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Mizik pou la Klib

Produced, Arranged, Mixed & Mastered by cb Hunter (fka Wizmo)
Artwork by @kno.ware

9 Altos

"The Palace" sees Ovid return to Flood for his third release with the label. The NY based artist comes packing a fully realised EP that fine tunes the mechanical layers of rhythm and gritty textural melodics synonymous with his production.

Produced by Ovid
Mastered by Lurka
Artwork by h5io

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Ovid - Wound Up

This new EP was born during a trip to Brazil, where Entrañas (Dani) stayed with Kontronatura (Achille) and his cats. That warmth and hospitality inspired a project that, despite its dark tones and deep bass, carries a sense of affection — a nod to the friendliness of Brazilians, especially Achille.

Brazil’s vibrant identity and rich Latin electronic scene stood in stark contrast to Ecuador, where such a movement doesn’t exist. For Entrañas, embracing Ecuadorian roots is an act of resistance against cultural erasure from the US. Musically, the EP blends baile funk, techno, and bass, with “Eris” adding Ecuadorian bomba and tribal rhythms — a delight for fans of 6/8 and triplets.

Both artists are no strangers to the label’s catalog: Entrañas previously appeared on the Amor Na Endz 3 compilation and on Nadī & Otus’s Less Talk/ More Talk remix EP, while Kontronatura featured with a remix on Obeka’s Temple Drum EP.

This release is not only a celebration for the artists but also for the label, once again born from long-distance support and mutual appreciation. 

Produced & Mixed by Entrañas & Kontronatura
Mastered by Ben-Lee
Artwork by Blue Canariñho
Visuals by Daviaa & Blue Canariñho

Entrañas & Kontronatura - Shaniqua

PREMIERE : WRACK - Supe [NAAFI]

@prodomaar - Limited Drum (taken from 'Neo Form', out on the 26th of September via @infinite-machine)

Was it just me or OMAAR's 'Progressive Tribes' was one of the standout tracks of the previous decade? Fusing the raw intensity of hard drum with Mexican producer's percussive finesse, it certainly hit all the right notes to be a DJs' favourite club tool. Years went by and OMAAR kept on delivering the rumbling goodies, regularly enriching the catalogue of NAAFI with his trademark sound.  Now, he turns to Infinite Machine for his latest release which sees the usual relentless drum workouts mix with elements of jungle, uk funky and hard drum.

[PREMIERE] OMAAR - Limited Drum (Infinite Machine)

Nokia Balistikz: a special project by Metronone on DALF records featuring seven remixes.

Read more on CxC 🔗 https://couvrexchefs.com/en/metronome-sum2say-remix-by-larissa-dalf-records

Article

CxC PREMIERE: Metronone - SUM2SAY (Remix by Larissa) (DALF Records)

Futuristic club & oriental heritage: Isma unveils his new EP Kelb on Hypersonics.

Read more on CxC 🔗 https://couvrexchefs.com/en/isma-summaq-hypersonics-kleb

CxC PREMIERE: Isma - Summaq (Hypersonics)

Fake Rust is a three track EP that weaves together Middle Eastern instruments, Latin influences, and hints of tribal rhythm.

The title Fake Rust came from a trip I took with artist and dear friend Jacqueline L. Palma and her daughter to the desert in Coahuila. There, we scanned stones covered in lichen. At first glance, the textures looked like rust, but in truth they were alive, quietly transforming the surface of the rocks. That illusion stayed with me: something appearing aged or corroded, but actually vibrant and breathing.

This EP carries that same paradox (raw, percussive, and earthy), yet built for movement, connection, and energy. Fake Rust is a reminder that what looks like decay can instead be growth, and that the dancefloor, like the desert, is full of hidden life.

Credits

Produced and Mixed by Loris Mitri
Mastered by No Light
Art Direction by Jacqueline L. Palma
Additional Help by Roberta Lozano
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Calor

This track is more than music—it is a memory. Inspired by wedding celebrations in the West Bank, it carries echoes of joy, tradition, and togetherness. Today, as many face the struggle to simply exist, these sounds remind us of a homeland, of moments that no distance or conflict can erase.
Blending electronic rhythms with the spirit of Palestine, this piece becomes a collective memory for all who have lost, left, or long for home. A tribute to resilience, love, and the roots that live within us. @orientschmiede @laxfilet

[NOFU7UR3PREMIERE] Balout Krew & Laxfilet - Take Me With U

Grand Cru 2008

Lüchttoorn

On the 1st of December, just one day before her performance at Sónar Bogotá, Colombia-based Stefficrown will release her new EP via Basy Tropikalne netlabel!

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Stefficrown is a Cyprus-born half Colombian vocalist, rapper and activist living in Cali. In her music she smoothly moves from urban r&b to sensual soul and straight-to-the-point rapping. For the 'ACT II' EP she brings three original tracks which are backed by four remixes from Argentina (Hiedrah Club de Baile resident Desdel Barro), Poland/Angola (Lua Preta duo), Bolivia (Sikuri) and Spain (Bigote). The guest producers each add a distinct flavour to particular tracks - hence we get an atmospheric ballad with the taste of tarraxo ('No Quiero' seen by Desdel Barro), the most straightforwardly dancefloor oriented track on the whole release in the form of Lua Preta's take on 'Jala Jala', Bigote's moody try on the same song and finally a bit disturbing version of 'Someteme' by Sikuri.

Stefficrown - www.facebook.com/stefficrownlabel/
Basy Tropikalne - www.facebook.com/basytropikalne/

ACT II EP

Stefficrown - Jala Jala (Bigote Remix)

Poland-based platform promoting contemporary electronic music from Latin America and Africa since 2015. Radio show, netlabel, events and more.

Stefficrown - Jala Jala (Bigote Remix)

Basy Tropikalne

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