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UNDERGROUND METAL

Stunning and amazing songs and tracks 2025

Cool Pop Songs #12

ReAlternatveJune

Show love 6

Real Jazz Book (playlist)

Moody Chill Vibes

Aadi is an upcoming artist from Vancouver, Canada.  She hit me up with a demo and I put together the instrumental taking out the acoustic guitars and keys

You can stream the song on Spotify here 
https://open.spotify.com/track/2hSKeByDugVxP2iI26AVWT?si=59ee22df22dd47e4

Spotify Stream

Aadi Kaur - helplessness (prod by Kingsden)

A song I wrote about getting a second chance at love. Do you feel me? XOXOXO

Chapter 2

Written and Performed by Indio Romero

I’ll be your dreamer
As I’m looking up to outer space
Thinking of things that we didn’t say
The awkward silence
Doesn’t feel so bad to me
Didn’t feel like talking anyway

But whenever you like
I’ll come back to you again
As I’m slightly in over my head
Whenever you like
I’ll come back to you again
As I’m slightly in over my head

This world is changing
I’m at odds with inner enemies
Today I think I’ll overtake
The room is quiet
And the sky looks like it’s about to rain
I’ll keep my mind to a brighter day

Thought I saw your face in a passing car
I was getting closer to feeling nothing at all
Dancing under a wave of shooting stars
Dreams might be damaged, but they’re far from gone

'Cause whenever you like
I’ll come back to you again
As I’m slightly in over my head
Whenever you like
I’ll come back to you again
As I’m slightly in over my head
I’m slightly in over my head

Whenever

Dreaming of Clouds

"Downhill" is a rock/pop anthem rooted in the frustration and heartbreak of watching a once-stable connection unravel. Inspired (surprisingly) by a fallout with my ex-landlord, the song explores shifting dynamics, emotional confusion, and the sting of unmet expectations. While it sounds like a breakup song—and is framed like one—it was actually born from a non-romantic fallout, which is part of my songwriting signature: turning everyday conflicts into grand anthems.

Produced by Jay Ives, Downhill blends gritty rock instrumentation with a polished pop structure and a soaring, catchy hook. Its dynamic build mirrors the inner turmoil of navigating miscommunication and power shifts in any kind of relationship—romantic, professional, or otherwise. It’s for anyone who’s ever felt blindsided by someone they once trusted.

Lyrics:

VERSE 1

We met the first time
And you were all smiles
I had great plans for us
Could be good friends, and then some
I wasn't looking for nobody new
But I was starting to 
warm up to you

PRECHORUS
Then you started mind-twisting
And you like to play the victim
The lies started out white, then turned gray
Now they're so dark, I can't find my way

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

VERSE 2
I thought I got you
One moment you're so good
But then the very next
you're acting so sketch
You went back on everything you said
Went from rosy pink to seeing red

PRECHORUS
You have such a good facade
I wanna know who the architect was
Once so nice, not so much twice
I won't stay around for thrice 

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

BRIDGE
We both got our lasts
You got the word 
and I had had the straw

Every word flashes past
The lessons learnt
The storms I saw     
         
CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

OUTRO(x2)
I feel, I feel, I feel, I
Feel us go downhill
I build, I build, I build, I
So you could break it down again

Downhill

Surge

Sanctuary

There’s a trane
coming down the track
Ain’t no trane for me

There’s a plane
on the tarmac
Ain’t no home for me

Trane Trane Trane

There’s a trane
going down the sidewalk
Ain’t no trane for me

There’s a plane
on the tarmac
Ain’t no place to be

Trane Trane Trane
Trane Trane Trane

Trane Trane Trane

never gonna let you see
music gonna set me free
i can
let go
the pain
i feel
get back to me
there ain’t no way
there ain’t no way

I’m the hang man
in the rain
pray for me

I’m your man

I’m the hang man
in the rain
pray for me

I’m the hang man
in the rain
pray pray for me

I’m the hang man
in the rain
pray pray for me
pray pray for me

pray 
for me
pray
for me
pray
for me
pray
for me

Lane's Trane feat. Laney Stardust

Lane's Trane (feat. Laney Stardust)

Dark Renaissance(Rock Version)

"Hinter uns das Land" / "Behind Us The Land" - Music from Book 5: (Part 2) A New Beginning

Book 5 of "Hinter uns das Land" / "Behind Us The Land" opens a new chapter: The horrors of war lie behind the protagonists, but the scars run deep. This music collection accompanies the Feyerabend family in the post-war era, a time of rebuilding, hope, and slow healing.

The music of Book 5 is an eclectic mix of styles and eras, reflecting the complexity of starting anew. German Schlager hits of the 1950s and nostalgic chansons evoke memories of the past and a rediscovered joy of life. Acoustic sounds, folk, and jazz symbolize the search for security and a new normal. Brit Pop, Swing, and Rock'n'Roll represent the dawn of a new era, while Indie Pop, Chamber Pop, and even a wedding march musically underscore the hope and the gradual blossoming of new dreams. But the shadows of the past are still present, captured in melancholic ballads, a sad piano piece, psychedelic folk, spiritual hip-hop, and powerful post-rock. Even punk rock finds its place, expressing the regained freedom and zest for life.

This music is a sonic tapestry of the post-war era, a tribute to the will to survive, the importance of family, and the strength of the human spirit. It captures the ambivalence of this epoch: The burden of memory and the simultaneous spirit of optimism, the grief for what was lost and the hope for a new beginning.

Music: A musical journey through time from the 50s to the present day with elements of German Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock, and more.

Discover the musical soul of "Hinter uns das Land" / "Behind Us The Land"!

Follow us for more music from "Hinter uns das Land"!

---

"Hinter uns das Land" - Musik zu Buch 5 (Part 2): Aufbruch in eine neue Zeit

Buch 5 von "Hinter uns das Land" schlägt ein neues Kapitel auf: Die Schrecken des Krieges liegen hinter den Protagonisten, doch die Narben sind tief. Diese Musiksammlung begleitet die Familie Feyerabend in der Nachkriegszeit, einer Zeit des Wiederaufbaus, der Hoffnung und des langsamen Heilens.

Die Musik zu Buch 5 ist eine eklektische Mischung aus Stilen und Epochen, die die Vielschichtigkeit des Neubeginns widerspiegelt. Schlager der 50er Jahre und nostalgische Chansons erinnern an die Vergangenheit und die wiedergefundene Lebensfreude. Akustische Klänge, Folk und Jazz symbolisieren die Suche nach Geborgenheit und einer neuen Normalität. Brit Pop, Swing, und Rock'n'Roll stehen für den Aufbruch in eine neue Zeit, während Indie Pop, Chamber Pop und sogar ein Hochzeitsmarsch die Hoffnung und das langsame Erblühen neuer Träume musikalisch untermalen. Aber auch die Schatten der Vergangenheit sind noch präsent, eingefangen in melancholischen Balladen, einem traurigen Klavierstück, psychedelischem Folk, spirituellem Hip-Hop, und kraftvollem Post-Rock. Sogar Punkrock findet seinen Platz, um die wiedergewonnene Freiheit und Lebensfreude auszudrücken.

Diese Musik ist ein Klanggemälde der Nachkriegszeit, eine Hommage an den Überlebenswillen, den familiären Zusammenhalt und die Kraft der menschlichen Seele. Sie fängt die Ambivalenz dieser Epoche ein: Die Last der Erinnerung und die gleichzeitige Aufbruchstimmung, die Trauer um das Verlorene und die Hoffnung auf einen Neuanfang.

Musik: Eine musikalische Zeitreise von den 50er Jahren bis in die Gegenwart mit Elementen von Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock und mehr.

Entdecke die musikalische Seele von "Hinter uns das Land"!

Folge mir für mehr Musik zu "Hinter uns das Land"!

09 - Trough Tears and Laughter (LANDR remastered)

nessuna risposta

All your messy drama is just making me Twitch. Finger on the trigger looking for the kill switch.

TWITCH

Arcadia by Elyssia
Vocals and Lyrics Marianne Lihannah
Music and instruments Paul Landry

Arcadia

Crave You (I AM Remix)

Crave You - Flight Facilities (feat. Giselle) (I AM Remix)

Skinwalkers

Shine

Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
Release Date
Jul. 14, 2025
Primary Genre
Hip-Hop/Rap
Secondary Genre
Hip-Hop/Rap
Primary Subgenre
Instrumental Hip-Hop
Secondary Subgenre
Instrumental Hip-Hop
Mood/Style
Type: Experimental
Album Language
English
Artist Location
CANADA - Québec

Prophecy (Prod. Abyss Hole)

Prisoner

For Daniel - We miss you.

Immerse yourself in the evocative world of "These Scars Don't Bleed," a cinematic prog-metal ballad that weaves traditional Irish and Scottish melodies into a tapestry of deep emotion and haunting beauty. This track explores themes of inner turmoil and resilience, capturing the essence of scars that linger beneath the surface. With soulful flute melodies, powerful vocals, and a rich orchestral backdrop, this song takes you on a journey through melancholy and strength. Perfect for those who appreciate a blend of deep lyrical themes and powerful musical expression.

---

Tauche ein in die eindringliche Welt von "These Scars Don't Bleed", einer filmischen Prog-Metal-Ballade, die traditionelle irische und schottische Melodien zu einem Teppich tiefer Emotionen und bezaubernder Schönheit verwebt. Dieser Track erkundet Themen innerer Unruhen und Widerstandsfähigkeit und fängt das Wesen von Narben ein, die unter der Oberfläche verweilen. Mit seelenvollen Flötenmelodien, kraftvollen Vocals und einem reichen orchestralen Hintergrund nimmt dich dieses Lied mit auf eine Reise durch Melancholie und Stärke. Perfekt für alle, die eine Mischung aus tiefgründigen Texten und kraftvollem musikalischem Ausdruck schätzen.

---

lyrics:

Intro:
Hush now, don’t you cry...
The monsters love...
When you try...

Verse 1:
I polish the silver to hide the cracks,
While the china dolls stare from the shelf.
Their porcelain smiles never warned me –
That sanity hangs...
By a thread...
Of its own.

Pre-Chorus:
The wallpaper peels...
In the shape of your laugh –
And the clocks all run...
Backwards.

Chorus:
THESE SCARS DON’T BLEED –
They breathe through the night!
Every "I’m fine" just feeds the lie –
While the cracks...
Multiply.

Verse 2:
The mailman brings bills, never ghosts –
But the hallway still echoes...
Your last...
Goodbye.

Bridge:
We’re all just ghosts...
Feeding ghosts...
In a house...
Built on silence...

Final Chorus:
THESE SCARS DON’T HEAL –
They sing in the dark!
Every "I’ve moved on" just draws the map...
Of where the knives...
Still are.

These Scars Don't Bleed

I melted my heart of gold

Flowers

Remain

Today, these white walls feel warm,
As if they know just what I need.
Through the window, I breathe…
The air is filled with the scent of summer approaching,
Like a name unspoken
In the moment of waking,
That we can never return to,
We waved goodbye. 

Ah… I wanna see you again.
Ah… I wanna touch you again.
Oh… do you know how sad I am?
Hey… no need to weep for me.

But why?
Why have I begun to forget your visage?
Your gaze,
Like watercolors diluted by rain.
Attempting to trace you,
Yet lost in the mirage,
You walk toward me,
Yet you can never remain.

Night falls, these white walls turn cold,
As if they don't reveal the truth.
Through a dream, I touch…
The air still harbors all the familiar warmth,
Like the gentle hush
Before the rain begins.
In that glance we never understood,
We chose to leave. 

Ah… I wanna see you again.
Ah… I wanna touch you again.
Oh… do you know how sad I am?
Hey… no need to weep for me.

But why?
Why have I begun to fear my own reflection?
It wanders,
Like all your fractured love and words.
I outstretch my fingers,
I hold only pain.
You walk toward me,
Yet you never remain.

You walk toward me,
You walk toward me,
Yet you never remain.
Yet you never remain.
Yet you never remain.

Remain

An 8-minute epic about the fragments of memory. "Half a Smile Left" is a centerpiece from the concept album "Adelheide's Wisdom."

Inspired by the image of a burnt group photograph, the song explores the bittersweet tragedy of an incomplete past—a half-smile that is both a precious treasure and an open wound.

Musically, the song is a unique fusion: a powerful rock ballad whose fragile verses evoke a baroque minuet. Delicate, harpsichord-like guitar melodies, an oboe, and strings meet a massive, emotional chorus and a dramatic climax that pushes genre boundaries.

A monumental soundscape that tells a story of loss, defiance, and the indestructible power of what remains in the heart. A song destined to conjure a sea of glowing lighters and cell phones at a live concert.

---

Ein 8-minütiges Epos über die Fragmente der Erinnerung. "Half a Smile Left" ist ein zentraler Song aus dem Konzeptalbum "Adelheide's Wisdom".

Inspiriert vom Bild eines verbrannten Gruppenfotos, erkundet der Song die bittersüße Tragik einer unvollständigen Vergangenheit – ein halbes Lächeln, das zugleich ein kostbarer Schatz und eine offene Wunde ist.

Musikalisch ist der Song eine einzigartige Fusion: eine kraftvolle Rockballade, deren zerbrechliche Strophen an ein barockes Menuett erinnern. Zarte, cembalo-ähnliche Gitarrenmelodien, eine Oboe und Streicher treffen auf einen wuchtigen, emotionalen Refrain und einen dramatischen Ausbruch, der die Grenzen des Genres sprengt.

Ein monumentales Klanggemälde, das von Verlust, Trotz und der unzerstörbaren Kraft dessen erzählt, was im Herzen bleibt. Ein Song, der live ein Meer aus leuchtenden Feuerzeugen und Handys heraufbeschwören würde.

Half A Smile Left -  extended Version

REASON I WENT CRAZY

I like the Pink Panther (ShAnkAri touch)
Archmage band & tot. - I have changed (ShAnkAri touch)
solokips - Juggernaut (ShAnkAri touch) 
haunted rapper - Meant to accept rejection (ShAnkAri touch)
CLEOD - TALEZ (ShAnkAri touch) 
CRoo // Tony Casanova - Tweaking Shomoe freestyle (ShAnkAri cook-up)
Chasten - My Name is Human (ShAnkAri touch)
Evil G - EXOD1A (ShAnkAri touch) 
Chico - Poisonous (ShAnkAri touch) 
Araiso - Bloq (LvntiasBeats - ShAnkAri touch) 
JT Hernandez ft. Brto & June B - Gold (ShAnkAri touch) 
skenia - F.A.K.E. (ShAnkAri touch) 
prank - Crazy (ShAnkAri touch)
BIG B Ft Ferny Fern - Here to stay (ShAnkAri touch) 
Pils Mc //  Audera - Bonnes Graines // Mystic river (ShAnkAri cook-up) 
FacedFaceless - Venus to my Mars (ShAnkAri touch) 
Base - Smile (ShAnkAri touch) 
greenbird - Reason I went crazy (ShAnkAri touch)
Archmage band//BOTH Beats - Swept away by stunning inspiration//unity of the One (ShAnkAri cook-up) 
William Sheller - Je veux être un homme heureux (ShAnkAri TwiniTouch)

@shankari-touch

REASON I WENT CRAZY #djmix #rapnotech #ShAnkAri-touch

Title: From The Broken Stone - A Progressive Rock Suite

Take your time. Take a deep breath. What awaits you is not just a song, but a 20-minute musical journey—an epic in four acts about the indestructible human spirit.

"From The Broken Stone" tells the story of a legacy that was never planned, but born from the cracks of the past. It begins with a whispered nightmare, journeys through a cinematic rock ballad filled with pain and hope, culminates in a cathartic instrumental storm, and finally finds peace in a reconciliatory, orchestral epilogue. It is a narrative of how the deepest wounds can become windows, and how new hope can grow from the rubble of a life.

This work would not have been possible without the pioneers of epic, narrative rock. It is a deep and respectful homage to the musical vision of bands like Deep Purple (for the soulful Hammond organ and explosive dynamics), Manfred Mann's Earth Band (for the sound-painting synthesizers and anthemic choruses), and Marillion (for the courage to tell complex, suite-like stories).

This epic does not attempt to copy them, but to honor their spirit: the spirit of a music that takes its time, that delves deep, and that takes the listener on a journey from which they return changed. We invite you to embark on this journey.

---

Titel: From The Broken Stone - A Progressive Rock Suite

Nehmen Sie sich Zeit. Atmen Sie tief durch. Was Sie hier erwartet, ist kein einfacher Song, sondern eine 20-minütige musikalische Reise – ein Epos in vier Akten über den unzerstörbaren menschlichen Geist.

"From The Broken Stone" ist die Geschichte eines Vermächtnisses, das nicht geplant, sondern aus den Rissen der Vergangenheit geboren wurde. Es beginnt mit einem geflüsterten Albtraum, durchquert eine cineastische Rockballade voller Schmerz und Hoffnung, gipfelt in einem kathartischen Instrumentalsturm und findet schließlich Frieden in einem versöhnlichen, orchestralen Epilog. Es ist eine Erzählung darüber, wie die tiefsten Wunden zu Fenstern werden können und wie aus dem Schutt des Lebens neue Hoffnung wächst.

Dieses Werk wäre nicht möglich gewesen ohne die Pioniere des epischen, erzählerischen Rocks. Es ist eine tiefe und respektvolle Hommage an die musikalische Weitsicht von Bands wie Deep Purple (für die seelenvolle Hammond-Orgel und die explosive Dynamik), Manfred Mann's Earth Band (für die klangmalerischen Synthesizer und die hymnenhaften Refrains) und Marillion (für den Mut, komplexe, suitenartige Geschichten zu erzählen).

Dieses Epos versucht nicht, sie zu kopieren, sondern ihren Geist zu ehren: Den Geist einer Musik, die sich Zeit nimmt, die in die Tiefe geht und die den Hörer auf eine Reise mitnimmt, von der er verändert zurückkehrt. Wir laden Sie ein, sich auf diese Reise einzulassen.

---

CREDITS:

Adelheide Vogt: Lead Vocals (Contralto), Lyrics, 12-String Acoustic Guitar
André Moreau: Lead Vocals (Baritone), Lead & Rhythm Electric Guitars, 7-String Guitars
Elfie Ragnarsdóttir: Piano, Hammond Organ, Synthesizers, Backing Vocals
Rosemarie Kowalski: Cello, String & Orchestral Arrangements
Ian McCullough: Drums, Percussion, Taiko Drums, SFX Design
Bruno Moretti: Fretless & Electric Bass Guitar

From the Broken Stone

Track Description – “Blue Roof” by Siegfried Jünger
The closing track on Order 8, “Blue Roof” unfolds like a final transmission from a collapsing system. Harsh textures and abrasive drones grind against each other beneath scattered bursts of off-kilter percussion. Distant, staccato strikes echo across an empty soundstage, interrupted only by brief, almost accidental fragments of melody. Low-end rumbles provide an ominous undertow, as the track pulses with tension and unease. Jünger’s dark ambient vision reaches its most dystopian here—cold, disoriented, and unresolved.

Siegfried Jünger - Blue Roof (Order 8 | Dark Ambient)

Due Date

Like the Track? Click the [Repost] 🔁 button so more people can hear it!

Want more like this? Check out our blog for the latest news, music premieres, exclusive mixes and more: www.undrtone.co.uk

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Track: My Lovin' (Original Mix)
Artist(s): Josh Burnett
Record Label: Blackflag Recordings
Release Date: 11th July 2025
Buy: https://www.beatport.com/release/jus-tryin/5151423

Emerging from Manchester’s electronic scene, Josh Burnett steps into summer with a first outing on Stacey Pullen’s Blackflag Recordings. Titled 'Jus Tryin', the three-track EP marks a milestone moment for up-and-coming talent, fusing his rolling, percussive grooves with unmistakable UK flavour and earworm R&B vocal chops. 

 “This EP was put together in early 2025 and worked heavily around catchy vocals and rolling drums. I sent ‘Jus Tryin’ over to Stacey a few days later after it was finished, and he was really keen to get this out on Blackflag. I was so pleased when Stacey asked if I wanted to sign this to Blackflag as it’s such a legendary label, run by such a great person. It’s a label I really want to push my sound out to, so it feels great to be finally getting this out. I really hope everyone enjoys the music.” - Josh Burnett. 

With a wealth of experience behind the decks as a resident and a growing reputation across the UK, Burnett has quietly built a name with track support from the likes of Jamie Jones, Marco Carola, Joseph Capriati, wAFF, Mason Collective and more. Landing in the midst of summer, this three-tracker brings his sound to a global audience as he steps out on one of Detroit’s finest imprints.

Josh Burnett
https://www.instagram.com/joshburnettdj
https://open.spotify.com/artist/5OazACOH1YtPTkxiqTtILW
https://soundcloud.com/joshburnett1

Blackflag Recordings
https://www.instagram.com/blackflag.recs
https://soundcloud.com/staceypullen

Josh Burnett - My Lovin' [Blackflag Recordings]

They said: "Do something useful"
But here I am
with a riff in my head
and ink on my hands
No empire
Just melody
No profit.
Just... silly poetry

I made a list of things to do
Then danced around it barefoot
Built a castle out of emails
Let the inbox burn for good

Tried to solve the meaning of
A sigh, a glance, a rhyme
But all I found was stardust
In the pockets of my time

So I sang instead of planning
Laughed instead of proof
Held a note too long and let it
Run away with truth
If life's a test, I missed it
If it's a climb, I mimed
What a glorious waste of time!
What a glorious waste of time!

I mapped my fears in fractals
Tried to quantify delight
Filed my heartbreaks alphabetically
But love refused to write

I traced my flaws in mirror fog
Then waved as they dissolved
Turns out you don't fix everything
some things you just evolve

So I danced instead of doubting
Slept in past my prime
Broke a rule by being kind
And called it paradigm
If joy's an act of treason
Then charge me with the crime
What a glorious waste of time!
What a glorious waste of time!

I tuned the world in minor thirds
Composed in coffee stains
Wrote symphonies on napkins
And cried on midnight trains

They built machines to conquer time
I gave mine to a song
And found a kind of forever
In what didn't last too long

We lived like flawed equations
But hummed in perfect rhyme
Built cathedrals out of chaos
And stained glass out of slime
We made it to the ending
with nothing left to prove
but everything to claim
What a glorious waste of time!
What a glorious waste of time!

Glorious Waste of Time

Supreme rage

“Then we k2 u”
Maria Duluoz - Columbin3’s Day (NoWeek) prod bowie

LYRICS:
Columbine told him who’s to go
Feelings he’s treasured most of all
The teachers and the football stars
It’s in his tiny face
It’s in his scrawny hand
Columbine, he sold his soul
He’s got something to say
It’s Columbine’s day
The rhythm of the crowd
Teddy and Judy down
Columbine sees it all
He’s got something to say
It’s Columbine’s day
Columbine told him how it feels
If all the world were under his heels
Or stumbling through the mall
It’s in his tiny face
It’s in his scrawny hands
Columbine knows it all
He’s got something to say
It’s Columbine’s day
Columbine, Columbine 
(Yeah)
(Woo, woo)
Columbine, Columbine
It’s in his scrawny hand
It’s in his icy heart
It’s happening today
Columbine, Columbine
It’s in his scrawny hands
It’s in his icy heart
It’s happening today
Columbine, Columbine

Pull up with my MF crew
Smoke stash and we mf smoke wit u too.

Then we k2 u.

Columbin3's Day (NoWeek) <bowie>

Empty Scenes

GO 2 HELL

Lyrics:
(Wash nine Wash miles)
(Wash up on the riverbank)
(Hinges)

It washed up on the riverbank last night
A frail bodied, weean donny
Back scared on the shoulder blades
He couldn't speak a word of our tongue
So we took him in, gave him clothes
He hid whenever he saw the sun

The town called him a devil
A beast born in the words
They said he killed the first borns
With the famine a decade back
He used to have wings
And answered only to Samael

He seemed only nine years old
His face cracked like an abby arch
The fog cast a concrete spell
I new kind of transparent saint, he sat
With the face of a messianic, martyred star

Nine miles, the gates blew off their hinges
Nine miles, one hundred years so solemn

But then he stood up, skin half dripping off
His frail body broke the rope
And dropped down from the bonfire
He crawled from the sun, the villagers fled
Half way through the woods
We found him with stubs on his back

He looked to the sky,
He aged a thousand years

Nine miles, the gates blew off their hinges
Nine miles, one hundred years so solemn

His face contorted, he screamed out in pain
The nubs grew, the blood spewed
He raised in the air, the nubs grew feathers
His feet left the floor and he burst into ashes

Nine miles, the gates blew off their hinges
Nine miles, one hundred years so solemn

ANTI MERIDIAN

DON'T GIVE UP

A real hb product!

Wish You’d Leave 

guitar, drums, bass, prod - sw1sh

@sw1shh

-

I wish you’d leave 

When I close my eyes 
All odds are against me 

They’re against me 

I tried to let it go
Not get closer, but break apart
Every time I close my eyes
You show 

I never 
Thought I could fall again 
And never again 
Death to what's in my head

Strike 

Strike me down by the hands of grace 
Grant me my wish and conceal my fate

Wish You’d Leave

What's more important: empathy or the cash? "North Dallas Blues" is a modern-day blues, a unique fusion of elegant chamber pop and raw, narrative hip-hop that explores the universal choice between survival and the soul.

This song was born from a place of deep respect. It was inspired by the powerful story and authentic voice of the incredible North Dallas artist, Kartel Don. We see this as an artistic dialogue, an attempt to bridge two different worlds with one shared human story.

This is a DEMO VERSION. A work in progress. As we develop this track, we'd love to build it with our community. Let us know what you think in the comments. What does this song make you feel? Your feedback is a crucial part of this creative process.

North Dallas Blues (DEMO)

I read the news through a painted lens
Lies wrapped up in corporate friends
I dig through dirt, I chase the thread
While the world just scrolls and shakes its head

No fancy schools, no PhD
But I see what they don’t want me to see
Patterns in chaos, whispers in smoke
Truth dressed up like some kind of joke

The wise are breaking, numbing their pain
To unsee what’s real in a world insane

Do I rise? Do I fight?
For a flag that don’t feel right?
Do I bleed for a cause
While they sit behind their laws?
No more war for a wicked regime
No more deaths for a corporate dream
We built this cage —
We can tear the seams

They push us down, feed us despair
Profit from panic, then strip us bare
Weapons sold for a bloody prize
While monsters hide behind suits and ties

Equality? Just a word they twist
Solutions fade in an iron fist
“Share the wealth” they call it war
When we ask for less, they take some more

(Yeah!)
Tear the walls down stone by stone
(BOOM!)
Burn the thrones and take the throne
(Come on!)
Break the banks and shred the chains
Let the people rise from pain

Stop the killing for their gain
Let the fire wash this shame
Let the system fall to dust
Let ‘em fear the ones they crushed
We are many — we can see
They don’t own you
They don’t own me

We built this world — now let it burn
And build again on what we learn
No kings, no gods, no lies to feed
Just open hearts
Where we can fucking breathe

Blood for Nothing

Fur Coat Trauma

Cynic Picnic

the little star in me

When you have no choice but to leave. 🥹

Make me

This is not just an EP. This is a requiem in four acts.

Performed by the virtual progressive metal band Adelheide's Wisdom, this concept EP takes the listener on the complete emotional journey of grieving a fallen rock hero.

The cycle begins with the quiet, personal shock of 'Act I: The Inner Void', explodes into the raw, punk-rock anger of 'Act II: The First Cry', transforms into a massive, collective celebration of legacy with the 9-minute live anthem of 'Act III', and finds a final, majestic peace in the solemn, orchestral finale of 'Act IV: The Anthem of the Fans'.

It is a testament to a legend and a defiant statement that true music never dies. Welcome to 'The Day When Metal Died (but this will never happen)'.

A Beyond & Before Music production.

---

Das ist nicht nur eine EP. Das ist ein Requiem in vier Akten.

Performt von der virtuellen Progressive-Metal-Band Adelheide's Wisdom, nimmt diese Konzept-EP den Hörer mit auf die vollständige emotionale Reise der Trauer um einen gefallenen Rock-Helden.

Der Zyklus beginnt mit dem leisen, persönlichen Schock von 'Akt I: Die innere Leere', explodiert in der rohen Punk-Rock-Wut von 'Akt II: Der erste Schrei', verwandelt sich in eine gewaltige, kollektive Feier des Vermächtnisses mit der 9-minütigen Live-Hymne von 'Akt III' und findet einen letzten, majestätischen Frieden im feierlichen, orchestralen Finale von 'Akt IV: Die Hymne der Fans'.

Es ist ein Testament für eine Legende und ein trotziges Statement, dass wahre Musik niemals stirbt. Willkommen zu 'The Day When Metal Died (but this will never happen)'.

Eine "Beyond & Before Music"-Produktion.

The Day When Metal Died - Act I The Inner Void

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An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic