Great melodic work,as soon as the track begins we understand we begin listnening some real music. Background tissue of sounds is a perfect support for improvisation and spiritual listening, great !

Cool trippy meandering experimental but accessible jam

Very bizarrely cinematic. Like a spy movie, but on morphine.

It unfolds like consciousness coming out of a hallucination, and bubbling up to the surface. Latest batch is very cool, my friend. :)

The Upload - Jan. 2020

Here you can listen to the original version: https://soundcloud.com/ipg1/welcome-back-for-more

(Verse1)
Centered and focused, we all have a purpose
Always on the cutting edge, No need to unload us, alert us
Deep in the culture, we’re ultra Tight 
We dance, sing and write, getting ultra hyped 
Any size color or creative, no stereotype 
Bytes don’t hurt, but a keystroke can bury you 
Exchange what you learn, that’s a type stereo
Tight stereo, check another scenario 
That knowledge base that leaves a taste 
What’s a cook up? 
 
(Chorus)  
Welcome back for more, Got a taste for the flavor
well come back for more, and a flavor for the taste
Champions of the underground setting the pace
Welcome back for more, Got a taste for the flavor
well come back for more, and a flavor for the taste
Champions of the underground setting the pace

(Verse2) 
Listen very carefully, as I report the score 
ones and zeros, all built for war 
Computer Bass, ——stereo image tracks, cut and paste
Making music like we do, stand alone or with your crew
The collective few can’t refuse the flavor
Of our music with a slightly different taste 
Easy does it all the way, there’s never a rush 
Never haste, come correct and flavor to taste
A chef never worries about making mistakes

(Chorus)

(Verse3)
Making music dropping rhymes 
we’re in session all the time 
all the ingredients —thrown in the pot
Anytime theres a session you’ve got a cook-up 
that’s how we do it—-legends world renowned 
tight stereo in session, ———
champions of the underground—-
champions of the underground
Adlib

Welcome Back For More Vox 93 BPM

Giving And Taking
Cloud Stepping
(Chorus)
Life is relative, to the one that’s living it
Inside outlook, to giving and taking it
Experience god’s works, all senses
We were given just a little bit
We couldn’t handle it all 
the few we have can nearly fit
the few we have can nearly fit

(Verse1)
If we knew it all, and all, and all
Then nothing would matter
It’s all a puzzle to be solved
We have always been the answer
The plan of god without reward
Evolves in different ways
We are all awake in different dreams
To let the devil play

(Verse2)
Who amongst us hear the screams
Of millions of lives lost, 
and don’t look on it as savagery
And wonder what’s the cost
What’s the worth, and what’s the cost
Are we listening or not
Are we listening or not

(Chorus)
Life is relative, to the one that’s living it
Inside outlook, to giving and taking it
Experience god’s works, all senses
We were given just a little bit
We couldn’t handle it all 
the few we have can nearly fit
the few we have can nearly fit

Giving And Taking  Vox 90 BPM

Black Stones (Rehearsal)

Down Low (2025)

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

The Mongol Princess is a conceptual EP/soundtrack Mood Exhibit released in July 2017.
moodexhibit.bandcamp.com/album/the-mongol-princess

It is an audio story of a young, beautiful, and kind princess that died tragically by disease at an early age. The music reflected her stages of life with emotion and textures of various ethnic and acoustic instruments. It remains my most passionate musical project.

This EP is a document of her return; in spirit form, as a legend. These tracks retain the same feel as the original, but with a more grandiose and mystical flavor, and mixed minor electronics.

https://moodexhibit.bandcamp.com/album/the-return-of-the-mongol-princess

I had asked fellow electronic artist Belial Pelegrim to collaborate on 2 tracks for this EP. These 2 tracks showcase his brilliant production and vision, fitting perfectly to the mythology of The Princess.

Belial Pelegrim/Mood Exhibit - Prismatic Refractions of The Mongol Princess

Swell

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

So nice that my longtime collaborator friend @dough-factory has returned to SoundCloud after a break of a couple years! This is our first track working together since then and it came together in a really cool way. I was inspired by Ryan's electronic drums and bass to lay down some rhythm guitar as well as a few synth leads. Then he came up with some awesome lyrics/vocals that I think captures the vibe of this piece quite well.

Keep an eye out for more from us, we are thinking of pulling together a whole album or EP over the coming months.

Dive

Sin Werk

2020-01-22

travel to the unknown

Disarm (Smashing Pumpkins Cover)

Music to take you where your dreams happen, when we dream until they become true. Each track is it's own melody and each one tells it's own story.

I have a project brewing to write the words of the story intermingling with each track as each one tells it's story.

When Wishes Become Dreams

> COME ON ... 😴😒 WAKE UP ...
IT`S THE MICE 🐭 PARADE !!!
> AHA 👻 AHA ... MEOW 😽 ...

< Tip😉Top "VIP" Trip >
zermixt by DudellicAh! (2019)

Aha😺Aha ... Come On ... (The😸House Cat🤤Trip) [VIP]

南国【South Hell】oz

Composed, arranged, performed and produced by:
Carlos Vivanco

Sirens

Aglaope

Hello and be welcome
I love it to listen to all your beautyful musix and I really enjoy it
Thank You and You undYou#



have all a good time and relax
                                      peace

🤍🧡💛💚🩵🩶🩷💙💜💫💫💫💫💫🌟💥🌈🌈🌈🦄⭐️💕💕🍀🍀🍀

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Aglaope

Carlos Vivanco

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