Name: A rare interview with Stanley Kubrick (1965) by brainpicker
Duration: 1 h 16 min 32 s
Description: Jeremy Bernstein conducts the most thorough interview Stanley Kubrick has ever given. Background and context here: http://www.brainpickings.org/index.php/2013/11/27/jeremy-bernstein-stanley-kubrick-interview/

Jeremy Bernstein conducts the most thorough interview Stanley Kubrick has ever given. Background and context here: http://www.brainpickings.org/index.php/2013/11/27/jeremy-bernstein-stanley-kubrick-interview/

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A rare interview with Stanley Kubrick (1965)

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Washed

Composed & Produced by Brock Hewitt
In Collaboration with The David Roy Collective

Copyright 2022 Stories in Sound

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You can listen on Spotify, Apple Music, Youtube and other major music streaming platforms!! 

https://open.spotify.com/artist/1PWCCcjCmwzjYb48VWpGcm?si=AGbTh7BNR46WA3UocUj8Tw

https://music.apple.com/ca/artist/brock-hewitt-stories-in-sound/1227900382

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Washed (w/ The David Roy Collective)

Why She Swallows Bullets and Stones - from "Aurora"

Alfie

Alfie (Acoustic)

'You & I' is out 6/9 via Missing Piece Records. Pre-order here: smarturl.it/ALANI_YouI

Darkness at Noon

Darkness At Noon

From an Arvo Part music festival my company, Dock Street Communities, sponsored a while ago.....one of my favorite Part compositions.  Me on very last second violin as usual.  Just proud to be a part of this!

Arvo Part Silouans Song CONCERT!

Tunng Presents...DEAD CLUB is out now. Buy: https://smarturl.it/deadclub
Subscribe to the DEAD CLUB Podcast: https://smarturl.it/deadclubpod

Here's what songwriter Sam Genders wrote about the track: 
It's a song about how, by challenging taboos, we might arrive at a place closer to the truth and find ourselves better able to support each other as a result

Whilst researching this project I've been struck by just how much of a taboo the subject of death is in our culture. Partly because of the ways in which people have responded when I explained what we were working on. One person was seriously worried I might be suicidal, and others clearly felt it was an odd thing to explore. Partly because of my own reactions. I often found myself nervous when talking about death or grief, or reaching for a socially acceptable way of phrasing an idea and struggling to find one. And yet, once the awkwardness has passed, I've also found that people are often eager to talk about how death and grief have affected their lives. Sometimes as if they'd be waiting far too long for the opportunity to unburden themselves.

Interestingly I feel that in many modern settings people are more comfortable taking about sex than death. We've journeyed so far in the last 60 years when it comes to talking about sex and I think you can make a very good case for that being a good thing. I expect the average person knows more about avoiding STIs or unwanted pregnancy, and is more likely to be comfortable with the idea of sexual pleasure or their own sexuality than ever before. I'm sure a lot of good has come from that. Now it seems like people are beginning to talk about death more. Imagine if we were so comfortable talking about death that everyone in our culture had the skills to support people who are grieving or to plan for the end of life for themselves or a loved one. It seems like there's so much to gain. Palliative care is one obvious example of how more knowledge and awareness might help people live better lives.
The song was inspired in part by my conversation with palliative care physician and writer Kathryn Mannix and her wonderful book 'With The End In Mind'. Lyrically the song has clearly been through the Tunng filter. I wrote the words with a fantastical, almost comic book quality in places but it's not flippant. I think these are genuinely important ideas.”

A rare interview with Stanley Kubrick (1965)

brainpicker

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