les microbes de dieu

Francesco Bigoni - tenor sax, clarinet
Bára Gísladóttir - double bass
Gustaf Ljunggren - pedal steel guitar, wooden flute

live @ 5e - ILK stage, Copenhagen Jazz Festival - 3.7.2023
picture of Bára Gísladóttir by Anna Maggý

Bigoni - Gísladóttir - Ljunggren live @ 5e

L'empatia del vento
For Viola, Piano and Electronics
Spheres Ensemble
LAC Lugano
12/05/ 2023

L'Empatia del vento - for Viola, Piano and Electronics

Sarah Nemtsov
TIKKUN (2021)
for solo ensemble (saxophone, e guitar, keyboard, drums), string orchestra and percussion

Nikel Ensemble (Patrick Stadler, Yaron Deutsch, Antoine Francoise, Brian Archinal)
Heidelberg Philharmonic Orchestra
Mino Marani, conductor

*
TIKKUN is part III of the tetralogy TZIMTZUM (2020-2023) for solo ensemble (Nikel) and orchestra
*
live recording from a concert on February 5th 2025
dlf 

TIKKUN (2021)

Sarah Nemtsov
black trees (2020) for orchestra – DSO Deutsches Symphonie Orchester, Markus Poschner 

live recording from the concert at Ultraschall Festival Berlin, January 19th 2025

painting by Elisabeth Naomi Reuter "the moon is no door" (oil and oil chalks on mdf board 100x80cm, 2015)

black trees (2020) orchestra - excerpt

Sarah Nemtsov
CHESED (2022)
for ensemble: e violin, minimoog synth, oboe d'amore, contrabass, tuba, percussion, objects and electronics

Ensemble Musikfabrik, Friederike Scheunchen

dedicated to Hannah Weirich, in memoriam Uli Löffler

live recording from a concert at WDR, June 2024

EXCERPT (beginning) duration of the whole piece: ca. 20'

*
painting by Elisabeth Naomi Reuter, alkyd on mdf board, plaster, 1979

CHESED (2022) for ensemble - EXCERPT

Performed by the Icelandic flute ensemble

Berglind Stefánsdóttir, flute 
Björn Davíð Kristjánsson, flute 
Dagný Marínósdóttir, flute 
Emilía Rós Sigfúsdóttir, flute 
Jón Guðmundsson, flute 
Kristrún Helga Björnsdóttir, flute
Karen Erla Karólínudóttir, flute 
Margrét Stefánsdóttir, flute 
Maria Cederborg, flute 
Petrea Óskarsdóttir, flute 
Sólveig Magnúsdóttir, flute 
Þuríður Jónsdóttir, flute

Hallfríður Ólafsdóttir, conductor

Influence of buildings on musical tone

Grisaille

Split thee, Soul, to Splendid Bits (attn.: no eternal life/light this time around)
     i. a dirty prelude to get started 
     I. “Virgin” Mary (52'')
     II. Mr. Saint Nice Guy (3'26'')
     III. Uomo in disguise (6'14'')
     IV. Revelation: wave-crushed stones and primitive despise (8'12'')
     ii. interlude: OMFG have mercy on us (9'22'')
     V. Amma in the skies (11'3'')

Commissioned and premiered by Nordic Affect in Skálholtskirkja on August 5th 2018. Recorded by the Icelandic National Broadcasting Service.

Split thee, Soul, to Splendid Bits (attn.: no eternal life/light this time around)

Desordénate

Live@Imaginary Landscape Festival-Cagliari

Modello di coincidenze

MOOS (2019/2020)- [EXCERPT!!]
for ensemble with electronics (13 musicians: bass flute, cor anglais, bass clarinet, trombone, tuba, violinl, viola, cello, contrabass, e guitar, harp, piano, percussion+electr)
WP: 10.2.2020, Konzerthaus Wien; Klangforum Wien, Yaron Deutsch (e guitar), Lars Mlekusch (conductor)
Duration whole piece: ca. 19′

"MOOS" - Klangforum Wien - UA - EXCERPT

Icelandic composer and double bassist based in Copenhagen.

Split thee, Soul, to Splendid Bits (attn.: no eternal life/light this time around)

baragisladottir