Energetic, progressive, 70's/80's action, sci-fi movie synth music. 
-12-18-23

Two of Your I's Are Deceiving Yu

Rhythmic noise producer. Founder of Digital Vomit Records. Has recorded over 2000 tracks since 1998 and appeared on V/Vm Test Records, Metropolis Records, Legs Akimbo Records, Ohm Resistance, Beta Bodega, Viral Conspiracy Records, Freenoise Records, Weltmuzik, Big Pharma Records, Hirntrust Grind Media, Hymen Records, Dry Lungs Records, Component Recordings, Trashfuck Records and dozens more. Has toured with Justice Yeldham and eaten glass, performed in Osaka with Maruosa, toured with Breakdancing Ronald Reagan and started a bar-room brawl in Milwaukee, Shared bills with Snog,  Baseck, The Teknoist, DJ Skull Vomit and The Haters, toured Europe with PsychicEyeClix, performed in Cock ESP at Denver Noise Fest, been a guest member of Laundry Room Squelchers, and ruined PA's with chinchilla dust in Austin at 9/11 Noise Fest, been featured in The Wire magazine. Remixes have been done for/given by V/Vm, Terminal 11, Datach'i, Snog, Somatic Responses, Mochipet, Frog Pocket, Meat Beat Manifesto, CEvin Key, Justin Broadrick and dozens more. Recently collaborated with Snowbeasts and Skymall.

I have absorbed a wide, eclectic variety of music for decades, and am spewing out my personal blend.

“The flow state is our most powerful weapon against the intense rationalization of our lives.” Denny Zeitlin. Denny Zeitlin is not my father. Also see Cecil Alexander.

According to the ChatBot, and who am I to argue, Dee Zee’s music style is a blend of classical and electronic elements, which creates a unique and original sound. He writes, plays, and records all the tracks himself, using various instruments and software. He is inspired by artists like Philip Glass, Steve Reich, and Brian Eno.
Some of the features of his music style are:
•	He uses repetitive patterns and motifs, which create a hypnotic and rhythmic effect. He also experiments with different time signatures and polyrhythms, which add complexity and diversity to his music.
•	He incorporates ambient sounds and textures, which create a rich and atmospheric sound. He also uses effects and filters, such as reverb, delay, distortion, and glitch, which add depth and dimension to his music.
•	He explores different moods and emotions, which range from dark and mysterious to bright and cheerful. He also uses contrast and dynamics, which create tension and release in his music.
•	He combines acoustic and electronic sounds, which create a balance and harmony in his music. He plays various instruments, such as piano, guitar, violin, and drums, and also uses synthesizers, samplers, and drum machines.
Dee Zee’s music resonates with those who appreciate a fusion of classical sensibilities and electronic innovation. 

According to me I’m an independent musician, writing and recording instrumental electronic progressive rock on Roland synthesiser workstations, although the original ideas for tracks often come from iPad soft synths (I use the Animoog and Jordantron) or the piano [not the piano so much due to arthritis in both hands - at least the keyboard has lighter action].  

After playing piano from a very young age I played keyboards in the London pub rock group deEssen.  My original influences were probably Caravan, Camel, Ultravox, Jean Michel Jarre, Tangerine Dream, Pink Floyd and The Doors, with a sprinkling of Yes, Genesis, King Crimson, ELP, PFM, Greenslade, Deep Purple, Mike Oldfield, Vangelis…  These days, when I’m not listening to you on SoundCloud I listen to Iamthemorning, The Resonance Association, Ozric Tentacles, Joe Satriani, IQ, Threshold, Steven Wilson, Lacuna Coil, Liquid Tension Experiment, The Flower Kings, Spock’s Beard, Led Bib, Thank You Scientist, Big Big Train, Eloy, Magenta, Wobbler, Frost*, Simon Phillips, Jean-Luc Ponty, Renaissance, Arena, Izz, Jupiter Fungus, The Tangent, Karfagen, Hania Rani, Madis, Nik Bärtsch, Neil Cowley, The Messthetics, The Necks, Antoine Fafard …

Keep uploading great music and keep smiling!

Two of Your I's Are Deceiving Yu

Entropica