Intriguing activity in this little space - i'm curious

Sorry for your loss. Intriguing track…I love how this is based around field recordings of experimental science equipment. Maybe they were on to something with this phlogiston theory…could it be evidence of dark matter or extra dimensions?

Pista 4 de Versos Sonoros.

Música/Programación: Jesús Patiño.

©2019

-

¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
Mucha sangre
De color rojo, y rosa
Y de la mezcla de los dos,

Que se vea desde muy lejos
Y mucha gente venga
A ver lo que pasa

Y lo que pasa
Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos

Y por debajo de la lengua
Y tambien de los pies
Y de las rodillas
Y de las caderas

Y no paro de correr
Y a mi me gusta sentir
como sale tanta sangre por mi cuerpo
Y a mi me gusta sentir
Como sale tanta sangre por mi cuerpo
Y a mi me gusta sentir
Como sale tanta sangre por mi cuerpo

¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
¿Sabes que quiero?
Quiero que salga sangre de mi cuerpo
Y de la mezcla de los dos
Que se vea desde muy lejos
Y mucha gente venga
A ver lo que pasa

Y lo que pasa

Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos
Y por debajo de la lengua
Y tambien de los pies
Es que me sale sangre
De la nariz y de los dedos
Mucha de los dedos
Y por debajo de la lengua
Y tambien de los pies
Y por debajo de la lengua
Y tambien de los pies

Y lo que pasa

Es que me sale sangre

De la nariz y de los dedos
Mucha de los dedos
Por debajo de la lengua
De los pies y las rodillas
Sale mucha sangre
sale mucha sangre
Sale mucha sangre
sale mucha sangre
Y a mi me gusta sentir
como sale tanta sangre de mi cuerpo

Es infinita, infinita,
Infinita y todo el rato genero mucho mas
Mi sangre es infinita y todo el rato genero mucho mas

Es un espectaculo
Y si fuera un dolor muy leve
Un dolor divino
Un dolor del limbo
No pasa nada
Por que es como un truco de magia
La gente se asusta y se asombra
Pero no pasa nada
No pasa nada
No, No, no pasa nada, hey, hey

Soy infinita, soy infinita,
soy infinita, Soy infinita,
Hey, hey
Soy infinita, soy infinita,
soy infinita, Soy infinita,

Sangre Infinita (HQ 2021)

This is a something in between a re-mix and a re-make of an old montage piece based on recordings of electrostatic generators that I made in Teylers Museum (Haarlem), and sounds I designed around that. The piece was left out of the actual series of pieces ('Beauty Sleepers') performed there as part of the Toon festival in 2001. The re-make/re-model version was made in loving dedication to my father who passed away on January 24th 2022.

Phlogiston

PREDATOR

Out of the Box August 2022
Good Vibrations

Vibrations

Made with my Korg SQ-64 and the Roland D70.
Recorded/played 64 step sequence which I speed up a bit and manipulates while replaying it with the sequencer, added delay to give it even more life.

Artwork by Gilbert Garcin: https://artfacts.net/artist/gilbert-garcin/17699

I Never Heard The Bell

Wooden Floor And Wood Bass

Mermaid Of Madeira

More Than This

From my album "Fû": https://ariad.bandcamp.com/album/f
This track is based on a bird song. I slow down a recording of a bird and did transcript its melody in a chromatic scale with my keyboard with a flute preset. Around this, more elements came, especially my recorder and clarinet + some electronic fun. The acoustic elements are recorded with my zoom h2.
To learn more about this project: https://ariad-music.com/textes/musique/fu-en/

Download & Support

Bird Language

Use. Abuse. Obtuse.

Dead In Space

Antifesto is a creative alias of Bert-Jan Zuiderduin, a Dutch composer and sound-designer who doubles as a psychotherapist in private practice and at a human rights charity in London.

Bert-Jan originally studied Art and Media Technology at the University of Utrecht before going on to study composition at the Royal Conservatory in The Hague. As greatest influences he cites Conlon Nancarrow and Morton Feldman. 

Through his later psychotherapy studies and practice, Bert-Jan stumbled across Carl Jung’s theory of the Transcendent Function, which describes a dialectic transformative process very much akin to his own way of writing. In essence, this theory describes two opposing forces joining to create a third. 

Bert-Jan’s work juxtaposes often contrasting ideas or even techniques. Makes use of extremely structured as well as completely improvised or accidental material. Another characteristic is the simultaneous occurrence of repetition and continuous change as has also been explored in minimalist music.

Previously, Bert-Jan worked more conceptually, for example his work ‘Beauty Sleepers’ existing of field recording made in Teylers Museum, Haarlem, where the composer attempted to bring back to life the ‘sleeping’ scientific instruments from bygone ages. There was even an electronic homage to Frank Zappa (‘20.000.000 False Moustaches Can’t be Wrong’).


Album:
https://antifesto.bandcamp.com/album/the-hearsayologist

Phlogiston

Antifesto

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