Solfeggietto in C minor (H 220, Wq. 117: 2) (yeah they used to name music like we name software) composed in 1770 by C.P.E. Bach, son of J.S.

Live video: https://www.youtube.com/watch?v=pJ8fyDSYaOI

Skinny Pete plays it in the music store scene in Breaking Bad season 5 episode 3 (http://www.youtube.com/watch?v=CQlAmtWHPII) and he makes more mistakes than me.

The instrument is Clavia Nord Stage 2 using a sampled Yamaha C7 grand piano and a few touches of synth.

Updated with a better take with less reverb on Feb 23, 2014.

Video

C.P.E. Bach - Solfeggietto [piano + synth]

Live concert recording of Dvorak's Cello Concerto

Recorded on February 13th, 2011 in Roswell, GA, USA

Ludwig Symphony
Thomas Ludwig - conductor
Laszlo Mezo - cello

Dvorak- Cello Concerto 01

CAPELLA CRACOVIENSIS
Mónika Tóth

Recorded live on Feb 20th, 2014 in Krakow Philharmonic Hall during a concert with Italian baroque. With talented young cellist Agnieszka Oszańca and Capella Cracoviensis on historical instruments led by Mónika Tóth, Hungarian concertmaster and violinist.

Recorded and produced by Tomasz Lida.

Antonio VIVALDI Concerto in G minor for strings & basso continuo (RV 156) - Allegro

GlaiveBound - Overworld Theme

Cathédrales de Paris – Six Méditations Symphoniques is an immersive orchestral journey through the spiritual, architectural, and musical heart of Paris. Each movement is dedicated to one of the city’s most iconic churches—Notre-Dame, Sacré-Cœur, Saint-Sulpice, Sainte-Chapelle, Saint-Germain-des-Prés, and La Madeleine—capturing its unique atmosphere, history, and sonic character.
Blending the monumental grandeur of Saint-Saëns’ Organ Symphony, the luminous harmonies of Debussy, the sacred lyricism of Fauré, and the soaring theatrical spirituality of Andrew Lloyd Webber’s Pie Jesu, this suite moves from the solemn toll of cathedral bells to the shimmering light of stained glass, from chant-like intimacy to blazing organ-and-orchestra climaxes.
Recorded in a virtual cathedral acoustic with expansive dynamic range and rich instrumental detail, these meditations are at once reverent and cinematic—an ode to Paris’ timeless sacred spaces and the human spirit they continue to inspire.

VI. Église de la Madeleine – “Triomphe et Miséricorde”

one famous valse composed by P. I. Tschaikowsky
from my serie "romantic piano II"
played on a Steinway B-211 piano

Peter Iljitsch Tschaikowsky - Valse sentimentale Opus 51 Nr 6  Steinway B-211 piano

From the album 'Schubert: Fantasie in C Major, Op. 15, D. 760 "Wanderer"; Chopin: 4 Ballades'. 
More information: http://sophiagranovich.com/discography
Buy: http://amzn.to/1PmG9qn

Frederic Chopin: Ballade No.4 in F minor, Op. 52

M003-Wolfgang Amadeus Mozart – Allegro

 Xixi Zhou (M.M. '12,) student of Hung-Kuan Chen performs excerpts from Prokofiev's Piano Sonata No. 7 during the 2012 Commencement concert. Recorded live May 19, 2012 in NEC's Jordan Hall, Boston.
For more information: http://necmusic.edu

Sergei Prokofiev - Piano Sonata No 7 in B flat major - Precipitato

Johannes Brahms - Piano Quartet No.1, Op. 25, Mvt. IV: Rondo alla Zingarese

Chicago Symphony Orchestra
Riccardo Muti, conductor
Yefim Bronfman, piano

Beethoven Piano Concerto No. 4 In G Major, Op. 58 (February 2017)

CAPELLA CRACOVIENSIS

Semper in altum. Capella Cracoviensis has been guided by this motto for a few years now, which makes it the most dynamically developing Polish ensemble specializing in performing period music. Owing to consistent support provided by the City of Cracow, Capella Cracoviensis may carry out uncompromising ambitious projects at the highest artistic level in collaboration with distinguished musicians of similar sensitivity and comparable courage. The list of regulars featuring in concerts with CC includes Vincent Dumestre (Le Poème Harmonique), Fabio Bonizzoni (La Risonanza), Alessandro Moccia (Orchestre des Champs-Élysées), Andrew Parrott, Paul Goodwin and Ensemble Oltremontano while Accademia Bizantina, Fretwork, Nachtmusique, Paul McCreesh, Giuliano Carmignola and Christophe Rousset (Les Talens Lyriques) come to Cracow to perform as guests. Along with concerts, CC explores the territories of baroque and classical opera successfully staging some of these works in Poland, such as Handel’s "Amadigi", Mozart’s "The Marriage of Figaro" and Gluck’s "Orfeo ed Euridice".
 
An instrumental ensemble, Capella Cracoviensis is a vocal group, too, whose technical mastery as well as flexibility enable it to diversify its repertoire, which ranges from Gesualdo’s backbreaking mannerist madrigals to the avant-garde compositions of the 20th century. The choir of Capella Cracoviensis has accompanied such eminent guests of Misteria Paschalia and Opera Rara festivals as Fabio Biondi with his ensemble Europa Galante, Marc Minkowski and Les Musiciens du Louvre-Grenoble, Le Poème Harmonique or ensemble La Venexiana under Claudo Cavina.
 
CC is often present at European festivals, including Haydn Festspiele Brühl, Bachfest Leipzig, SWR Festspiele, and in 2014 the ensemble from Cracow will perform at Händel Festspiele Halle. It gives regular concerts abroad: in Vienna’s Konzerthaus, in Versailles, Brussels, Ghent, Lviv and Kiev.  
 
Jan Tomasz Adamus, an renowned organist, harpsichordist, conductor and animator of musical life, became head and artistic director of Capella Cracoviensis in 2008. He has honed his skills as an artist collaborating with many outstanding singers while drawing on the achievements of Europe’s most important centres of art as the permanent counterpoint of all developments in music can be found in  painting, sculpture, architecture and philosophy. Inviting him to assume this position at the request of the City of Cracow has been one of the most widely discussed transfers in the world of Polish culture of the recent years. 

Antonio VIVALDI Concerto in G minor for strings & basso continuo (RV 156) - Allegro

capella cracoviensis

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