Further information: https://bleep.com/features/bleep-mix-235--fft

Ahead of the release of his debut album Clear on Numbers, London-based producer FFT provides a heavy and hazy mix, ranging from new-age flute washes and grasshopper dusk choruses to metallic electro with harsh machinic whirrs, to chopped and screwed edits full to the brim with molten bass. Cuts from Cypress Hill, The Bug, and Oneohtrix Point Never are mutated till they’re swimming in the dark depths of the sonic fog.

"I made sure to mix the tracks all the way into each other, thanks for listening!" - @fft-music

Bleep Mix #235 - FFT

Played & Recorded at Burnout-Regula by Ina Valeska

Ina Valeska | Terrain  - Radio Bollwerk - 01.06.2023

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

Kafim b2b Clyde Arcalis @ Kiosk Radio 20.11.2023

Nanogram is a Hong Kong-based DJ and promoter of Entropy 熵, monthly experimental techno event held monthly at Mihn Club Hong Kong. For January 2024 episode of Entropy 熵 Radio, Nanogram released a live recording of his warmup DJ set "ENTROPY x KGR(n) Tokyo" nights from December 2023.

Tracklist:
2 Ghosts I - Nine Inch Nails	
Thus Spoke The Leviathan - Ancient Methods
Nightshade Agents  - Mogano
Iris - TROJΛNOVSKX
Clear Cut - Dva Damas
DREAMER - Lee Douglas	
Nowhere Left To Go - Catharsis	
Oneiric (Sam KDC Remix) - LSS
PI01.2 - Vofa 
Xtipokardia	Vofa	#003
PI01.4	Vofa	PI01 [π01]
Incertidumbre - Geistform  	
The Hunt - Broken English Club w/ Neuer Mensch - Atom™
Silent And Under The Boot (ANFS Remix) - Prophän
Coldcarve - Atsushi Izumi
Hunted - Headless Horseman
Paysage Dépaysé (Killawatt Remix) - Oake

ENTROPY//22 - NANOGRAM

Millenium Dust (3/2/24)

For this new show i'm pleased to welcome the infamous Christian Coiffure for the first hour, who delight us with a pure house mix, something he's not known for, tho he shows us he's excellent at it too. With this well dug tracklist, expect vicious grooves and uplifting vocals. enjoy the ride and leave the show with a new haircut.

Keumel Takeover #11 w/ Christian Coiffure

Jacques Satre, hailing from the deep heart of the French industrial city of Saint Etienne, delivers the second podcast in the mix series for Terra Magica Records. It's a psyfi bass dubstep journey that meanders through polyrhythmic folk instrumentation and other sonic aberrations. The sound of Uge talent Jacques Satre is one that always delivers something new and unexpected when you least expect it. Always to the point, he continues to unveil new and unforeseen experiences characterized by their deeply hypnotic nature, moving freely between ideas.

We eagerly await his upcoming 12'' with narrative organic pices and dazzling remixes of Louis Eiger "Eigner Drums Propaganda" and Pont-Levis "Drawbridge" for La Rico Magique.

TERRA MAGICA #002 Mix Series – Jacques Satre

Artist: Serena (BIO)
Amsterdam-based artist Serena shapes morphing atmospheres consisting of a bold and unexpected fusion of aggressive noise with atmospheric musical elements, dubby loops, distorted guitars and harsh vocals. Serena, founder of SUBURBIA, Tbilisi's Mutant Radio collaborator and member of Garage Noord, dives into the past to recall old traditions and its ghosts of a lost time to create new non-linear narratives.
# 1 Insects. I feel them.
I hear them, everytime I look at her, side-eying her profile. A sound like the relentless whir of an electric lamp or the distant noise of a broken radio. It fills my ear and I can't ignore it. Like tinnitus, it drowns out everything else.
But when she catches me secretly staring, she gives me that perfect smile, signed by the little shining pearls of her teeth.
Her Perfect body eases my anxious mind. She covered me in tender kisses, gave me dazzling pleasure, with the quivering warmth of her insides.
I am under her spell.
But this time, what a pity. Why can't I ignore that small dot at the corner of her blue eye? I take her hand and she comes closer, like a groom to his bride at the altar.
This dot becomes my only fixation. I stare at it with transfixed intent. It begins to move. From that singular point in the white of her eye it pushes against her eyelid. I can't look away. First I notice a transparent wing, and then another, a head and the tiny hairs that shimmer on that fly’s filthy thorax.
The bug hesitates, flexes its wings, rubs its mandibles and flies away.
I look at the love of my life. With her beautiful golden hair. My hands follow the line of her body as I take solace in the delicate shape of her neck. She never stops smiling.
As my hands wrap around her elegant neck, I begin to squeeze .
Her blue eyes now tainted with red, her red lips now tainted with blue, her gentle body begins to shake and tremble, as the light of her life begins to leave her.
Then nothing.
Finally, silence.
A quiet, colossal, deafening silence.
Like a dark wave on cold seas, tenuous, subtle, plain, and then suddenly high, dangerous and roaring, the cacophonous hum rises. As her dead mouth breaches open, a million bugs storm out: flies and wasps, beetles and centipedes, scarabs, cockroaches, ticks, ants, spiders and worms.

 They surround me. They envelop me, they enter me. I have never stopped feeling her love.
- Lama Nudo -

SUBURBIA presents OBSESSIONS with Serena [13.02.2024]

&ampquot;I had a weird dream where I was at my high school best friend’s house and he was showing me his room. I hadn’t seen it since we were like fifteen and I was surprised to see that it had become a gigantic room filled with lots of couches and beds, and food everywhere.&ampquot;


POTERNE DES PEUPLIERS w/ OLGA (20/02/24)

Conversation with a Cloud

The 60's were a good era for 'psychedelic' music - at least, this is what's said. Allow me some visual clanging and flip that 6 to a 9 and talk about the Seattle 90's, also effluent in the 'psychedelic':

"I’ve been listening to old Nirvana bootlegs. I can say my music is influenced by the smashing of instruments at the end of their gigs. Each one is a unique orchestration but within a structure until it exhausts itself. It’s not random or just noise. There is a timing and build of tension. It is even more dramatic to only hear it rather than to watch it.

Kurt Cobain used to make music by surfing the radio and piecing it together with no editing, like early musique concrete collages. He had an old cassette recorder where you have to push the record and play buttons together and then push pause. You can hear the clicks, the getting up to speed..."*

...the tape warbles, and the shitilly timed stops.

*excerpted from the conversation with Tom Moody (www.tommoody.us/archives/2020/12/04/on-breaking-the-square-a-conversation-between-john-parker-and-tom-moody/)

Always live and improvised: Step.4D™ by St Celfer™.

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