Nailed it! Fantastic vocal harmony! gorgeous stereo mix & recording!

this song is sooooooo good keep it up (brilliant)

Wonderful version, Bruce you sang such a nice vocal track, Man that's a lot of work. Congratulations!

seriously?!? I never thought I'd hear anyone cover this. killer job all around man. wow. (I took a stab at Eleanor Rigby strings, but this seems more ambitious!)

t h e c o n o v e r z o n e

My cousin Dave is a proud Liverpudlian, and a big Beatles fan. He grew up in Liverpool in the 50s and 60s, and could tell you anything you want to know about his beloved City Liverpool!
He sent me some great lyrics, and the music was born as a sister to "Screaming Leg Blues", which I was working on at the time. Big thanks Cuz, love ya! <3
Lyrics - Dave Frame
Music, Guitar, Harmonica, Vocals - Taypen
Cover Pic "Dave with my beautiful Lime Tree"  - Lizzie Pentland

Lyrics
If there were a Rock 'N' Roll Heaven
What a place it would be
John, Jimi, and Janis
All singing in harmony
Oh Yeh, Oh Yeh, what a place it would be

I see them all in the Chelsea Hotel
Jammin so free and easy
Shootin the breeze
As the candy goes round
Oh Yeh, Oh Yeh, as the candy goes round

ROCK 'N' ROLL HEAVEN (For Dave)

One More Cup Of Coffee (Bob Dylan Cover)

Mae byd arall yn bosibl (Another World Is Possible)

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was, haha.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US. These compositions weren't written with this subject matter in mind, full-disclosure, but the album has now been named in response to this issue and will be dedicated to educators, and to truth, which will win in the end despite efforts to silence it.

Prohibited Topics

21 7 6

This simple piece is based on a piano tune I originally wrote in 1994. I've modified it a bit and added a second instrument, but it wouldn't let me do more than that.

Spitfire Audio's BBC Symphony Orchestra Core and XLN Audio's Addictive Keys Studio Grand Piano

Before This, Beyond That

Dance In The Dust

Cromlech Vortex - 01 - Laisser - Courre (T.Corbière)

Very many thanks to our good friend Terry Goulding of Barmy Park for playing drums on this track.
https://soundcloud.com/user-509797554-247163025

If Paradise Is Half As Nice

If Paradise Is Half As Nice (Amen Corner Cover)

Silver Words

Silver Words (Sixto Rodriguez cover)

You Are The Road, I Am The Wheels)))Conover/The​Phaige

Lucky Little Boy   Conover/Wiggs
In the evening
when the sun goes down.
I pull you close to me
and I’m so proud.
That your the Girl
I know that can’t be found by
Lucky Little Boy’s like me.

I can’t be fooled by you,
but I believe in me and you.
Somehow and Forever
I Do, I Do

In the evening
When the sun goes down.
I pull you close to me
and I’m so proud
That your the girl
I know that can’t be found by
Lucky Little Boy’s like me.

And when the children are asleep
We will reflect upon this night together.
All the roads we drove.
All the blessings showed.
All these things and more
opened up the door
For a Lucky Little Boy

Original guitar and musical composer. Chris Wiggs
Please enjoy the original track here:
https://soundcloud.com/chris-wiggs/dusk-until-dawn
Arrangement, Lyrics, mellotron, vocals and production. Bruce Conover
Production and final mix by Matthew Warnick/Bruce Conover
Bass and drums Matthew Warnick
@chris-wiggs
https://soundcloud.com/matt-warnick-58962582 
Conover/Wiggs
Mastered at Abbey Road by Sean Magee
http://www.abbeyroad.com/engineer/sean-magee
© 2017 Conover/Wiggs

Lucky Little Boy)))  Conover/Wiggs



Divide and Conquer  collaboration by Conover/Anmafean

Divide and conquer
This is how it works.
Maintaining control
Over those little things that lurk.
Reducing their power
Encourage dissonance,
These tried and true principles
Will elegantly work


Divide And Conquer     Conover/Anmafean

His life was gentle; and the elements
so mixed in him, that Nature might stand up,
and say to all the world, This was a Man!

William Shakespeare
English poet and dramatist (1564-1616)
considered one of the greatest English writers.

This was a Man!

Conover plays and sings this version

History from the Beatles Bible:
Written by: Lennon-McCartney
Recorded: 1, 4, 5 August 1969
Producer: George Martin
Engineers: Geoff Emerick, Phil McDonald

Released: 26 September 1969 (UK), 1 October 1969 (US)

John Lennon: vocals, lead guitar
Paul McCartney: vocals, bass
George Harrison: vocals, Moog synthesiser
George Martin: electric spinet Baldwin harpsichord

The final song to be recorded for Abbey Road was John Lennon's Because. The song was inspired by Beethoven's Moonlight Sonata and featured The Beatles' distinctive three-part vocal harmonies.

Yoko Ono was a classically trained pianist whose interests had moved towards the avant garde. One day in 1969, however, she played Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 - the Moonlight Sonata.


Lying on their sofa listening, John Lennon asked her to play the chords backwards, and wrote Because around the result. While not an exact reversal of Beethoven's piece, it contains a number of musical similarities.
The lyrics speak for themselves; they're clear. No bullshit. No imagery, no obscure references.
John Lennon
All We Are Saying, David Sheff
The vocal harmonies are one of the most distinctive aspects of the much-admired Because. Lennon, McCartney and Harrison sang together, and overdubbed their voices twice more, giving the effect of nine voices.

John wrote this tune. The backing is a bit like Beethoven. And three-part harmony right throughout. Paul usually writes the sweeter tunes, and John writes the, sort of, more the rave-up things, or the freakier things. But John's getting to where he doesn't want to. He just wants to write twelve-bars. But you can't deny it, I think this is possibly my favourite one on the album. The lyrics are so simple. The harmony was pretty difficult to sing. We had to really learn it. But I think that's one of the tunes that will impress most people. It's really good.
George Harrison, 1969
The vocal harmonies, isolated from their instrumental backing, can be heard on both Anthology 3 and Love. The Love album, however, features the sound of birds twittering in the background.

I wouldn't mind betting Yoko was in on the writing of that, it's rather her kind of writing: wind, sky and earth are recurring, it's straight out of Grapefruit and John was heavily influenced by her at the time.
Paul McCartney
Many Years From Now, Barry Miles
The instrumentation on Because was simple, with arpeggio accompaniment on harpsichord, guitar and Moog. Paul McCartney later bought the electric harpsichord, played here by George Martin, when EMI were reducing their instrument collection; it remains in his recording studio.

In the studio

On Friday 1 August 1969 Lennon, McCartney and Martin taped 23 takes of the basic track, with Lennon on electric guitar and McCartney on bass. Ringo Starr added a basic hi-hat rhythm, but this was for guide purposes only and wasn't recorded.

Take 16 was the best of the 23 attempts. With the backing track in place, Lennon, McCartney and Harrison recorded the first of their harmony vocal tracks. Two more were added on 4 August.

A final overdub was recorded on 5 August, when George Harrison taped a Moog part - the first time the synthesiser was used on the Abbey Road recordings. Harrison recorded it twice, filling up the last two available tracks on the tape.


Ah, because the world is round
it turns me on
Because the world is round
Ah, because the wind is high
it blows my mind
Because the wind is high
Ah, love is old, love is new
Love is all, love is you
Because the sky is blue
it makes me cry
Because the sky is blue
Ah, ah, ah, ah

because: conover

Procrastination

Appears on my album "Wrapped In Darkness":
https://silentloverecords.bandcamp.com/album/wrapped-in-darkness

photo by wonderful Elseh
https://www.flickr.com/photos/187686180@N02

She Who Was My Companion

Home is where your heart is. Listen to more fantastic tracks of https://soundcloud.com/samantha-hubbs

Lyrics, Vocals, Pic: @samantha-hubbs
Music, Guitars (Jazzmaster, Midtown), Bass (P), Drums (AD2), Mellotron (Redtron), Harp (DSK), Mix & Mastering (DAW): @bonetender

©It! & Bonetender 2020 All Rights Reserved

Home (with It!)

The Lagniappe Recorder
Manhattan Beach, California
The gear: 
Universal Audio Apollo Quad computer recording interface
Plug-ins by Fairchild, Neve, Pultec, Studer, Manley, EMT, Lexicon,Oxford, API,Trident, Summit. SSL, Massenburg, Hellios, Trident, Ocean Way,Ampex, Oxford, Manley, Elysia, Api, Moog, Lexicon, Cooper Time cube.
MacBook Pro (15-inch, 2018) Retina ssd, Thunderbolt display
Korg Triton pro 76 keyboard 
Audience ClairAudient 1+1 V2+. Personal Reference Monitors.
AUDIENCE ADEPT RESPONSE AR12 TS 12-OUTLET POWER CONDITIONER with dedicated AC line to main box on pole.
All cables by Audience.
Logic Pro 10 Recording software.
Rode K2 tube microphone with 1954 NOS cryo- genic Telefunken tube
Sennheiser HD 650 headphones with Cardas cable.
RPG and ASC Sound treatment panels and tube traps installed in and behind control area
The Lagniappe Recorder
Lagniappe is a small gift given to a customer by a merchant at the time of a purchase (such as a 13th doughnut when buying a dozen), or more broadly, "something given or obtained gratuitously or by way of good measure."
Or as I say "a little something special".

If there was only two traits that came through in my music, I would hope that it would seem to be effortless and inevitable.
The Kind Place Studio

because: conover

Bruce Conover

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