competition called The Walky Cup, his national crown as a premiership DJ was realised... And the world beckoned.

A string of sonic successes, dancefloor dominance and industry victories followed; early chart appearances as R.A.F and co- writing for myriad European house acts during the early 90s led him to become a partner Media Records, while his reptilian trilogy in 1998 elevated him to a global level; ‘Lizard’, ‘Iguana’ and ‘Komodo (Save A Soul)’ fused trance with techno on such a level they became hymns for the biblical superclub explosion during the last few years of the 20th century and charted in many countries. From this point onwards, the world could no longer ignore the dance music and techno phenomenon. And Mauro was driving from the front. As one of the most in-demand artists across the globe, he barely left DJ Mag’s illustrious Top 100 DJ list throughout the first decade of the 21st century.

Constantly searching for innovative developments – both musically and technically – Mauro expressed an early vision that is now common place within electronic music: his ability to bring the underground to the masses, to fuse melody, hooks and harmony with industrial strength drum dynamics, his innate understanding of widescreen DJ selections that cover the whole spectrum created a reputation that positioned him in all corners of techno.

This focus and attitude meant that as a DJ he’s been invited to perform the broadest possible range of peaktime sets from Berlin’s famed Love Parade to Turin Winter Olympics via Timewarp, Tomorrowland, MTV Festival, Awakenings, Sensation, Mayday, Ultra Music Festival, Space Miami, Ibiza and thousands more. As an artist this gave him the freedom to flex from major remixes of top tier acts like Freddie Mercury and The Pet Shop Boys while delivering extensive albums that explore every side of techno with daring experimentation with tracks such as ‘Baguette’, ‘Contaminato’, ‘Hong Kong’, ‘The Riff’ and ‘Asteroids’.

As well as his journeyman DJ sets and full spectrum productions, this vision is also evident in his two brands. Both established in the early 2000s and still going strong to date, his Meganite events and Alchemy label are both melting pots for evolution and development. Meganite at Privilege is one of Ibiza’s most infamous techno parties and has since gone on to take over clubs and arenas across Europe and the US while Alchemy has delivered cuts from the likes of Adam Beyer, Chris Liebing, Joseph Capriati, Paco Osuna, Popof, Sasha Carassi, The Advent, Steve Rachmad, Nicole Moudaber and many more. Not just a label, Alchemy has also given the world a successful festival in Mauro’s motherland Turin in 2010 and is the home to his hugely popular podcast series that is syndicated across the world and listened to by audiences of millions. 

Just looking for the right music to listen to while
doing some work on various projects.
Seems like i can find most, if not all, music right here.

Grammy nominated producer, DJ and radio host.
New album 'Music Rescues Me' out now!

According to the dictionary, polarise is a weak verb which often has a strong
effect, most of the time unintentionally. However, this is not the case for Eskimo
Callboy. "While writing of our album, it was our top priority not to miss out on
the famous "shake of the heads" by the critics", said singer Sebastian aka Sushi
regarding the themes of polarisation and provocation. So, a system lies behind
everything that the six piece does. It is no coincidence that the band's name tries to
approach the poles apart...

For ten years, the six musicians of Eskimo Callboy wandered through this cosmos
called „Rock Music“, until they found each others in 2010. Rumor tell, that spirits
had their part in the game, when the present concept first took shape musically. The
song "Monsieur Moustache vs. Clitcat" represented the initial spark to what Eskimo
Callboy represents today, according to their own statement: “Danceable porn-metal,
with a pinch of psychedelic glam rock!“ This catches on, turns on and scandalizes.
Sometimes.

In past year, the 6-track EP "Eskimo Callboy 2010" reflected the creativity of these
six midtwenty fellows from Castrop-Rauxel in Germany at the beginning of their
existence as a band; however, since then a lot has happened. Too much to remain
unmentioned. Everything had to be recorded on an album. "After we had released
our EP, we went direcly on stage. After six months and 30 shows, so many things
had happened that an album was needed. Even relationships broke up because of
the band, so that everything had to be renewed and, above all, recorded."

Despite of all developments, when writing the new songs Eskimo Callboy oriented
themselves towards the sound on their EP. But as time went by, their compositions
were becoming increasingly sophisticated, so that on the new longplayer just a sort of
bridging remains.
The best example for this development is the first single „Is Anyone Up“, in which the
band self confidently combines brutal metal-riffs with poppy electro-elements and
anthemic refrains. Whether songs like “Bury Me In Vegas“, “Wonderbra Boulevard“
or “The Kerosene Dance“, Eskimo Callboy make clear that they are cutting-edge with
their modern metal-sound.
"The album is harder and at the same time it has become more pop, though it
remains connected to the previous style, so that we can say that we have remained
faithful to ourselves."

Remaining faithful to themselves means also keeping their light-heartedness of
which they owe their multitude of fans. They come close, carelessly, lightly and
courageously. They continue joining what is difficult to join and creating issues
for discussion. "For years, each member has been musically well acquainted with
metal, but privately we listen to a lot of electro and pop music, too. Nothing was
too absurd when we wrote the EP. We have tried many new things and we have
rejected nothing, actually. And although Eskimo Callboy became more professional in
some respects during the first year, it was clear that we didn't want to lose our light-
heartedness."

Signing with Redfield Records belongs to the "professional things". "The label saw
our shows. Then, we talked and they seemed to be assured by what they had
seen and heard." But also the band's organization became more professional, the
structure of today is a team that "feels like a small family". They have become best
friends, while the band is growing more and more, no longer being being a simple
hobby. "We spend so much time together; therefore, the sense of community has
also tremendously grown."

This is why their lyrics are often about true, collectively experienced stories. "Behind
every song lies a true story, which is improved with lots of imagination. However, no
one should take the lyrics too seriously, because they involve a lot of sarcasm. They
are about parties, sex, booze experiences and interpersonal relationships."

The savoir vivre of the carefree youth is especially reflected again in the dance-
parts of their music. Because these six know from personal experiences, what their
generation wants. "Partying and dancing! Through the electronical elements, a
danceable mix can be noticed in our music. That is very important to us, because our
music is meant to create a good mood."

The priorities are set, it´s all about looking ahead now. "We simply want to continue
as before. A lot of travelling, meeting new people, visiting cities, in order to expand
our network - shortly: having a good time. Our "big" goal is to participate in a tour
through the United States. But above all, we do not want to give up that what our
music stands for. Because it's not just about the music alone, but also about a
temporary sense of life, that we want to achieve with it."

The mixes will be added / updated every now and then.
For your promo tracks please send it to this account <a href="http://soundcloud.com/dac" rel="nofollow" target="_blank">DaC</a>

If you have some requests or mixes that you think are rare please message me. Thanks

I first started listening to Happy Hardcore in 1996 along with my Twin Brother at the age of 17, it became an obsession pretty quickly due to the euphoric feelings the amazing pianos and vocals would supply. Dougal quickly became my favourite DJ due to his amazing track selections, his sets were full of smile on your face bangers and was always the first tape played out of any new tape pack, indeed I wouldn't even buy a tape pack unless Dougal was on it 😂 I got my first set of decks in 1999 at the age of 20 - Gemini PT1000 MK2 Direct Drive & Numark DM1001X Mixer, I wouldn't say I was a natural by any stretch of the imagination, it was car crash central at first, but I managed to teach myself beat matching and phrasing to an adequate standard within 6 months. Unfortunately around the time I bought my decks Hardcore was on the decline and Trance was getting huge, so Hardcore Vinyl was getting harder to source, so I started playing Trance instead whilst still harbouring my love for Hardcore. 

I've always struggled with my confidence, so I didn't really push myself in any meaningful way to become a DJ, of course I had dreams and I was a decent standard, but I was painfully shy when meeting new people so the idea of talking to promoters put the fear of God in me. In 2001 I went to my First Retro event up in Yarm and this changed my DJing direction totally, I started buying as much Classic House as I could, the Pianos were infectious and the atmosphere at the events was amazing. I managed to purchase some Technics 1200 MK5's in 2004 and got some bookings for some Classic House night's. I was still buying Hardcore Tape/CD Packs as I still loved Hardcore, me and my Twin Brother were the only one's out of our friends still listening to it, Hardcore had evolved to UK Hardcore, and the tracks being produced were phenomenal it was a brilliant time for the Hardcore scene. I wasn't buying any of the new Hardcore releases on Vinyl, as I was getting booked for more House events, and there was an abundance of House records to be bought. It wasn't until 2010 that I actually went digital, so I was finally able to download huge amounts of Hardcore Tracks and mess about with them at home, but I wasn't pushing that sound it was just for my own pleasure at home. In the DJing stakes I'd started playing Tech House and got some good bookings for that, I still love Tech House, there is definitely a brilliant groove to it. 

2013 was an extremely difficult year for me personally. I stopped DJing altogether and just went on my decks sporadically at home. I sold my beloved Technics in 2015 due to personal circumstances, an absolutely horrible day in my life that was (still kept my Vinyl though). I bought a DJ Controller with some of the proceeds which I used very sparingly. In 2017 my life changed massively for the better personally after 4 1/2 years of being in the doldrums when I met my Partner, who is an absolute Star. Unfortunately my controller had to go into storage due to space issues and to be honest I still wasn't ready to jump back into the World of DJing. Fast forward to 2021 after 8 years of hardly doing any DJing my fingers had started to get the itch, I could feel the passion return and I was getting a lot of prompting from my 2 best mates, so room was made for the Controller by my good lady and she was brought out of storage and amazingly enough she still worked. I had no targets when I restarted DJing I just wanted to play the stuff I loved for me, which was naturally Hardcore. Covid had struck though and there was a huge online community growing, I saw an advertisement from Hardcore Vibes Radio for a Guest Slot, so I did a mix for them and then got taken on as a resident which has been absolutely amazing for me both personally and professionally. I've also started playing House again and am now very proud to be one of the residents at a brilliant local Burnley Night called Luv House, onwards and upwards 😊

🪭 SOLID NINJA 💚

bookings :
alex@miraclemgmt.com
management: 
michele@cthmanagement.co

producers : send your promos to my Soundcloud DM please 💚

https://marhumusic.com/

Marhu stands as one of Belgium’s most promising international music producers and DJs. Born and raised in Brussels, with Swiss and Belgian heritage, her sound is Psy-Trance and Techno infused by her love of the Eastern cultures, she implements Japanese and Indian instruments including flutes to create a unique sound element not synonymous with the rave scene.

She is now a resident artist of ARTCORE Records, breaking out on the labels OFFSonar 2024 VA in June 2024, with her track ‘Bansuri’. A huge hit for the label and her as an artist, followed up with the 4-track ‘Bhajan’ EP, drawing inspiration from a wonderful mix of traditional Japanese and Indian instruments in the process.
It secured Marhu the rare feat of having three tracks in Beatport’s Top 20.
Earlier this year, Marhu was selected to feature alongside Valentinø on ARTCORE DUO II as part of the label’s forward thinking DUO Series , a concept which sees different artists feature
on a single EP release.
Whilst more recently, Marhu collaborated with Mexico’s Interactive Noise to produce the incredible ‘Solid Ninja’ which was included on Paganotto’s most recent label VA offering, ARTCORE OFFSónar 2025.
On 11th September, Marhu returns with a new two track EP titled ‘Mamichula’, with the title track featuring the vocals of MC Arlene.

Recognized as an emerging act on Beatportal's ‘On Our Radar’ editorial, her DJ sets prioritize storytelling whilst engaging her audiences with positivity and energy. 

Her 2025 gigs at Tomorrowland, Medusa, Dreambeach, Les Ardentes, Rave Rebels, Dockland, Extrema Outdoor, Hafen49 in Maanheim, Cocorico in Riccione, Kompass in Ghent, Fuse In Brussels, as well as ARTCORE’s showcase in Awakenings in Amsterdam, all highlight Marhu as a rising star to watch.

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