I like the way things overlap and interact here. Some cool processing too. It makes for a sort of dreamy, spacey vibe. Very cool stuff, as usual!

cool slightly detuned atmospheric uncertainty, thanks for sharing

Awesome guitar distorsions! This daybreak announces everything can happen…

Dark ambient approach to Sylvia Plath's Poem "Sheep in Fog." Featuring an improvisation by SnowOmen: https://soundcloud.com/snow_omen/glasswork-nr-3. Music VSS (electric guitar, percussion, effect pedals, unsynchronized loops, voice, two tube amps) & SnowOmen (4 hands, 8 glasses, water, table). Mixing and production: VSS. Image: Miniature installation (photo: VSS). 

Sylvia Plath: Sheep in Fog (1962/63)

The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the cololur of rust,

Hooves, dolorous bells - 
All morning the 
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water.

Dark Water

Recorded, mixed & mastered 26 Sep 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this, I started by recording two phrases into Ableton Live on a Jay Turser MG-2 “Mustang” guitar tuned to F# A# C# G# C# F. For both loops - which were different lengths - I used PitchLoop89, some compression, a warp/stretch mode and a bit of chorus. Next I used a Rogue Fretless bass and then Cherry Audio’s ARP Pro Soloist. Other items used - Live native devices and Melda plugins.

This original version of "Red Over Seventeen" was submitted as part of Naviar Haiku 560, Daybreak!

daybreak!
the tempest interred
in snow

by: Inoue Shiro

Inoue Shiro (1742-1812) was a doctor and poet from Nagoya.

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

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Sign up for my mailing list - http://eepurl.com/ciZNa5 

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Red Over Seventeen (naviarhaiku560)

Alter of Faded Echoes

Watch Video

Marco Lucchi : synthesizers

for the current Diquiet Junto challenge
https://disquiet.com/2025/01/16/disquiet-junto-project-0681-drama-course/

*

Photo by Daria Gabriel 

19 gennaio 2025

Aeolian winds [Disquiet # 0681] alt version

Recorded, mixed & mastered on 06 Feb 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, reverb, echo. 

Artwork/Photography - Jim Lemanowicz, 12 Mar 2016, Massapequa, NY, USA

©2025 Jim Lemanowicz

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This original version of “Decaying A Little More Each Day” was submitted as part of Disquiet Junto Project 0684: Early Bird. The Assignment: Record not so much an alarm as a guided wakening.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 684th weekly Disquiet Junto project, Early Bird — The Assignment: Record not so much an alarm as a guided wakening — at https://disquiet.com/0684/

---

Look for me at patreon.com/blisterpop - patrons get my albums for free!
Sign up for my mailing list - http://eepurl.com/ciZNa5 

Patreon & Soundcloud - blisterpop
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TikTok - jimmlem
Bluesky - jimmylem.bsky.social
Mastodon - blisterpop

Decaying A Little More Each Day (disquiet0684)

Naviarhaïku 579

D'après le haïku de Yosa Buson

Mount Asama
amidst its fumes and ash
fresh young leaves!




Mount Asama (Naviarhaïku579)

Sasayaka

Last frost

Somewhere, something incredible is waiting to be known

As we near the end of August I am starting to consider what lessons have been learnt this month.  A pitch class set approach based on each day will work, but is there enough variety for a 30 minute piece?  Now multiply that by 12.  What do I need to consider for a 6 hour work?  Is an evolving ambient experience worthy?  What do you think?

25 Aug 25 Rising Energy

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Cover art by slowerpace 音楽
www.instagram.com/slowerpacemusic

CREDITS TO PRODUCER: REBEKKA DE ROSA

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Fading Prayers

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Red Over Seventeen (naviarhaiku560)

Jimmy Lem

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