آقا جدا باید بگم که خیلی شاهکار و زیباست بامداد،منو برد به نوستالژی درونم🤝⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩🖤⁦ 

👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻⁩⁦👏🏻

شاهکاره جناب  خوش قدمی عزیز👌🌿🙏🏼

خیلی خوشحالم که دارم جز گوش میکنم اونم با افتخار یک بند ایرانی رفیق و هم وطن خودم

bamdadx

Composer: Bamdad Xosh
Voice: Emma
Kamancheh: Morvarid Tahmasebi
Guitar: Bamdad Xosh
Analog Mixing & Mastering: Masroor Sheidaei
Cover Art: Mahyar Ghalami

©℗ 2021 Bamdad Khoshghadami

Elegy For Unsung Lullabies

داثر

This Too Shall Pass

And Bahar !! ...  spring ! ... yes spring came... it was a green spring, rain and snow and kisses, flowers and grass. Everyone dances and is free. Wherever they are, there is a spring festival. A celebration full of freedom, the season of me and you being next to free people who worked hard and patiently to be free. for infinity Spring . Nowruz and spring

و بهار ... و بهار ... آری بهار آمد ... بهاری سبز  ، باران و برف و  بوسه ، گلستان و چمن بود . همه میرقصند و آزاد اند . هر جا باشند آنجا جشن بهار است . جشنی پر از آزادی ، فصل بودن من و تو کنار انسان های آزاده که برای بودن آزادی تلاش و صبر و استقامت کردند . برای بینهایت . بهار .  نوروز و بهار 

Bahar

IRA is a piece composed for Nameless Elegy project, about the five stages of Mourning for a loss.

“IRA” or anger, is the second stage of this process and is inspired by the feeling of a rage you try to control but it can easily break the surface and drown out every other sense.
Performed by amazing DARÍO CARLOS BLANCO NOGUEROL🏮

Cover: Arefeh Hekmatpanah on 35mm film of Kathe Kollwitz's " Mother and her dead son"

IRA for solo guitar

This is a new version of my composition"Befreitsein", which has been mastered by AI.

Composer & Arranger: Bamdad Xosh
Harmonica: Bertl Mayer
Trumpet: Hassan Farahani
Alto & Tenor Sax: Hooman Namdari
Trombone: Hossein Sharifi
Baritone Sax: Mohammad Amidi
Piano: Arash Seraj
Guitar: Bamdad Xosh
Drums Programing: Navid Noghrezad

Label: Bamdad Music
ISRC: ATAY22000001
© 2019 Bamdad Xosh
℗ 2020 Bamdad Xosh

Befreitsein - رَهیدگی (Mastered by AI)

تراژدی در یک پرده 
چشماتو صبحِ زود دوس دارم
هر چی رو لب‌هات بود دوس دارم
ابهامتو مشهود دوس دارم
اما اینو چطور بهت بگم؟

رایحه‌ی موهاتو می‌گیرم
با فکرِ تو این کوچه رُ می‌رم 
از رختاتم تاثیر می‌پذیرم
اما اینو چطور بهت بگم؟ 

وقتی می‌خندی شب زیبا می‌شه
توو قلبِ آدم چیزها جا می‌شه
حسی که گم کردم پیدا می‌شه
اما اینو چطور بهت بگم؟

من که زبون‌تو نمی‌فهمم
که چیزی از دنیات نمی‌دونم
می‌نوشی و من توی فنجونت
ردپایی از من نمی‌خونم 
 
بارون بود و آهسته می‌رفتیم
شب سرگذشتِ بی‌قراری بود  
آینده‌ای که داشتم می‌دیدم
حوصله‌ای که تو نداری بود

می‌رفتیم و گربه‌های خمار
بی‌تفاوت نگامون می‌کردن
کشتی‌های شبای طوفانی
قرار نیس تو آفتاب برگردن 

می‌رفتیم و نفهمیدم می‌شه
رازِ خودمو با اسمت بگم 
حس می‌کردم بدرود باید گفت
اما اینو چطور بهت بگم؟ 

من که زبون‌تو نمی‌فهمم
که چیزی از دنیات نمی‌دونم
می‌نوشی و من توی فنجونت
ردپایی از من نمی‌خونم

A Tragedy in One Act

I love your eyes in the early morning hours,
love anything that's on your lips
I love your ambiguities,
but how should I tell it to you?

I absorb your hair's sweet odour,
I get out of the house thinking of you
I even get inspired by your clothes,
but how should I tell it to you?

When you laugh, the night gets more beautiful,
I feel something in my heart.
It makes me feel something I lost many moons ago,
but how should I tell it to you?

I don't understand your language,
don't know nothing of your world
You drink and I can't find a trace of myself in your cup

It was raining and we were walking slowly,
night was the result of the all the restlessness
The future I was imagining for us,
it was something without you

We were going and the hang-over cats were at us kinda indiffrent
The ships in the stormy nights are not coming back under the sun

We were going and I didn't know if I could tell my secret
I felt that I need to say goodbye but how should I tell it to you?

I don't understand your language,
don't know nothing of your world
You drink and I can't find a trace of myself in your cup

A Tragedy in One Act - تراژدی در یک پرده

سوگل - آلبوم لحظه ها
بداهه نوازی های پیانو
کیاوش صاحب نسق
نشر هرمس

Sogol-Kiawasch SahebNassagh

رهیدگی برابر با رهایی نیست. «رهایی» یک مفهوم انتزاعی است که می‌تواند نُمود بیرونی داشته یا نداشته باشد. داستانِ «رهیدگی» ولی چیز دیگری است. «رهیدگی» از صفت مفعولیِ «رهیده» و با افزودنِ «یا»ی مصدرساز ساخته شده است؛ پس بارِ معنایی صفت مفعولی (رهیده شدن) را با خود دارد. «رهیدگی» تنها زمانی صدق می‌کند که پیش از آن، «بردگی» و «در-بَند-بودگی» وجود داشته باشد. پس حس شیرین «رهیدگی» همراه با یادآوری‌های تلخ و گاه برافروزاننده‌‌ی «در-بَند-بودگیِ» پیشین است. قطعه‌ی «رهیدگی» تَراوَنده‌ی چنین حسی است.

Composer & Arranger: Bamdad Xosh 
Producer: Navid Noghrezad
Harmonica: Bertl Mayer
Trumpet: Hassan Farahani
Alto & Tenor Sax: Hooman Namdari
Trombone: Hossein Sharifi
Baritone Sax: Mohammad Amidi
Piano: Arash Seraj
Guitar: Bamdad Xosh
Drums Programing: Navid Noghrezad

Label: Bamdad Music
ISRC: ATAY22000001
© 2019 Bamdad Xosh
℗ 2020 Bamdad Xosh

Befreitsein

Befreitsein (رهیدگی)

Composer: Franz Schubert
Arranger: Bamdad Xosh (بامداد خوشقدمی)
Producer: Hessam Sakhtianchi
Guitar: Basir Akbari
Trumpet: Ali Zarrabi
Trombone: Siamak Karimpour
Alto Saxophone: David Gruber
Tenor Saxophone: Anton Prettler
Piano: Foroogh Fazli
Bass: Siamak Karimpour

© 2020 Bamdad Xosh

Franz Schubert's Serenade (Ständchen) - Jazzy Version

Persian Snow for M (an Improv)

Bamdad Xosh (born Bamdad Khoshghadami Hosseini; October 10, 1983) is an Iranian-Austrian composer and arranger of jazz music based in Vienna. At 13, he started his journey into the music world with his first guitar lesson through his father. Five years later, Bamdad experienced his very first musical composition that led him to a considerable point, as he found his main interest in life. How incredible it could be when an orchestra embodies your ideas and brings them to birth. In 2013, Bamdad immigrated to Vienna (Austria) to expand his musical activities. In Vienna, he just developed his knowledge and compositional skills by learning from highly qualified and renowned composers. Jazz is not the only dimension of Bamdad's musical world. As a teenager, he was very enthusiastic and impressed by American Folk and Country music, in particular John Denver. This influence may be seen as a kind of lyricism and pacifism in his music.

Due Unlimited Genre Producers & LIvePerformer in Real Underground  Electronic Music World With Solutionland name as G3U9

Franz Schubert's Serenade (Ständchen) - Jazzy Version

Bamdad Xosh | بامداد خوشقدمی

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