Für Stephanie...

Voltaic 2. Rascalaty

Used Sonic Pi to live code an improvisation from a rich modular synth sound provided by Steve Meyer (https://soundcloud.com/user-684506476).

Live Code Session (6/24/2023) [from source sound by Steve Meyer]

MMXXIIIVIXXVTGHTNNG

MMXXIVIXVIIDPND

death is for the living

NAVIARHAIKU532 – WORDLESS

Wordless
all day long
the shadow of a butterfly    by Hosai Ozaki

Moravia Reeds
Solo saxophones using phase-aligned samples

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/14437/


Risset rhythm - Shepard tone sampler
looper with barber's pole effect

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/15229/

pS_gLitch
pitch-speed glitching

https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/5417/

WordlessButStutterer (naviarhaiku531)

Miromathus

Greed Abyss

A dark dream (Under a winter night sky)

Shock TReatMent Tour:  July/August 2024: Norway (Oslo, Trondheim)

Classical optimization methodologies  fall short in very large and complex domains.
With a sampler, you can use any sound in the world to invent your own music. That is empowering. What are you doing with yours? :)
I  have seen a lot of people who have been getting a record label together, they get a lot of artists on their label and when the day comes to pay this artists they do not pay these artists. This is happenning with Techno, actually a lot of the artists have suddenly realized that, once again a   music scene is created of the back of the underground musicians who never got paid for what  they did. Bringing music back to what it originally was.

Greed Abyss

Balma

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