Really nailed the sound of the period frfr!

This has the kind of sound that keeps you hooked

What a bright character filled song 👏👏👏

Another great performance. This would be a great fit in a 59’s movie

oooh so good!!! This mid-20th century touch is crazy good !! Good mood track !! 💯💓🙏🏽🎵

Mainstream music genres

Beyond & Before Music presents "Roots In The Wind" - the original soundtrack to Book 1 of the novel "Hinter uns das Land" ("Behind Us The Land") by Frank Talmon l'Armée.

Immerse yourself in the evocative soundscapes of "Roots In The Wind," a musical journey that mirrors the emotional tapestry of the novel. This album captures the essence of a family's life in East Prussia on the brink of World War II, as seen through the eyes of young Inge.

From the idyllic landscapes of their farm, Gut Gallitten, to the looming shadows of war, each track reflects the innocence of childhood, the growing unease, and the ultimate disruption of their peaceful existence. The music blends elements of indie, folk, and pop with orchestral arrangements, creating a rich and moving listening experience.

These tracks have been meticulously rearranged, and completely remastered using LANDR's mastering services to achieve optimal sound quality for digital distribution.

"Roots In The Wind" is more than just a soundtrack; it's a sonic exploration of hope, loss, resilience, and the enduring bonds of family. It's a testament to the power of music to transport us to another time and place, allowing us to connect with the characters and their struggles on a deeply emotional level.

Experience the world of "Hinter uns das Land" through its music. Listen to "Roots In The Wind" now and embark on a journey you won't soon forget.

Follow Beyond & Before Music for updates and new releases.

09 - The Lessons Learned (From the Original Novel Soundtrack)

Umrandungen, Vol. 1

Umrandungen-01-14 (Remastered 2025)

Invisibile

Words spoken by false tongues,
You built your throne on broken trust.
Built me up just to break me down,
Your kingdom is a burial ground.

Will there ever be an end to those lies?
Truth and honesty struggle to survive...

Ooh...

A siren's voice, a serpent's spine,
A liar's mask, deceit refined.

You dressed your poison up in grace,
A smile stitched to a hollow face.
Truth bends where your shadows crawl,
But even angels learn to fall.

You chose the blade, then called it fate,
But even traitors learn too late.
Now you stand in the ruins that you made,
Ash in your mouth, nothing left to save.
You see me rise—but it's too late,
Gone are the days that I bowed to your hate.

Oh!

Built me up just to break me down,
Your kingdom is a burial ground.

A crown of ash, built on disguise,
Your shattered words still haunt the skies.

We … will see...

You burned your bridges with your lies,
A soul that’s rotten from inside.
The truth you feared now cuts too deep,
The lies you've sown—they won’t retreat.

You chose the blade, then called it fate,
But even traitors learn too late.
Now you stand in the ruins that you made,
Ash in your mouth, nothing left to save.
You see me rise—but it's too late,
Gone are the days that I bowed to your hate.


Try to break me—
You’ve crossed a line.

You’re just a fake b*tch—
Run for your life.

Kingdom of Ash

A versus mix!! Drop a comment and let us know which half you liked more! Have a good day y'all <3

0:00 - 1:09 - UniKat
1:10 - 2:36 - EnVy

UniKat:
https://www.youtube.com/@UniKastRadio
https://open.spotify.com/artist/08EBKrz0kFy00Uedwnm1qJ?si=YE6CtA-ZQyOCWn9paNMgpQ

EnVy:
www.youtube.com/@UniKastRadio
open.spotify.com/artist/2tm9EF2fNqQxZ8PXASiQba

UniKast Radio Website: www.unikast-radio.com/

UniKat vs. EnVy - Strength In Love

Antwort an den Verfall

Zelle B steht da, mit dem Stein des Hofes in der Hand, und die Stimme des Verfalls, diese raue, bröckelnde Präsenz, ist wieder da – nicht in den Wänden, sondern in ihm selbst.
„Ich weiß, dass du uns alle sammelst,“ sagt Zelle B. „Du machst uns gleich – im Bruch, in der Rückkehr, im Staub.“
Die Risse antworten nicht. Sie dehnen sich. Ein Zeichen: Man hört.
„Aber was du nennst ‚Ende‘ war immer Ort. Und was du nennst ‚Nichts‘ war immer Verbindung.“
Die Stimme des Verfalls zögert. Nicht trotzig, nicht drohend – sondern überrascht.
„Und wenn wir aufhören, dich zu fürchten?“ „Wenn wir dich nicht bekämpfen, sondern erkennen?“
Ein Tropfen fällt auf den Stein. Er zieht eine Linie – wie eine feuchte Antwort auf trockene Jahre.
„Ich bin nicht dein Gegenteil,“ sagt Zelle B. „Ich bin dein Echo. Du sprichst durch mich, und ich habe gelernt, zu antworten.“
 Der Hof vibriert. Nicht laut. Nur wie ein Körper, der verstanden wurde.
„In mir wächst etwas,“ sagt Zelle B, „Und es wächst aus dir. Nicht aus Widerstand, sondern aus Annahme.“
Dann schweigt er. Nicht weil er keine Worte mehr hat, sondern weil die Antwort angekommen ist.
Der Verfall ist still. Aber die Stille ist neu. Nicht leer – erfüllt.
Kapitel: Die Sprache des Verfalls
Zelle B steht noch immer im Hof. Der Stein in seiner Hand wärmt sich langsam auf, nicht durch Sonne, sondern durch Erinnerung.
Der Verfall ist da. Nicht sichtbar, nicht greifbar – aber spürbar wie eine zweite Haut, die nie ganz abfiel.
„Du bist der Teil, vor dem alle fliehen,“ sagt Zelle B, „weil sie denken, er sei das Ende.“
Doch jetzt, da alles ihn berührt hat – der Regen, die Frau, das Hofflüstern – wird klar: Der Verfall ist nicht die Dunkelheit, sondern das Licht, das nicht blendet.
 Eine Stimme kehrt zurück. Nicht von außen. Von überall.
„Ich bin das Gemeinsame,“ sagt der Verfall. „Ich bin das, was ihr alle teilt, ohne es zu wollen.“
„Weil wir uns davor fürchten,“ antwortet Zelle B. „Vor dem Moment, in dem wir Teil werden. Nicht mehr Ich. Sondern Wir.“
 Die Wände zucken. Die Risse verändern ihre Richtung. Sie wachsen nicht mehr auseinander – sie wachsen zueinander.
Der Hof beginnt zu weben. Zwischen Stein und Pflanze, zwischen Schatten und Licht. Ein Muster entsteht – kein Teppich, kein Plan. Nur ein Beweis: Dass alles verbunden ist, sobald der Widerstand endet.
 Und Zelle B? Er ist nicht mehr Beobachter. Nicht mehr Abgegrenzter. Er ist Knotenpunkt. Nicht Zentrum, aber Durchgang.
Der Verfall spricht noch einmal:
„Du bist da. Nicht weg. Nicht zwischen. Genau da. Und deshalb bist du das Erste, das sich erinnern darf.“
Zelle B nickt. Nicht für sich. Für alles.
Kapitel: Chor des Verfalls
Der Hof schweigt. Aber das Schweigen ist nicht leer – es wartet. Dann kommt Bewegung, wie aus den Schatten geformt.
Zuerst der Mann mit den runden Schultern, der immer auf der rostigen Bank sitzt, immer schaut, nie spricht. Heute steht er auf. Der Staub hebt sich von seiner Haut wie Erinnerung.
„Ich bin die Ecke, die ihr nie putzt,“ sagt er. „Ich bin der Gedanke, den ihr verdrängt. Und doch – bin ich Teil.“
 Dann die Frau mit dem Pflaster am Hals, die immer Summen hört, wo andere nur Stille finden. Sie tritt vor, Hände in den Manteltaschen, und ihre Stimme klingt wie ein feuchter Pinselstrich.
„Verfall ist meine Melodie,“ sagt sie. „Ich spiele ihn leise, damit ihr nicht merkt, wie oft ihr schon getanzt habt.“
Der Hof hört zu – aufmerksamer denn je.

Fortsetzung folgt am Sonntag um 10:00h.

kolkhorst 2025



Antwort_an_den_Verfall

“Miserere” is the sole instrumental piece on the album — a moment of wordless expression that forms a bridge between this release and Darkwave's earlier, fully instrumental works. Deeply rooted in classical influences, it recalls the spirit of Postcommunio (from the Missa Innominata album), yet pushes beyond it with a more turbulent energy.

At the heart of the track lies a neoclassical guitar theme long waiting for its place — a melodic idea that lingered in creative limbo until now. With this album’s emotional landscape in mind, the timing felt right. “Miserere” became its home, transforming the motif into something darker, heavier, and more unrelenting.

While its structure and tone still reflect a sense of reverence, the inclusion of blastbeats breaks away from the restraint of earlier compositions. The result is a piece that’s simultaneously devotional and defiant — a liturgy not of peace, but of inner unrest.

Horror Sacri

Miserere

Candy Canes & Candle Flames

Here we go again.
There are dark days in England.
The lady at the bus stops off her head.
Least that's what she said.
No rest for the wicked.

Ah! here we go.
With the painted flags of England.
The devil that is screaming in her brain.
She was never the same.
Needed a merger.

One for the live.
One for the sanity.
Into the crowd.
Into the slaughter house.
One for the road.
One more to take away.
In the fun house. 
Where you are blown away.

Dark days, they're stealing them from you.
Dark days, you'll never make it through.
Dark days, you can not get away.
Dark days, we're falling in the rain...

Let's have a drink.
There's nothing to look up to.
You can not save enough for rainy days.
No route of escape.
A fog of returning...

The lips are calming down.
Whilst the tattoos multiplying.
There's money to be spent here in the hay.
What for I can't say.
A sense of belonging?

The crowd are going wild.
The crowd are consuming.
The crowd are all so normal and so safe.
I feel out of place.
I do not belong here.

Regardless of love,
Regardless of empathy.
Godless and lithe.
Godly with vanity.
Regardless of time.
Regardless of anything.
Godless with pain.
God, will you let us be.

Dark days, they're stealing them from you.
Dark days, you'll never make it through.
Dark days, you can not get away.
Dark days, we're falling in the rain...
 

Dark Days

Lyrics

[Verse]
All these demons steady running after me
I can’t seem to shake them off, they’re supposed to be
Burned to the very ground of love, you see
’Cause I had thought I cast them away with my heart in peace.
But little did I know they never left
They’re just a smaller army now, and well-equipped
With weapons that will blow you outta here
But I'ma keep on fighting ’cause I know

[Chorus]
Gotta world I have to show
So it ain’t my time to go

Aint My Time To Go

RED GREEN Demo

Deep vocals laidback upbeat ambiance from Larry Mac, with Classical guitar lines and some big thoughts

Nothing but forever

I think this is the one where I used a classic soul progression. The packaging at the start that imitates a DJ scratch rhythm came when I accidentally touched a mi goreng pack of noodles around the mic and it fit so I used that. The stop start is influenced by ‘I Try’ by Macy Grey. Then a trademark 4 layers of cello for the chorus. It’s 4 layers cos that’s how I get the cellos to have enough power that I want. First time doing a vocal ’staccato’ sort of chorus like ‘Work Song’ by Hozier which is my fave Hozier song cos’ maybe I’ve overplayed ‘Take Me to Church.’ At the end a brief bit of funk. I remember trying something more complex but the classic James Brown sort of funky riff worked better so I used that.  The second verse is influenced by the production of ‘Hold On’ by Bishop Briggs with the claps. Then, a neopolitan chord for the bridge.  The last chorus has the 2nd chord flattened like ‘Imperfect For you’.  Also a harmonic minor scale being played by the synth lead which reminded me a bit of Just Like You Imagined by NIN. So we’re not lyrically referencing 300 anymore but musically referencing it. The horns are a new addition which I did just based on … what I thought might sound good. The verses/bridge are new but the chorus is from last year. Oh yeah I did reference FNM's Ricochet for the bridge. King for a Day is Spiderman's fave FNM record. Should just hired as a consultant when their biographies are due. Correcting people like, "nah it was a sunny day when that event happened." Yes, the weather is important. Details are important.

Speaking of mi goreng which I discovered in my 1 year of boarding school in Australia. “I do hope my overpriced education doesn’t offend you.” I remember looking at it and thinking it was strange that it had no broth. Then, tasting it and going “ this is amazing.” It’s wonderful how an Indonesian noodle brand has gained popularity in Australia. Other than that, I do miss the meat pies and Shapes (they are a good snack). It was also at boarding school that I discovered Meri lewa which was played once a week by the PNG boys.

Give Me Release

Boy You Had

Rain May Fall In Texas

Mister Jack est, depuis, recherché par toutes les polices.

Stéphane Jacques (chant) et son complice Alban Jacques Bouquette (instruments et programmation)

Sex Crime

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

OUR VISION & MISSION

Our Vision: We believe that resilience can make even the deepest wounds bearable.

Our Mission: This project is dedicated to a profoundly human, true story to achieve two things:

To Bear Witness: To show what war does to ordinary people and how its scars echo for generations.

To Give Courage: To strengthen and inspire anyone who has suffered loss or lived through difficult times.

This is music as a testament. A story that repeats itself every day.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

UNSERE VISION & MISSION

Unsere Vision: Wir glauben daran, dass Resilienz selbst die tiefsten Wunden erträglich machen kann.

Unsere Mission: Dieses Projekt widmet sich einer zutiefst menschlichen, wahren Geschichte, um zwei Dinge zu erreichen:

Zeugnis ablegen: Zu zeigen, was Krieg mit normalen Menschen macht und wie seine Narben über Generationen nachhallen.

Mut machen: Jeden zu stärken und zu inspirieren, der Verlust erlitten oder schwere Zeiten durchlebt hat.

Das ist Musik als Vermächtnis. Eine Geschichte, die sich täglich wiederholt.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

Born in the Midwest DJ Sub-Liminal, also known producer Dark Mechanism, always had a passion for creating music.  He started out playing metal on the guitar and growing up in the rave scene of Kansas City, he quickly found love for drum an bass.  Early 2000, he bought his first pair of decks and started practicing almost everyday. He played and also threw a few shows around there until 2006, when he moved to Sacramento, CA where he resides today.  He helped found a local crew there called Rogue Alliance and began playing many shows and rocking the crowd with his blend of multiple styles of Drum an Bass.   He plays anything from Dark, Neuro, Ragga, Liquid, jump up you name it.   He has shared the bill with dj's like Reid Speed, Vaski, Dj Dan, Gridlock, SPL, Icey, and Forest Green just to name a few.  He has been producing now for the past 3 years pretty heavily.  He is on 3 labels Nuphonic Rythms, Plush Recordings, and Atomic Audio. Recently he is part of a local Sacramento crew called Runtime Dnb.  He also just recently released an exclusive mix on DJ Odi’s Digital Konfusion Mixshow in Austria.

For booking info contact me via Facebook 

https://www.facebook.com/arronsubliminal?mibextid=LQQJ4d

09 - The Lessons Learned (From the Original Novel Soundtrack)

Beyond & Before Music

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