Long 3

Q2 22 Soundcloud

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May 2022

Bleep Mix //

Warehouse music.

Read more: http://ra.co/podcast/813

@melladeemusic

RA podcast

RA.813 Mella Dee

@facta & @k-lone93 have been on a roll recently. Their Wisdom Teeth label has seen them put out not only excellent music from Tristan Arp, but also Facta's brilliant downtempo album Blush and K-Lone's recent Zissou EP. Both hail from London but are now Bristol-based and they mix up many of the different styles you'd expect from those two musical hotbeds. Everything from 2-step to Baltimore, post-dubstep to deep house gets distilled into their sets and productions, but always with well-swung drums and high-pressure bass. 

The pair kick off the New Year for us with a nimble mix that moves smoothly through glossy house depths, stripped-back broken beats and elastic rhythms. There is always a rich layer of percussion, sweet vocal or elegant melody burrowing deep into your brain while the beats keep your body happy. It's a perfectly persuasive listen that eases you off the sofa and back to the dance floor in no time.

Dekmantel Podcast

Dekmantel Podcast 366 - Facta & K-LONE

Artist : @djrum

Tracklist :
Family Atlantica – Incantation to the Ancestors [Soundway - 2013]
Drums Off Chaos – Inner Circles [Nonplace - 2018]
Dome Zero – Transition Dub [Accidental Meetings - 2021]
Jon Hassel – Picnic [Ndeya - 2018]
Toma Kami – Gymnase Chaos [Man Band - 2020]
Basic Rhythm – 3am On The Corner [Hypercolour - 2021]
Drums Off Chaos – Dripstone Shift [Nonplace - 2018]
The Modern Institute – 200 edit [Nyege Nyege Tapes - 2019]
Carlos Nino and Miguel Atwood-Ferguson - Chicago Waves [International Anthem Recording Company - 2020]
Airhead – Kazzt [Different Circles - 2016]
Wen - Swerv (El-B remix) [GD4YA - 2020]
Jon Balke & Amina Alaoui – O Andalusin [ECM - 2009]
Kliptown - Luca [YUKU - 2022]
Tara Clerkin Trio - There Will Be Time [Laura Lies In - 2019]
Sileni - Failspan [Subtle Audio - 2006]
Curley – Axe Breaker [Curley - 2012]
Paul Dresher – Channels Passing [New Albion - 1984]
? – Raven [Withhold - 2020]
Boogie Times Tribe – The Dark Stranger (Origin Unknown mix) [Suburban Base - 1993]
Kraftwerk – Numbers [Kling Klang - 1981]
Ginetix – Main Feature [Face - 1994]
Spooky-J & Ekhe – Y U No [Hundred Flowers - 2021]
Raul Lovisoni / Francesco Messina – Prati Bagnati Del Monte Analogo [Cramps - 1979]
Prettybwoy – Mikoshi [SVBKVLT - 2021]
? – ? (Djrum Remix) [Houndstooth - 2022]
MC Yallah X Debmaster – Kubali [Hakuna Kulala - 2019]
Ko-Ta – Shiya [Bitta - 2021]
Meredith Monk – Liquid Air [ECM - 2002]
Ivy Lab – Press Play [Dirtybird - 2021]
Midaircondo – Closer [Twin Seed - 2015]
Ploy – Zoom [Timedance - 2017]
Susumu Yokota – Balloon In The Cage [Leaf - 2001]
Paradox – Proceed [Sneaker Social Club - 2021]
Quasimoto – Goodmorning Sunshine [Stones Throw - 2000]
Studio Pressure – Jump mk ii [Certificate 18 - 1993]
Elori Saxl – Memory of Blue [Western Vinyl - 2021]
Pinch – Water Bomb [Cold Recordings - 2017]
Miink – Who Are You [Self-Released - 2018]
Mark Leckey – Fiorucci Made Me Hardcore [Death Of Rave - 2012]

TRAX.454 DJRUM

Rinse FM Podcasts

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Pangaea - 08 January 2022

Craigie Knowes - 09 January 2022

004 - DJ Marcelle/Another Nice Mess: Sniff, Marcelle, Sniff!

Voyage de Lux-X with Alex Downey & Orson (Transparent Sound) - 30.03.2022

Cinnaman is part of the infamous Rush Hour Record Store crew. He is also one of the most talented and diverse djs to emerge from Holland. He hosted several clubnights like Viral Radio and Colors at Club 11 and Trouw. You can't really define Cinnaman's..

Born in the south of Holland and started playing music at the age of 12. Cinnaman has also compiled the Beat Dimension compilations wich are focusing on a fresh and invigorating sound coming from L.A, mixing electronic music with R''n'b aesthetics and hip hop drum patterns. Since this project, Yuri has recently been collaborating with Tom Trago and Presk among others, making stepping hip hop and flecked house grooves. He got his DJ name because he was always chewing on candy cinnamon sticks hence his name Cinnaman.

LYO#203 / Cinnaman

radio mix for Ed Isar's "-vite+loin" show on Rinse FR.

I-Cube radio mix for Ed Isar's "-vite+loin" show on Rinse FR

I:Cube radio mix for Ed Isar's "-vite+loin" show on Rinse FR

2 hours of new music that doesn’t sound like old music.

Download enabled.

1	Piezo - Unto	
2	Henry Greenleaf - Put By	
3	Azu Tiwaline, Al Wootton - Nine Points	
4	Kellen303 - White Label	
5	Surusinghe - Bad Girls	
6	Pangaea - Fatalist	
7	Gramrcy	- Humboldt	
8	DB1 - PRZ11
9	DB1 - PRZ9 	
10	DB1 - MTHS4 	
11	DB1 - MTHS1 	
12	RVSHES - LTX4	
13	RVSHES - LTX3	
14	Moderat	- Seamonkey -(Surgeon Remix)	
15	Armec - Acute	
16	Religia - Morning Invasion	
17	Kerrie - Poly Pressure	
18	Fixate - Gristle	
19	Fracture & Sam Binga  - Xtatic 	
20	ESPOSITO - Framing Void	
21	Henry Greenleaf - Group Translate	
22	Fraxinus - Disruptor	
23	Felix K - Akkumulator	
24	Sam KDC - Prophecy Unfurling	
25	AH - Gott (Ptu Remix)	
26	Walton - Rush	
27	Warlock - Unreleased 1	
28	Warlock - Unreleased 2
29	Warlock - Unreleased 3
30	Warlock - Unreleased 4
31	Nova Cheq - Bop It	
32	Herman - T. Diluent	
33	Herman - Narcissus	
34	Vel - Freed And Delicious	
35	Glass - Skin Transfer (Low Khey remix)	
36	Flore - Disruption	
37	Vel - Squirmin Like A Toad	
38	Krush - 270222	
39	Antagonist - Enso	
40	Jana Rush - Suicidal Ideation (Aural Hallucinations Mix)

**Disclaimer - there are actually 2 old tracks on the show but they still sound ahead of their time

Threads Radio - April 2022

Unadulterated warehouse grooves from Ireland’s finest, Cromby delivers mix number 30 in the Junction 2 series.
 
Cutting his teeth holding down a six year residency at the legendary Shine in Belfast, Cromby has been on a steady rise since his production debut in 2012. Following up with acclaimed releases on Rekids, Feel My Bicep and Unknown To The Unknown, 2020 marked the next chapter in Cromby’s career with the launch of his own imprint, Potency. Now residing in Berlin, Cromby is a regular at coveted strongholds,  Berghain / Panorama Bar, The Warehouse Project and fabric to name a few.

@cromby

Junction 2 Mix Series 030 - Cromby

It’s always exciting when a DJ rips up the rulebook. Emerging from the Copenhagen underground is Prom Night, real name Shaq. He’s been touted as a bit of an upcoming gem as he blurs the lines between sleazy disco cuts and chuggers, italo house, afro-house and funk and beyond.

Originally from Aarhus he first began DJ’ing at just nine years old and describes his sound as being heavily influenced by 80’s pop culture hence the name. He reflects on his roots and recent embarkment into the world of music production:
 
“A lot of my productions are inspired by/ centered around a fusion of 70’s and 80’s Disco combined with modern and contemporary styles of House music.”

When we invited him to record this mixtape we weren’t entirely sure what we were going to get. What we’ve ended up is a spectacular showcase of Prom Night’s ability as a selector capable of switching quickly between genres and pushing the limitations. This one is a fun filled affair perfect for the weekend…

Prom Night: The Ransom Note Mix

Equinox is an Ambient/Experimental show by London-based artist Sam Ashton AKA Fortresses. This set of tracks is a journey through different takes on the Ambient genre, with atmospheres that gradually change from bright to dark with the Equinox theme.

Equinox w/ Fortresses - May 2022

Rinse FM PodcastR

Hutch - 02 May 2022

Rinse FM Podcast

Jossy Mitsu - 04 May 2022

Bluetoof - 04 May 2022

Kiwi Rekords with Oppidan & Gemi - 04 May 2022

Further information: https://bleep.com/features/bleep-mix-235--fft

Ahead of the release of his debut album Clear on Numbers, London-based producer FFT provides a heavy and hazy mix, ranging from new-age flute washes and grasshopper dusk choruses to metallic electro with harsh machinic whirrs, to chopped and screwed edits full to the brim with molten bass. Cuts from Cypress Hill, The Bug, and Oneohtrix Point Never are mutated till they’re swimming in the dark depths of the sonic fog.

"I made sure to mix the tracks all the way into each other, thanks for listening!" - @fft-music

Bleep Mix #235 - FFT

Full tracklist: https://bleep.com/bleep-mix-303-abul-mogard

With his latest solo album Quiet Pieces initiating his imprint Soft Echoes, Abul Mogard mixes composers and collaborators that have permeated his discography and inspirations. An impeccable sense of flow and continuity defines these selections, as Mogard says: "I imagined this mix as an atmosphere you could inhabit – a quiet weave of pieces I’m drawn to. It’s a sound collage of old and new music, where tracks meet and overlap gently, carrying you along in a flow while subtly shifting the scenery beneath your feet." From groaning ambience to trilling winds and warm washes of glitching noise comes a frisson of flutes on Stefano Pilia’s ‘CADUX / Plectere’ over an all consuming rumbling bass drone. Mogard highlights vocals in the midsection: the hissing of ‘Anticredos’, Meredith monk’s harmonic conterplay with arrays of pointillist vocal notes, Félicia Atkinson’s spoken word barely rising from its quietude, before brewing a dense buzzing electrical storm of swirling currents and gyres with the final few tracks, the rugged and visceral clockwork of Rafael Anton Irisarri mechanically crumbling as William Basinski’s piano notes eternally intone.

Bleep Mix #303 - Abul Mogard

Full Tracklist: https://bleep.com/bleep-mix-304-mark-van-hoen

Mark Van Hoen has been enjoying a retrospective moment in his career as he has collected for his albums on Dell’Orso Records, and this mix takes a look back at his many collaborations and bands since the 90s. Showcasing great range, Van Hoen has moved from complex analogue synth blips to snarling, sneering, sizzling shoegaze with ease. Sarah Peacock’s vocals come through bright and clear on Scala’s ‘Words & Thoughts’, while later tracks dive into gently shaking bass buzz with angelic voices swooping and gliding, and pulsating hypnotic slowburns. Soon, bittersweet and explorative sweeps of strings evolve into deep guitar grooves, plaintively tiptoeing synthpop, and thrashing blasts of guitar shreds.

Bleep Mix #304 - Mark Van Hoen

Full tracklist: https://bleep.com/bleep-mix-305-adam-wiltzie

Flying through funk, soul, psychedelia, and enchanting soundtracks, Adam Wiltzie commemorates the 30th anniversary of Stars of the Lid’s debut Music for Nitrous Oxide with a mix mirroring the album’s spaciousness and throbbing rawness. The lurching guitars of Wiltzie’s Windsor For The Derby band pace out a textural abyss, allowing for the hushed, gentle twitches of Loscil’s ‘Sticky’ to slowly expand as frost growing on a windowpane, and the fluid melismatic bansuri of Hariprasaf Chaurasia to unravel throughout much of the mix. Smooth organ glides and lush harmonies later lead to a convergence of dextrous, emotive guitar plucks on vAntonio Pinto**’s cinematically swelling ‘Maradona Childhood’.

“It was great fun while it lasted but unfortunately it only lasted a short time. I am appreciative that after all these decades we can return & acknowledge this time capsule from my past & for the mix i suppose If a song is worth anything, its about the life of the listener....”

Bleep Mix #305 - Adam Wiltzie

Full tracklist: https://bleep.com/bleep-mix-306-pinch

For Tectonic’s 20th anniversary, label boss Pinch rounds up some heaters from the label alongside their Tectonic Sound compilation. Spinning the whole bass spectrum, Pinch goes from broiling two step to scrubbing grime, with frazzled pulse discharging great energy beside Trim’s idiosyncratic, expressive raps. Lighter moments like the whizzing, zipping, euphoric arpeggios of Peverlist’s ‘Feel Something’ are offset by guttural moody bass, travelling from the club convergence of rattles and tings and brightly resonating metals on Bohdi’s ‘Bellcurve’ to the heavy rotating bass of J. Sparrow’s ‘L33T SP33K’, with slippery dub lasers echoing out.

“Here's me mixing live on CDJs for an hour, bringing you the sound of my sets right now, also bringing in some current and classic Tectonic tracks as part of our 20-year celebrations and showcasing a few tracks from the Tectonic Sound compilation too - that's out now!” - Pinch

Bleep Mix #306 - Pinch

Full tracklist: https://bleep.com/bleep-mix-307-on-u-sound

The versatility of On-U Sound shines in this generous mix from the label crew, “90 minutes of deep cuts, lost classics and non-label Sherwood productions, recorded using two turntables and a stack of original vinyl.” There’s the classic fluttering horns, hot sticky bass and guitars, from the likes of Lee ‘Scratch’ Perry and Dub Syndicate, and then there’s the leftfield grooves of African Head Charge with whirring, rattling, thunking drums and percussion, the drilling industrial soundscape of Mark Stewart & The Maffia. Sitting in between are the psychedelic jazz dub fusions of Playgroup with slick dextrous bassline and ricocheting drums, the reggae inflected synth funk of Shara Nelson, and Little Annie’s sensual spoken word drowning in idiosyncratic desire.

Bleep Mix #307 - On-U Sound

Start from within.  Listen to the internal dialogue, vocabulary, feelings, impressions, associations, emotions, visualization and creative thoughts that are happening within you.

https://silentrecords.bandcamp.com/

Tracklisting.

Solitaire - In The Forest Of Ancient Light 	
Heavenly Music Corporation - Ambient To Be Here 	
Heavenly Music Corporation - The Quiet Mind 	
Spice Barons  - Spice Of God 	
Horizon 222 	- Spirit Level 	
The Ultraviolet Catastrophe - Full Moon (Crescent Mix) 	
Cosmic Breeze - Carrying Galaxies 	
Deeper Than Space  - Deeper Than Love 	
Heavenly Music Corporation  - Beautiful Dream 	
H2O(2) - Undersea 	
Deeper Than Space - Spaceship Melody 	
Jorge Reyes - Tejido De Sueno's (Cola De Venado) 	
Heavenly Music Corporation - In A Garden Of Eden 	

A compilation of Silent Records tracks mixed in one track recording in 1994.

Ambient is about cutting edge, flat structures, encompassing structures, nuturing structures.  Ambient culture is about developing what’s within you.  The main focus is developmental, more than achievement, it’s more process oriented towards spiritual and technological concerns or interests.  It’s an inward thing, but it’s down through technology.  Developing a look with a Macintosh, or developing your sound with certain midi gear, so it isn’t like sitting in a cave playing the shakahatchi or anything.  It can be that simple and encompass that, but it isn’t mostly about organic qualities.  It’s about organic and technological qualities.  – Kim Cascone

Special thanks to (guidance, inspiration, and source material):
Kim Cascone and the Silent Artists for the music, Dean Seven for the Fad-tastic magazine, John Cameron for the DAT, Robert Anthony Aviles for the violin treatment, Nick Danger for the live mix logistics, John Love for the cosmic ear, Ken Nordine for Now Nordine, The Voice of Enigma for guidance, Marie Cini for hypnomusic therapy, Alan Parsons for “Time”, “Lap of Gods”, Merv Cosell for “Heaven Can Be Yours”, Rob McKuen and Anita Kerr for “Drifting”, Orson Wells for “War of the Worlds”, Gordon Hempton (Rolling Thunder) for Earthsounds, Kraftwerk for “Autobahn”, Robert Fripp for “Listening” (as opposed to hearing), Spiritual devotee on the Haight, Kim Cascone for Silent Wisdom, John Zorn and Toots Theilman for whistling, Jacob Needleman for Tao Te Ching commentary, Gregory Corso for poetry, William Burroughs for Poetry, Todd Rundgren for “Born to Synthesize”, Timothy Leary for “The Trip”, Pink Floyd for “Welcome to the Machine”, Ian McDonald and Michael Giles for “Suite in C”, FM for “Slaughter in Robot Village”, Steven Feld and Mickey Hart for “Chant of Bosavi” Papau New Guinea, Sheila Chandra for “Nada Brahma”, Zen, Nembutsu, and Yama Bushi monks for temple chants.

70 Silent minutes, reinterpreted, remixed, recommodified, reconstructed by Mark Riva.  Produced by FAD Entertainment for FAD Magazine - 1994

Mark Riva's Metagrooves - The Silent Mix

In Resom's own words: "The crew of De School took over ://about blank last summer and this mix here is the recording of my closing set at the most beautiful garden of ://about blank. I was overexcited, jittery and had this crazy idea to create a acoustic movie for the audience. I was performing in London the weeks before and went to an MVE where they played the soundtrack of a german 70’s Science Fiction TV series I never heard about before. It was so feminist and progressive that I decided in that moment that I have to use the samples. That’s where the citations are coming from sometimes. The reason to use those was bc I think that ://about blank and De School have a lot in common when it is about forward thinking curating and pushing debates. Of course there are mistakes being made, but again: I personally find this even more interesting, because it gives the chance to reflect, process and learn."

@resi-resom

Mantissa Mix 134: Resom

Bringing in number 177 in our series we have Desert Island Disco. Desert Island Disco are a DJ outfit united by their passion for boogie-oriented music and all permutations thereof. In their mixes, remixes and productions you'll find a broad palette that spans Balearic and Italo, Street Soul and Zouk, Synth-Pop, 90s House and everything in between.

For this mix, the boys draw on the Balearic side of their record collection, emphasising blissful bass-lines and sultry synths to take you back to far-flung fiestas. 

www.soundcloud.com/desert-island-disco

Mantissa Mix 177: Desert Island Disco

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