🚨 BALANCE CROATIA FESTIVAL 2026 🚨
Thursday 6th August - Monday 10th August 2026

⏰ SIgn up now for exclusive GENERAL SALE ticket access! 

SIGN UP HERE: https://drop.cobrand.com/d/BalanceCroatia/Updates

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Lineup

Adam Freeland
Aera
Alex Banks 
Alex O’Rion
Amonita
Andrologic 
Anthony Pappa 
Atish 
Aubrey Fry
Carina Lawrence
Chicola 
Cristina Tosio
D-Nox 
Danny Howells*
Danny Tenaglia 
Dave Seaman
DJ Ruby 
Dmitry Molosh
Dobar House 
Dowden 
Eichenbaum 
Eli Nissan 
Elliot Moriarty
Emi Galvan
Ezequiel Arias
Gai Barone 
GMJ & Matter
Graziano Raffa 
Guy J 
Guy Mantzur 
Henry Saiz 
Hernan Cattaneo 
Hicky & Kalo
Hyunji-A
James Zabiela
Jamie Stevens
Jeremy Olander
Jerpa 
Jody Barr
Jody Wisternoff 
Joe Miller
John 00 Fleming 
John Cosani
John Digweed* 
Kabi 
Kamilo Sanclemente 
Karl Pilbrow 
Kasey Taylor
Khen
Lee Burridge
Lemon
Lloyd Barwood
Lost Desert 
Lost Miracle (Sebastien Leger & Roy Rosenfeld)
Mai Lawson 
Marcelo Vasami 
Mariano Mellino
Marko Felinger 
Marsh 
Martin Fredes
Martin Roth 
Matthew Sona 
Maze 28 
Mike Rish 
Miss Melera
Nick Stoynoff 
Nick Varon 
Nick Warren
Nicolas Rada
Patrice Baumel
Petar Dundov
Peter Makto
Pole Folder 
Powel 
Rocio Portillo
Sasha
Simon Vuarambon 
Simply City 
Spencer Brown
Stereo Underground 
Tim Green 
Tonaco 
Zankee Gulati 

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Head to www.balancecroatia.com to epxlore ticket and accommodation options.

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Iconic electronic compilation series & music imprint

Est. 2000

Flying the flag for ‘quality independent electronic music’, born and bred on a national and global scale in their homebase of Australia and beyond, Balance Music have been at the very forefront of underground house music since its inception, expertly guided by experienced director Tom Pandzic. Their revered Balance Mix Series (Established in 2000) has seen the likes of Max Cooper, James Zabiela, Kolsch, Hernan Cattaneo, Henry Saiz, Danny Tenaglia, Deetron, Joris Voorn, Patrice Baumel, James Holden, Agoria, Phil K (R.I.P.), and more step up to the plate for one of the most essential collections across the entirety of the electronica spectrum, whilst Balance Series, their showcase for expressive tech, progressive and wider variations of house music, is a focal point of the sound. The latter has nurtured top-drawer releases from quality artists encompassing a plethora of upcoming and established acts. As the brand continues to grow exponentially, their ever-expansive popularity shows no signs of letting up. - Juno

For DJ bookings… slide into my DMs 🎧

London's leading independent record shop. Also home to labels Phonica Records, Phonica White, Phonica Records Special Editions and @KarakulRecords.

Full features, including interviews and tracklists, for our Phonica Podcast and Phonica Mix Series on our editorial platform Off The Record ⬇

http://offtherecord.net/

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Few artists embody the metaphor of life as a journey quite like Joyce Muniz. Born in Brazil and raised in Vienna, the DJ, producer, vocalist, and radio host now splits her time between Vienna — where she runs her studio and hosts a show on FM4 — and Berlin. She first made her mark at Vienna’s legendary Flex club as a DJ and MC before moving fully into production, releasing on leading labels including Exploited, Get Physical, Kompakt, Permanent Vacation, International DJ Gigolo, and Pets Recordings. Joyce also spent five years as a radio resident on Rinse FM UK, further cementing her presence across Europe’s electronic landscape.
Joyce’s creative world has expanded significantly in recent years. She became the first woman to join Germany’s Synth Live orchestral project, taking her hybrid electronic–orchestral show across the country. Her 2023 album Zeitkapsel (“time capsule”) represented a major artistic leap and the launch of her own imprint, Joyce Muniz Music. The record revisited the sounds that shaped her — from trip-hop and downtempo to drum & bass, house, and electro — with highlights such as the Portuguese-spoken anthem “Arrivederci Bella.”
A deep spiritual and artistic transformation also fuels her work. After overcoming cancer in her early 30s, Joyce returned to her Brazilian roots through plant-medicine traditions linked to her grandfather’s shamanism — a rebirth that continues to guide her creativity and purpose. During the pandemic she honed her technical craft, became a sought-after workshop host for Native Instruments, and completed a Bachelor’s degree in radio presenting.
Her momentum has only accelerated. In 2024 she released “No Haters” with Renato Cohen on Permanent Vacation, followed by her breakout Kompakt debut “Beats & Lines” with Sara Bluma — a track that held the No.1 position on Beatport’s Indie Dance Chart for several weeks. In 2025 she returned with the Afro-electro single “Mo Dupe” on Exploited, a lo-fi Yoruba-inspired homage to gratitude, and the powerful Kompakt release “Hack The System” featuring Futuradora, blending electro energy with sharp socio-political commentary.
Equally dedicated to the community, Joyce serves as a mentor and A&R guide for Lady of the House Brazil, supporting women and non-binary producers in electronic music. On the road, she tours nonstop across Europe, the Americas, and Brazil — where her achievements earned her a Mixmag cover feature.
Joyce Muniz is an artist in constant evolution: a boundary-breaking producer, a magnetic DJ, a cultural connector, and a storyteller guided by rhythm, identity, and spirit. With new releases and collaborations ahead, her journey — already spanning continents, styles, and generations — is only just beginning

Founder of @modular-radio

"It's all about frequencies, the mediator of understanding far beyond our perception." 

Started with DJ‘ing in 2018 finding the way of life with it. With the first Gig in the hometown, Trip Advisor discovered, how powerful the meaning of music, frequencies and the energy that comes along with the passion can be.
Right after that he started to produce music, trying to impart the message of structures and feelings deep inside.
With a punching low end and melodic groove Trip Advisor combines the classical driving Techno genre with harmonic and emotional stories.

Past Gigs:

24.01.20 - Feiern für den guten Zweck 
21.05.22 - MODULAR Open Air 1
06.08.22 - MODULAR Open Air 2 
03.09.22 - MODULAR Open Air 3
27.05.23 - MODULAR Open Air 4 - Lost in Time
23.09.23 - MODULAR presents CLAP CODEX @KulturFabrik Hildesheim
19.05.24 - MODULAR presents KLANGLOS @KulturFabrik Hildesheim
24.08.24 - MODULAR Open Air 5

Booking request: booking@modularevents.de

CEO @loveontherocks
Bookings: paramida@meanwhile.nl

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

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