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This is the first outing for Eric. It is an intriguing song with layers of questions in the emotional texture of the lyrics and the haunting hook. While the rough mix worked, It didn't help bring out all the layers within the track overall. This mix sets things far more free so they move better as well as making everything feel louder (whilst still being 11 LUFS).

Thrax Musa - Arteries - Benedict Roff-Marsh Radio Mix

I did two mixes for BB Critch for this song. The first is the big bright Radio Mix that shows all the parts big n brash and this version with a warmer sound favoring the acoustic guitar lines over the electrics.

BB Critch feat Mella - Lotta Lotta Fun - Benedict Roff - Marsh Lean Mix

Tony has sung for decades and even written quite a few songs that have been recorded by other people. This is the first time he has stepped into the hot seat with one of his own, at seventy-one! We made sure the song was tight then recorded 5 good takes here in my mixing studio. Tony wanted a gang feel with the vocals. I took the main take and worked it as the lead. The other takes I processed like each was another singer with some sense of Hendrix, Elvis & Boz Scaggs for feel. The final mixdown, I treated the vocals somewhat like The Highwaymen live where all those strong singers work in lovely ragged harmony.

Tony Murphy - Knockin' Knees With Bowlegs

Scott Free wrote and sung this himself. It is a new direction for him with a less Punk sound. The song is really powerful with a nicely developed lyric and a delivery that shows the "broken down" feel very well.

Scott Free - The Dark Ages - Benedict Roff-Marsh Mix

"Benedict finds my inner self and brings it out in my songs - he finds ways to express what I want or meant to express - absolutely brilliant work!" Scott Free. Scott brings a level of power to this protest song that makes it compelling. I deliberately mixed this to be confronting in the same way protest songs used to be done. There is no sense in hiding what he is singing about. It is an ugly subject so hiding under pretties seems like a denial of the story being told.

Scott Free - Cop Souls - Benedict Roff - Marsh Mix

Naked Head is a show band that creates humorous originals based on combining genre tropes with modern feels. This was a job to mix, even though there were about 80 separate tracks for all the vocals to make the choir. I mixed it to sound both 1979 London & 2001 So Cal at the same time.

Naked Head - Naked Generation - Album Version

This is #2 in an album I am mixing for Naked Head, a local act with a musical theatre bent. These are high-track-count mixes with all the backing vocals and little details. It is all so worth it though in the end. Jake is a super Arranger.

Naked Head - Video Game - Benedict Roff-Marsh Mix

Third track for these local lads. this time using elements of early Rap & Hip Hop. This album is already going to be a corker (we're working on tracks 4 & 5).

Naked Head - Get Naked - Benedict Roff-Marsh Mix

Laurie & Steve did a wonderful cover of the Yazoo classic "Nobody's Diary". They kept the feel of the original whilst adding their own touches. I also delivered a stripped-back club-style mix referred to as the Spartan Mix which s on their Bancamp page.

The Nightingale Experience - Nobody's Diary - Benedict Roff-Marsh Mix

This is the lead track (and one of the "radio songs" from Jake's first full-length album in which I wore the hats of Record Producer, Mix & Master, and interim Manager to be sure everything all came together with a strong vision.

Falling Down In Love

Jake Cropley - Hopeless As A Star

This is my second song with Silvano. This time, along with a singer, he hired in a guitarist/bassist to make for a more nuanced result. the level of commitment makes a real difference in the quality and enjoyability of the results.

Silvano - Second Chance Man - Benedict Roff - Marsh Mix

A freeform experimental piece with a not to Brian Eno. The mix was proving to be a challenge for Peter so i stepped in with my experience in this area. We were both delighted with the results.

Peter Olsson - Rhodes & Guitar Session III - Benedict Roff-Marsh Mix

William Kalfelz - Fusion - Benedict Roff-Marsh Mix

My mix of the Stems provided by Lewitt Microphones for their #MakeYourselfHeard contest.

I came into this not really knowing the band and definitely not the song. I refused to listen to the song or even the band's style overall so that I could see how my take on the material compared to not only the official version but to what others have done.

What I did know was that these were pretty raw studio sessions with an emphasis on live & in the moment. The band's passion was on-tape. Just my thing.

I set out to deliver a mix of '60s Garage - '70s Stadium. A "band in a big hall" sort of vibe as that is what the material said to me. It is that mix of bombastic + grit.

There was a lot of spill on all the tracks. I did the least I felt necessary to tidy that up. No automatic gating. I only roughly chopped out the parts around the vocals and before the Bass first plays, using fairly long fades. If you lean in, you may hear it but this was not uncommon on old records. I only cut when I felt that the spill was "muddying the waters" more than adding vibe. I left the room mics pretty high in the mix.

On the masters, I used gentle stereo widening but also used a process to create a semi-mono mix. This was to bring some of the vinyl feel whilst still allowing for the modern taste of a broad spread.

I have had people say that seeing I mostly mix electronic music, I could never handle something Rock & Raw. I hope this helps them to see that it is all about Story and that genre is for children playing games.

Thanks to the band Saint Agnes and Lewitt.

Saint Agnes "Move Like A Ghost" - LEWITT mixing contest #MakeYourselfHeard

Jake of J-Hit Records came to me with a song he had developed with Jackson Brash. It is a charming summer "fun in the sun" song. He wanted a mix that felt more like something from the 60s than the typical LOUD thing. I was delighted as it is such a charming song. We sat together through the whole process (seeing Jake and I live close) and discussed everything I was doing, Why this thing, and not what they say in those Tuts??? Jake was surprised at how different the process was.

This was great track to prepare like it was a Stevie Wonder track in 1964 as it is a well-written and arranged track with solid performances. Much of the material was MIDI but with my approach, it feels like a lively track, full of character.

Thank You - Jackson Brash

Karen's vocal is just amazing. The music tends to eclipse all of the nails on the blackboard power in here. the track came over with one cliche guitar sound over the whole track that didn't give the variety needed for this sort of performer. I was able to get the clean guitar line and build three different Amp sounds to let the vocal breathe better.

Karen Dobson - Just Keep Drinking - Benedict Roff-Marsh Mix

A very sweet summer seaside Country song with shades of Jimmy Buffett, Kenny Chesney, and The Beach Boys "Kokomo". When the raw material is a good as this, it is a joy to mix.

BB Critch feat Mella - Port Aransus - Benedict Roff-Marsh Radio Mix

Slava's original mix of this song was very loud. I wanted to bring out the beauty and mix it more like a Classic Metal song. It may not be as loud but I have let out dynamics, detail, and beauty that loud cannot do.

Angel 7 - Genghis Khan - Benedict Roff - Marsh Mix

Gary's track is somewhat unique in nature. It borrows from several traditions, Beatnik poetry to Rap all with tongue very firmly in cheek. I decided to work from all of these elements. I delivered two mixes; this the Radio Mix and another where the music and voice were panned left & right as per Velvet Underground & early Beatles recordings for that very groovy post-Beatnik feel. Gary is working on an album of songs like these.

Gary Patrick - Cheeky - Benedict Roff - Marsh Radio Mix

This was one of a pair of songs I mixed for Beholder. "Brightstar" being the other. They are both really fun Indie Rock Band stuff. I delivered two mixes of this one the "SoCal" & "Classic". I must say personally I preferred the Classic Mix as less stereo-ness makes a more tough 'genuine' sound. I understand tho people are swayed but the sound in headphones so here is the usual guitars panned out mix.

Beholder - Planets Align - Benedict Roff-Marsh SoCal Mix

I am a Mix Engineer. My approach is different from the typical online mixer these days. My approach is to use the mix to help tell the Story of your Song. I am not looking to make the loudest or widest mix, but to make your song very emotionally engaging. If you find yourself tired of all those loud but flat mixes, give me a try.

I write Space Music which I consider a form of Proto-Techno or Techno as it was initially formed by artists like Kraftwerk, Tangerine Dream, Vangelis, Tomita etc. A few oddities get put here. Most of my work is on my site and bandcamp.

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BenedictRoff-Marsh