Recorded, mixed & mastered 07 Jun 2019, 27 Oct 2021 & 09-10 Feb 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Process notes

09 Feb 2024
I have a 5-track Live template for my Bubble Memory project name, so I loaded a windy backyard recording of a kalimba & a glass from Oct 2021 into that. I split the backyard recording into the two tracks I have set aside for field recordings. Each has tons of processing loaded in already. The template includes kick and snare parts so I started by creating a minimal beat that might hopefully hold this thing together and added some lesser probability to those notes. 

I also have a Simpler track in the template so I loaded some of the backyard recording into that one too. I found the entire thing too constantly noisy and wrote some ideas to my notes about gating & adjusting some of the effects before shutting down for the night.

10 Feb 2024
Loading this back up, I first worked on adding some gates to a few of the tracks to thin out the noise bits. I added an iAbyssal recording I made in 2019 to the final track in the template. Added sparingly both an Arpeggiator to the Simpler track & a Note Repeat to the drum track. Then I worked a bit on other automations, including panning. This felt like it was done and I rendered both a mastered and unmastered mix for later use and for this Junto. It still felt like wind to me.

Instruments & stuff - Ableton Live 12 & native devices, K-Devices Shaper 2 & Secta, iZotope Ozone 9, kalimba, wind, iAbyssal, iPhone, iPad, tabletop, bottle

Artwork: From the LIRR, NY, USA, 27 Jan 2011, by Jim Lemanowicz

©2019, 2021, 2024 Jim Lemanowicz

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This original version of “Brown Paper Lips” was submitted as part of Disquiet Junto Project 0632: Shear Wind. The Assignment: Make the most of the disturbance within a field recording.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project  announcements: https://juntoletter.disquiet.com/

Project discussion takes place on https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

This track was originally released under the artist name "Bubble Memory."

Brown Paper Lips (disquiet0632)

Based on collaborative song writing in the early 80s and a few studio projects over the years. We are reunited to create new projects after taken a longer break.

Update:
In the summer of 2022, my dear old friend Mick and longtime musical companion died of cancer.

I have agreed with him that I will continue to run our site in his spirit. Our amazing, unique music will live on forever.

Morten Jeamland 
July 2, 2022





Hey hey, my my
Rock and roll can never die
There′s more to the picture
Than meets the eye.
Hey hey, my my.*

*By Neil Young


Mick loved listening to Rory Gallagher, Ten Years After, David Lindley, Neil Young and Alan Stivell.
He let this wonderful music flow into our songs. 
So we gave our music a new genre, which we called "Desert Psycho Fusion Blues Rock".


Updated May 17, 2023
Morten Jeamland


Mick Bolt:  vocals //rhythm guitar & lead guitar//furious slide guitar// 6- & 12- string acoustic guitar & keyboards


Morten Jeamland:  lead vocals & harmony & backing vocals//bass & double bass // keyboards//additional electric guitars//sitar//6- & 12- string acoustic guitar//drum programming// recording//mixing & mastering// producer//sound design//near field recording

Cover design by Jeamland & Bolt
©2013-2025 Jeamland Music Production

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

--all tracks are under CreativeCommons0/PublicDomain and free to download
--feel free to sample and re-use them, no need for asking
--account reset #6
--Soundcloud is dead

--i maxxed out in trying to offer new ideas and approaches to contemporary musik making for all but noone cares so here will now be more Noise and stupid shit

peace and
ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧ vegan love <3

Electronic music, field recordings and weird electroacoustic sounds.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

Brown Paper Lips (disquiet0632)

Jimmy Lem