My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

MY NEW LP SAD WINTER SOON !

¡Follow me and I follow you back, Like and Mutual Reply!

Shyntwirl | Alternative / Atmosphere / Ambient / R&B / DJ / Techno / EDM
Mixtape / Sample / IDM / Electronic /  Music Produccer / Programmer / Electropop / Synth / Deep / Piano / Nature Sounds / Lullaby / Chill / Funky / Relax / Artpop / Descontructed Club / World / Reggaeton / Orchestra / Classic / Noise / Glitch / Hyperpop / Groove / Speechful / Melancholic / Film / Soundtrack / Background / Disco / Artpop / Underground / Ethereal / Break Core / Techno / Darkwave / Glo-Fi / Wave / Hopecore / Spiritcore.

Composer & Produccer

Goal: 1K

I'm just an Alien in he room composing music and learning.

*[Experimental Alien Boy]*
My music is a way of experimenting and playing with elements.

Birth: 15/07/2008 / 17 Years Old
[Sound engineer, independent producer and sound editor.]

[ • Open Now Collaborations • ]
(spam or bots blocking)
https://linktr.ee/luis.del.carpio89

Musical Influences:
Doja Cat, Björk, Arca, Grimes, Erick Serra, SOPHIE, Charli XCX, Megan Thee Stallion, Cardi B, Chlöe X Halle, Beyoncé, Lustmord, Doon Kanda, Melanie Martinez, Yma Sumac, Sega Bodega, The Sugar Cubes, FKA Twigs, SZA, Doechii, Aurora, Eartheater, Aphex Twin, Imogen Heap, i_o, Ayesha Erotica ,Dorian Electra, Shygirl, LEYA, Sabrina Claudio, Oliver Coates, Thom Yorke, Poppy, Sevdaliza, ROSALÍA, Imade Suputra, Anna Varney & More.

• [My favorite phrase is]: 
Divisions Are Between Beliefs and Religious Formations Established by the Patriarchy  - Shyntwirl.

(Notice: This is my only official SOUNCLOUD account, I am not interested in buying bots or advertising promotions so save yourself the blockage).

- All comments and likes are made by me, no one else comments or responds by my. -

(Notice: If you are interested in working with me on a musical project, send me a message with your ideas).

- Music -
Programs I recommend.
BandLab, FL Studio, GarageBand

- Picture Editor -
Programs I recommend
InShot, CapCut, Photoshop, Peachy

- Creation Devices - 
Laptop, Phone, Keyboard, Synthesizers, Horns


Producer & vocalist surfing on non-existing musical borders, genre-hopping inspired by Underground Dance Music. Music is my therapy. Feel free to contact me for collabs or remixes & thank you for listening! ❤️😊

Atmospheric electronic | Cinematic soundscapes | Emotional depth

Crafting music for the late hours — between dream and memory.
Music carved from silence.
A slow descent into cinematic atmospheres, dark textures, and ambient emotion.





TOP 10 FANS:
Sisy Chelsea
543 plays
P.o.C - Prisoner of Christ
486 plays
Snub Knows
393 plays
Matrix Computacion
367 plays
BROOKSY_II
364 plays
Acres of Diamonds
293 plays
Kdubsbub
293 plays
Sear Diugz
266 plays
THEHELLKNIGHT94
245 plays
chillywillyzation
234 plays

Nothing ventured nothing attained, beauty remains unhindered owned by thee🙌🏼

✨💜✨
✨I listen to everything :)✨
Send me songs.

French producer
Atlantic Records / MDLBeast

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

J-Luv Da Prince, a Cuero, Texas native, is reclaiming his title as the “Prince of R&B.” Starting his musical journey as an emcee in Houston during his teens, he later pioneered an R&B-forward hybrid sound in the late 2000s. With standout projects like "How They Told Me To Do It" (2009), "The Major Comeback" (2010), and the double album "Sexual Encounters/The Heart of a Man," J-Luv became known for his sultry vocals and raw emotion. After a two-and-a-half-year hiatus starting in 2017, he returned with a refined sound and a renewed purpose. His latest work includes the re-release of the heartfelt holiday track "My Christmas Gift," a deeply personal tribute to love and family, originally released in 2015. With smooth melodies and emotional depth, J-Luv continues to captivate listeners, setting the stage for a new era of R&B.

The only true currency in this bankrupt world is what you share with someone else when you’re uncool .. Lester Bangs -Almost Famous


A waking waste of a human heart
A drifting wreck of what once was to be
And echo of the soundless dark
That echo, that echo, that echo is me - U9 P:E

I sat beside a window clear
And from the rain a raven appeared
They looked at me
I winked at them
As they stood watch 
 I watched them
That such a feathered, regal bird
Should seek to join me without words
I must confess, I was impressed
How stately, they, their perch addressed 
Till joined another less kind of heart
After which - they did depart
Welcome they would be again
Should they choose to sup with friends
— U9, Planet Earth

Highly recommended (for wiggy giiggles):Give us the precious! - 2Padre$

“And as we drift along,
I never fail to be astounded by the things we’ll do - for promises … and a song..“ RJD All the Fools Sailed Away

“I go to parties. Sometimes until 4 ..
It’s hard to leave, when you can’t find the door..” Joe Walsh, Life’s Been Good

“[Their] … Deuce was wild, 
But my Ace was High…”- The Jack; AC/DC

(In the voice of Rod Serling) Submitted for your consideration: Various Sounds that have been liberated from the dark recesses of an entirely too populated well of Sonic Oblivion. I hope you enjoy what you may find here! Feel free to comment if you do … 🙂  

“These are my friends. I make them!” - J. F. Sebastion, in Blade Runner

“For unless they see the sky …”

( Ubiquity9 is the creative channel of a biological entity )

Aspires to read ‘All the Feels’ by Mara Carlyle …

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“You see, there are still faint glimmers of civilization in this barbaric slaughterhouse that was once known as humanity.” 
M. Gustave- Grand Budapest Hotel
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Note: Will occasionally misuse words in comments where context may be important. Should I do so, please forbear the fumble and let me know. I only leave what are intended as positive comments. Negative comments are never worth writing.

Note(2): Can be slow to respond to DMs. Thanks to SC’s recent innovations this has improved somewhat this year. That said my apologies, in advance, should that happen …

Email|  tenth-runes0q@icloud.com

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Ubiquity9 is following