POSSESSION, rendez-vous libertaire et libéré, bien décidé à contenter ceux qui aiment fêter la nuit, sans stigmates, sans limites, sans barrière de genres.

Techno queer parties in Paris

The label was born from the mind and the taste of Freddy K.
A life devoted to techno since the 90s.

BOOKINGS/INFORMATION: Claudia@brainsurgeryhq.com

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latest chart Dec 24 https://www.juno.co.uk/charts/dj/3488-Jane_Fitz/13060926-Chart//?ref=janefitz

Acid Doctor from Berlin
Bookings : alex@biota.agency
Americas: nicole@muisca.la

Bookings: info@dnzagency.com
Benelux: karel@burst-artists.com
Asia: jonathan@warungagency.com

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output. 

Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez) and PS Project/Bubba Beats & Kid Piston (with DJ Sneak). Production highlights include Phil’s three albums ‘Love Affair’ (2011), ‘Yeah I Like That’ (2003) and ‘Raw Instrumental’ (2012), alongside style‐defining singles ‘Hypnose’, ‘It Put Me Well’ and ‘All Day Every Day’. The music has been
heavily supported by international dance press including achieving accolades such as MixMag’s and De‐Bug’s ‘Album Of The Month’, while DJs ranging from
Danny Howells and Yousef to Mark Farina and DJ Sneak consistently play his tracks. Behind the decks, Phil has racked up enough air miles to take him around the
world several times over, with appearances at the world’s leading house clubs ‐ Queen’s Club, Sankeys, Circus, Ministry of Sound, Back to Basics and Stereo are
all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club.

Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries
on Youtube or his personal relationships on Facebook.
Despite his success Phil isn’t one to brag. To him it’s all about keeping proper house music alive. Which just goes to prove Phil Weeks is a house music purist.

Boris, the long-standing Berghain resident, is deeply committed to the captivating magic that unfolds on the dance floor. This burning passion within him sparks a longing to shape, tease and playfully amplify the intensity of the dance floor action. With over two decades of experience as a producer for the likes of Ostgut Ton and Careless and as a DJ, he remains an unwavering, yet never predictable, mainstay.
Renowned for his extended, scorching techno closing sets, Boris is one of the most well-versed and dedicated protagonists in Berlin's vibrant queer electronic scene. However, to pigeonhole Boris only to Berlin would be doing him a disservice. In fact, his visits to legendary clubs like Paradise Garage and the Loft in New York City have left an indelible mark on his persona and DJ style.
Imagine the euphoric sounds that created a sense of belonging and ecstasy in Boris's heart while experiencing the massive pumping sound and welcoming community feeling at NYC's clubs. He brings this same warmth and playful energy to dance floors worldwide. His infectious style makes it effortless for clubbers to lose themselves in the music and partying, earning him a loyal following within the queer scene - and beyond.
Whether he's playing small, intimate clubs, festivals, or his prestigious residencies such as Berghain, Faust in Seoul, or House of Mince in Sydney, Boris has the gift to take people to another state of mind where nothing matters but the music and the moment.

Broken Mountain pose a beautiful dilemma - how do you describe a musical collective that defies genre? That is equal parts experimental and approachable? That is both complex and raw? 

Listening to Broken Mountain is a trip through a dystopian paradise that combines the impressive and diverse musical talents of Andrew Bruce (vocalist/keyboard), Brendan Clark (bass), and Nicholas Meredith (drums). 
Reminiscent of The Knife, James Blake, Bjork and Dirty Projectors

Inspired by experimental production, ambient music, and raw textures, the Broken Mountain experience is one for all the senses and will stay with you long after the music fades.

contact: brokenmountainmusic@gmail.com

Club 77, located at 77 William Street, Sydney, is a revered underground hub with over 25 years in the nightlife realm. Known for its dark, subterranean atmosphere, it's a cradle of underground music culture. Its story is shaped by DJs, regulars, and iconic nights like Tweekin' and Club Kooky, crafting an eclectic musical legacy while retaining a gritty allure against mainstream norms. Standing as a pillar in Australia's nightclub scene, Club 77 continues to celebrate its rich musical journey, with live recordings from the past two decades being a testament to its enduring charm.

Broken Mountain is following