"...something of a prodigy... ...Robert Logan is a man that is already showing a maturity and a musical/textural understanding that many never find" [BBC]

"The essential last word in electronic soundscapes." [DJ magazine]

"Fraught and broody... ...Logan is versatile and imaginative." [The Wire] 

"brooding fractured rhythms and dark electronic atmospheres..." *** [Q magazine]

"Robert Logan keeps his creations on a tight leash, though; it’s all choreographed scissor-kicks, controlled texture-bleeding, with a dexterity of sound design beyond the brutalism of the cut-and-shut splice-and-dice merchants of mentalism." [igloo magazine]  

"This is awesome. The last word in studious electronica's re-imagining of Grime and Dubstep. At moments it is preposterously architectured, like a housing estate built by Iannis Xenakis hellbent on fully exploring the possibilities of concrete." [Woebot]

“Cognessence is so rich and varied in its moods, and so thoughtfully and expertly textured, that the results pretty much transcend the requirement for comparisons – the album sits entirely on a ledge of its own." [Barcode]

"There are few signs of innocence in his sophisticated debut, either, with Logan taking on the stylistic might of titans such as Massive Attack and Autechre... ...there seems to be little out of reach for such prodigious, sure-footed talent." [Flavorpill]

"Absolutely outstanding...impossible to quantify" [Mary Anne Hobbs - BBC Radio 1]

"Logan shares a foreboding air akin to Burial but with a restless rhythmic undercurrent that sounds like it’s being
gnawed away by metallic ants." [Metro]

"Robert Logan is another one of those dudes who you'll grow to become envious of over time. Repeated listens to his debut Cognessence stir up a bittersweet mixture of awe and envy. This cat is 19 and he's doing things in his garden shed with distortion and electronics that makes speakers quake in a very different way." [Rock A Rolla]

"With his debut album, Robert Logan had set the bar rather high, but he effortlessly surpasses it with this second effort... ...With Inscape, Logan has delivered one of the strongest records of the year so far." - 4.7/5 [Milk Factory]

"Inscape is a technically impressive piece of work, and a treat for all sets of ears that pine after flamboyant, intricate electronica." [Boomkat]

"Those familiar with Robert Logan’s work will know what a pioneering force he is on the electronic music scene.” [Buzzin Electronic Music]

"Logan’s first album Cognessence was described as “the essential last word in electronic soundscapes” but I would say that Inscape is the essential first word in electronic soundscapes as he’s ripped up the rule book with this one and started again." [Fly Global]

"Logan’s music is strong enough to standout on its own" [Headphone Commute]



New Zealand born and raised Soprano Aivale Cole is now based in London, United Kingdom.  She loves and appreciates all kinds of music.  

She loves opera! She loves Jazz!  She loves Christian music too!  

Enjoy!!

David Chisholm is internationally recognized as a composer defined by diverse and hybrid collaboration and a curator and producer of vision and courage. He was composer in residence for Philip Adams’ BalletLab and an Associate Artist for Malthouse Theatre, before becoming the founder and director of the highly acclaimed Bendigo International Festival of Exploratory Music and its roster ensemble Argonaut. David has been an artist in residencee at HIAP in Helsinki, EMPAC in New York, Centre Intermondes in La Rochelle and Camargo Foundation in Cassis. He was the first Australian composer to be a featured guest of the Encuentro Internacional de Compositores in Santiago, Chile. David was an inaugural recipient of the Victorian Government’s Creator Grants. He holds a PhD from University of Melbourne and is currently Urumatua o te whare o ngā pukōrero pūoro|Head of the School of Music at Waipapa Taumata Rau|University of Auckland, Aotearoa|New Zealand.  A member of SOUNZ and the Australian Music Centre, David is published by Babel Scores, Paris.

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