what a beautiful way of showing how two cities can connect literally and metaphorically....

I love the intersection of sound and technology! I hope I can eventually do projects like this. I've been working with open source software and python as well for some of my works. Please check them out if you have time.

Fantastic sounds and composition! You can't have a much bigger stringed instrument than a bridge :))

Begun in 1995 this work changedand morhed to Dread; even the totle mprphed.

Many thanks to DrB

Dread

Composition on source recordings from Skarnsundet bridge. The beautiful architecture of the stayed cable bridge informs formal aspects of the composition, and the dispersive quality of the cables is a main timbral theme.  Special microphones based on accelerometers were used to capture the ultra-low frequencies of the cables. The composition is part of a pilot project for a larger permanent sound and light installation that I'm working on in collaboration with visual artist Viel Bjerkeset Andersen. This will hopefully be ready autumn 2013. The art project on the bridge was initiated by the municipalities of Inderøy and Mosvik, merging into one municipality on January 1st 2012.

Skarnsundet Bru 2011

Great Waitress - Grain

Skin On Bones

ElectroAcoustic Guitar live at MultiNO 2018

I bought another set of wave files (about 4,000) called Vimana today for £1.25. They are all science fiction based sounds. As I was putting this together, I heard that the Insight Lander safely touched down on Mars, so there was my title.

Insight Has Landed

Reeds

Improvisation on regular rhythms using Serge Analog Synthesizer, Benjolin, Klangbauköln and csound processing.

Improvisation on a regular pulse

DISORDER / RESONANCE 6

Performance, composition, sound installations, and programming. I work as a professor of music technology at NTNU.
I am particularly interested in the interaction of composition and improvisation, and I use various custom software solutions for improvisatory interplay between me and the computer.
Another area of special focus for me is granular synthesis (what I'd like to term "particle synthesis" when merging all known forms of the granular technique). I use Csound and Python as my main tools, and I've designed some opcodes for the Csound language.
In the past I have worked with the groups Krøyt and Motorpsycho.

Skarnsundet Bru 2011

Brandtsegg

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