--- Audio Info ---

Artist(s): Lök
Track: Gelato
Album: Tonga
Record Label: Subplate Recordings
Catalog#: SUBPLATE102
Release Date: --- Available 20/02/2022 ---
Buy Here: https://subplaterecordings.bandcamp.com/album/l-k-tonga-ep-subplate-102

--- Visit ---

@l0k_dnb:
https://www.facebook.com/lokdnb

@Subplate:
https://facebook.com/SubplateRecordings

Drumad:
www.facebook.com/officialdrumad
www.twitter.com/drumadofficial
www.instagram.com/drumadofficial
www.drumad.bandcamp.com
www.mixcloud.com/Drumad

PREMIERE: Lök - Gelato [Subplate Recordings]

MASS Sessions #212 | Ksenia Kamikaza

Ksenia Kamikaza, the founder of UNDER festival and Platz Für Tanz
label, is the main moving force of rave culture in Latvia. Born in
Riga, but now based in Tbilisi, she’s spinning records in places like
Dommune in Tokyo to fabric in London, and losing herself in music and
dust at Burning Man project. Her style varies from Techno to Ambient,
from Industrial to IDM. Festivals and clubs like Khidi / Tbilisi,
Kater Blau / Berlin, Mutabor / Moscow are on her list for a long time.

A one-woman orchestra that has never failed to puzzle her
surroundings. Music creator, event promoter, radio hostess, traveler,
mother of two daughters and most importantly, a partygoer.

Support
▪️ https://soundcloud.com/ksenia_kamikaza
▪️ www.instagram.com/kamikaza/
▪️ linktr.ee/MASS.London

-Tracklist-
01 Underground Resistance - Kamikaze
02 Alex Krell - Unreleased
03 New Frames - Final Fantazy
04 Koszmar - Don't Do It
05 I Hate Models - Intergalactic Emotional Breakdown
06 Cristian Marras - A Symmetric
07 DarkMe - Upset Fantasy (Original Mix)
08 Lady Maru - Kill Ur Lobby
09 Alex Krell - Unreleased
10 Exos - Do Not Sleep 202020
11 Gotshell - Cluster (Setaoc Mass remix)
12 UNREALNUMBERS - TW3000
13 Noémie - Digital Orchestra
14 Mila Chiral - A Life In 7 Min
15 Regal - Burning Old Idols
16 Wallis - Match
17 Teokad - Drugs Connection
18 Hybral x Lesser Of - A Tear Burns Flesh (Töria Remix)

MASS Sessions #212 | Ksenia Kamikaza

[OMEN026] Datasheet - “Purge”

OMEN Recordings is thrilled to include ADAREN in our 26th release. This artist' demo came out of nowhere and immediately expanded our minds into new industrial techno territories. Based in Spain, this talented producer gives us three relentless original tracks. We also welcome the OMEN debut of UK star, SHE!K with an impressive broken remix, and a second one from our very own AXKAN.

Purge - The hypnotic EBM-like lead pad will burn up dancefloors. The powerful kicks will hook you in and transform you forever.

Runaway - The massive intro will rip your heart open to a whole new level of dark, gritty broken techno. Creepy vocals enhance the monstrous depth of this track. This killer broken beat with 90’s flavors will draw you to dance immediately, shaking bodies worldwide.

State Crime - Firing it up and spitting it out, this piece has no mercy. A techno orgasm will be bestowed on you by the massive arpeggiators and the aggressive punchy kicks.

State Crime (SHE!K Remix) - We believe this beautiful percussive remix will be a DJ favorite. Thrashing it up with modular synths cutting through complimenting the humongous broken drums in this remix. Peak time.

Purge (AXKAN Remix) - Such a massive industrial-broken take on this murderous remix that slays. Every element on this piece is placed right in the mix. Perfect set intro.

This EP will be available in digital format everywhere. It paves the way for new techniques in industrial techno. For more information visit: facebook.com/omenrecordings or at our online store at omenrecordings.bandcamp.com.

All original tracks written by ADAREN
Remixes Produced by SHE!K and AXKAN
Mastered by Tim Vitek 
Artwork by Feder Sanz

This EP will be available in digital format everywhere. It builds a new road for dark and industrial techno to inspire many. For more information visit: facebook.com/omenrecordings or at our online store at omenrecordings.bandcamp.com.

(C) all rights reserved
 
Tags #Techno #Columbia #Berlin #LosAngeles #UnitedStates #hardtechno #industrialtechno #ebm #moderntechno #sounddesign #synths #analogsynths #electronic #experimental #chaos #hardhitting #technobangers #noise #bigroom #warehouse #horror #darkambient #granularfeedback #hauntingmelodies #steadyrhythms #packingpunches #atmospherics #harshtechno #analognoise #analogcrunch #hithard #pervasivekicks

Purge

ADAREN - Runaway

Name: Boristhearctic
Style: Techno
Live Set

Boristhearctic - Live Set Aglomerat Moscow (27/08/2022)

Artist: Section & Dark Ops
Title: Ogami
Album: The Fourth Hour
Label: @counterpoint_recs
Release date: July 08th, 2022
Format: Digital
Buy link: https://counterpointrecordings.com/album/the-fourth-hour

The Fourth Hour

Section & Dark Ops - Ogami [Counterpoint Recordings]

OIZA проникся техно-музыкой в 2004 году. Через некоторое время начал организовывать тайные мероприятия на заброшенных фабриках. В 2007 году изучил продакшн и занялся живыми выступлениями. Накопив солидный бэкграунд,  в 2020 году открыл собственный лейбл, запустил радиошоу на DI.FM и организовал музыкальное движение OIZA RAVERS (https://www.di.fm/shows/oiza-ravers)

Techno Room PODCAST 093: OIZA

ACHTUNG: Hard Techno

Occult science first appeared in the 16th century during the Renaissance period in Europe. The term ''occult'' is derived from occultus in Latin, which means concealed, secretive, or hidden. Occult science initially described pseudoscience as fake scientific practices that are non-objective and non-scientific. After occultisme was introduced by the French, however, the term occult and occultism expanded to more broadly refer to many types of pseudoscientific, supernatural, mysterious, paranormal, and magical phenomena.

Boristhearctic - Occultism

Sonar

The track titles on Kamikaze Space Programme’s latest offering for Mote Evolver are taken from the chilling techno-criticism and dystopian visions of the late J.G. Ballard’s fiction, a thinker whose work has always lent itself well to music on the razor’s edge of modernity. Keep in mind, though, that this is no simple tribute to that mastermind of speculative fiction, but a translation of his highwire suspense and hyper-modern aesthetics into rhythmic and incisive electronic music.

The follow-up “Low Flying Aircraft” is another strong take on this affective mix of anxiety and release; its motif of tactile ‘slamming door’ percussion and metallic accents making listeners envision a labyrinthine complex full of rigidly enforced secrets and classified information.
 
For those who are curious to hear the sounds of urban overload and dark dreams compressed into one coherent and captivating release, Kamikaze Space Programme has delivered in a big way with this EP. Fuelled by the sensibility that the here-and-now is as strange and unpredictable as any science fiction, this music won’t disappoint anyone who still looks to techno as the music of new ideas.

Low Flying Aircraft

One of the most exciting new movements in modern music involves electronic producers venturing into sonic realms of fear and uncertainty. Though these artists’ unforgiving style places plenty of demands on their listeners, it is devoid of cheap shock value and predictable moralizing, and is capable of finding and creating romance in a grayscale world of Brutalist architecture and all-pervasive automation. While typically associated with the artist rosters of labels like Downwards, Blackest Ever Black and Modern Love, Stroboscopic Artefacts has played just as strong a role in shaping this aesthetic. So it’s only fitting that the next Monad issue from Stroboscopic Artefacts would come from the German duo of Eric Goldstein and Konstanze Bathseba Zippora, - better known as OAKE - whose previous efforts on Regis’ Downwards label have established them as one of the most unique products of their genre.
Like OAKE’s previous work, their new Monad EP immediately establishes a tight hold on the listener’s consciousness with its rigorous balance of ethereal vocal seduction and concussive rhythm, making one feel thrust into a world where the forces of techno-science and magic are involved in a constant reciprocal conversation. The opening track ‘L’esclandre’ while just a harbinger of things to come, is still as intense on its own as anything else in the electronic music realm, ritualistically laying a foundation of heavy kick drums and metallic lashes that seem aimed at key pressure points of the body. The following track ‘Jardin d’évasion’, bringing spoken vocals and haunted sung melodies into the caustic mix, allows the listener to soar over the aforementioned Brutalist landscape while still somehow feeling the full weight of it - a dark musical gem whose vocal repetition of “keeping...awake” elegantly completes a feeling of post-industrial yearning and restlessness.
‘Hélicorde’ returns OAKE to a more stripped-down, rhythmically dominant format; in the process offering a track that seems to have been by some kind of hybrid machine-wolves rather than by humans enhanced with studio technology. The feeling of being ‘on the hunt’ is captured here with great panache, but doesn’t leave the ears so exhausted that they won’t be able to enjoy the breathtaking finale ‘Paysage dépaysé’. Initially powered along by hammering kicks and grinding ambience, a siren voice appears which leads the instrumentation through a number of increasingly intense permutations on the main theme. Immense, yawning dirge tones and dissonant strings combine with the already established presence of pneumatic drill percussion to make a timeless meditation on lost grandeur.

OAKE 'Monad XXIV' [SAM024]

Hypnotic/raw techno
Boristhearctic@gmail.com

Boristhearctic - Occultism

Boristhearctic

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