En tant qu'ancien élu CGT , je te dis merci pour eux qui ont tout donné ... Même leur vie 🙏

Belle chanson qui fait tout à fait écho à la mienne : Souvenez-vous !

Idle Blooms

Camto De Embalar

Alpha Mound & Tidsrymd "En plats i solen" (release date: June 17)

Alpha Mound & Tidsrymd is a musical collaboration that has been going on since 2019. The first single "Slow-wave Sleep/Dröm i färg" was released in 2020 and now their debut album "A place in the sun" will be released on June 17, 2023. The music moves between post-rock, ambient, kraut and dream pop. It is instrumental music, using vocals without words. With vivid song titles and musical visualization, they take listeners through different imagined scenes. The album is released on streaming services and CD through Stålverk Records.


Alpha Mound

Alpha Mound is Joakim Westlund's solo project. Since his first release in 2012 he has produced many albums and EP:s under this moniker, sometimes through collaborations with other artists. The music is usually ambient with sound design as a central element.


Tidsrymd

Tidsrymd is Johan Ohlsson's project, producing electronic music since 2018. The music moves between kraut, minimalism and ambient. 


Alpha Mound & Tidsrymd "En plats i solen"

The album "En plats i solen" was mostly made by the duo in Joakim's studio in Sandviken. Later on guest musicians have been brought in to build the large soundscape that makes up the record. The album features Sofia Costa Nordvall (vocals), Karolina Dahl (vocals), Peter Fredriksson (trombone), Martin Hällgren (drums) and Ida Norrman (vocals).


About some of the tracks:

Godmorgon framtid was the first single from the album, which came with a remix by Slim Vic. It is inspired by an old coffee table book from 1984, with the same name, in which Bengt-Arne Vedin and Bengt Preston painted titillating visions of the future and predicted such things as "electronic express letters" and robotic lawnmowers. It is an energetic, hopeful and uplifting song.

Dagsverk is a work song with a swagger, post rock guitars and humming sing-along chorus, kind of a spiritual for the 2020s. 

Vid tystnadens rand takes us to atmospheric ambient with quietly humming vocals (a bit like Enya). Alpha Mound plays a bowed guitar, which adds a kind of quiet drama to the song.

Östersjön paints a dystopian dark ambience to soft, jazzily stroked drums. We see the song as a bittersweet musical depiction of a rather ruined place, where beauty and tragedy sings side by side.

En plats på solen is a brutal song that contrasts the uplifting title track. But instead of beaches and leisure, we imagine solar storms and extreme heat. The composition is inspired by the title track of the 1984 Dune film and Edvard Grieg's "The Death of Asa" from the Peer Gynt suite, but filtered through the usual punk/indie racket.

03 - Dagsverk

Eridanus Beach

Hommage au Conseil National de la Résistance à qui nous devons la sécurité sociale, la médecine du travail, les comités d'entreprises et bien d'autres avancées sociales... Réforme misent en place par le ministre du travail communiste  Ambroise Croizat en 1946 sous le gouvernement De Gaulle avec la fédération CGT.

Ceux qui ont préféré Voltaire

Younkersid Honksive

“a cappella”

Art work: rosiekeystrokes via Pixabay

なにもできずに
いかりもせずに
生きているのは
罪だろうか
（出典不詳）

Is it a sin to live without doing anything, without anger?
(Source: unknown)

A Cappella

Paroles et musique : EmmaJack 

Today belongs to you
Don't keep your dreams for you
You can do the best the craziest you know
You can also stay at home with your sorrow

Today belongs to you
Don't keep your dreams for you
You can take the train don't care where it goes
You can also stay all day on your pillow

The sun don't care
If you 're stuck forever in your favorite game
The sun won't cry
If you live or die in your virtual life.

Today belongs to you
Don't keep your dreams for you
You 
You can stay at home forget tomorrow
You can also jump out through your window

The sun don't care
If you 're stuck forever in your favorite game
The sun won't cry
If you live or die in your virtual life.

You never know what you're gonna see,
if you pick up the right number
You never what you're gonna see,
If you once talk to your neighbor
You never know what you're gonna see
If you turn right at the corner
You never know what you're gonna see, 
You never know
You never know

Whispers of tomorrow

Ruin 

The poison I’m drinking, just left me further down 
The bridges I’m burning, nowhere left but underground 
Sweet father in heaven, I curse your holy name 
I’m left here just rotting, I hope you do the same 


(Ruin)
I crossed the ocean wide 
You have become my life 
I crossed the ocean wide 
You have become my life 

The poison I’m drinking, just left me further down 
The bridges I’m burning, nowhere left but underground 
Sweet father in heaven, I curse your holy name 
I’m left here just rotting, I hope you do the same

RUIN

Durante 1973 mi banda "Rata Intelectual" formaba con bajo, batería y guitarra líder. 'Opus 3' es un tema preparado para trío que modifiqué cuando se agregó un nuevo integrante y yo pasé del bajo a la guitarra rítmica.
'Segundo Tema' quedó llamado así ('Second Theme') porque era el segundo de cuatro temas de una suite que finalmente no terminé. Esta versión cuenta con el agregado de teclados que no estaban presentes en la original. El resto es igual y reproduce los arreglos de mi extinto amigo Daniel Eusebi (RIP), profundo admirador de Jan Akkerman. Sobre el final hay una aproximación al estilo de Steve Howe de quien era fan yo por aquellos años.
Esta segunda parte cierra el período que pude recuperar de 1973 basado en registros conservados en viejos cassettes.

During 1973 my band "Rata Intelectual" was formed with bass, drums and lead guitar. 'Opus 3' is a song prepared for trio that I modified when a new member was added and I went from bass to rhythm guitar.
'Segundo Tema' was called so ('Second Theme') because it was the second of four themes from a suite that I finally did not finish. This version has the addition of keyboards that were not present in the original. The rest is the same and reproduces the arrangements of my late friend Daniel Eusebi, a deep admirer of Jan Akkerman. At the end there is an approximation to the style of Steve Howe, of whom I was a fan in those years.
This second part closes the period that I was able to recover from 1973 based on records preserved on old cassettes.

Segundo Tema (Second Song)

Electric Dove's homage to the 80's bands that influenced the collective's founder & songwriter, Davs!

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