Massive pans-spread on those drums. Makes for a huge open space. I like the hypnotic horn melody too. :)

Oooh, I really like this section... the unusual pattern change. Feels like someone rethinking their course on the spot. Beautiful space, Carlos. :)

ha, don't take this the wrong way, but the title of this piece and your previous one, 'Green City' sound to me like they should be swapped with each other for teh music they go with. (that's just totally the influence the music has on my as I listen to it, and I don't mean that in a negative way at all. I love both these pieces!! So original.

man....this vibe is very cool....I cannot even start to describe your sound....very authentic and original....great sonics and sounds....nice bro

great use of different instruments, such an orig comp

Breathe

Mom's harp and an old unlabeled Ariah guitar I picked up in EastVan, CA, for CAN$35 at an antique store w/some damage...

MomsHarprahSsmoM (and the Back Screen Door)

Composed, arranged, performed, and produced by:
Carlos Vivanco

At The End Of The Blue Sky

Infinite Station

Berlin Calling (Remix)

There’s a chicken wing restaurant near where I live that on Saturdays I often go to 

After cutting the grass and 
Wacking the weeds
Any  trimming any bushes unruly 

After several months if you sit in the same place the waitresses all get to know you 

And I always sit down 
in young Deborah’s section, 
she’s got a crush on yours truly

She really enjoys all the stories I tell and she laughs at my hilarious jokes 

She always makes sure I have plenty of ketchup, she doesn’t do that for the rest of these folks

Men, don’t fall in love with your waitress 
Being nice to you is part of her job 
Sure, she laughs at your jokes but she laughs at the jokes 
Of every Tom, Dick and Harry or Bob

One Saturday I’m sitting in my usual spot, but Debbie didn’t show for her shift 

And I’m thinking My god, 
what on earth could be wrong 
If I had her address then I could save her

And so I lied and told her manager that Debbie had called me and asked if I could give her a lift 

 He gave me her address 
On a cocktail napkin
And I thanked the man for doing me this favor! 

And I imagined when she saw me I would be her handsome hero and she’d plant on me a passionate kiss 

She’d say “leave your stupid, fat cow wife, she doesn’t love you, marry me instead and we’ll have marital bliss” 

Men, don’t fall in love with the waitress 
You’re not her white knight on a giant white galloping steed 
You’re just another guy who got the cheeseburger combo 
And an appetizer he didn’t need

So I drove up to her trailer and knocked softly on her screen 
And this 6 foot four gorilla came to greet me. 
He had perhaps the largest biceps I had ever seen 
And his fists were more than big enough to beat me. 

I said, “ I was sent to check on Debbie, make sure she’s okay 
Debbie then appeared engulfed in sadness 
She said, “wait a second, I know you, you’re there each Saturday. 
Why the hell did they give you my address?   

I said, “listen, I just wanted to make sure you were alright 
We’ve become so close I care about you deeply 
She said, “I just serve you chicken wings, what gives you the right! 
Get the hell off of my porch, you’re fucking creepy!  

So I got back in my car and I drove quickly away, for a moment there I feared for my life 

I knew that I had overstepped 
Her personal boundary 
And I could never sit again in Debbies section 

I thought from now on that after finishing the lawn, I should have a couple beers with my wife. 

We’re old and fat with two grown kids 
But just like Darwin said 
You have to trust in natural selection 

Men, don’t fall in love with your waitress 
On your personal reality try to keep a  very firm grip 
You’ve got a mortgage, a fat wife and four kids who need you 
So pay the check and leave a generous tip

Don't Fall In Love With The Waitress

United In Heaven

An allegory about seeing for the first time what's always been in front of our eyes ...  Timed with the celestial occultation

The Dream Reel EP

Clarion

Cosmic Dreams

Cast of Characters:
J.J. Terrell– @j-j-terrell –electric piano, synth and original seed 
TexMex Shaman– @texmex-shaman –Stephen–guitar, mix, and production
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– Guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar
The Eclectic Collective – composition

 This song began with JJ, as many of our songs do, who composed the outline on the keys, drums, and bass. He then let everyone else in on it immediately. Ken was first up to bat by laying his always cunning drums in there. After he had a beat to work with, Josh used his tree trunk of a five-string fretless bass to complete the rhythm section. Soon after, Tez and Stephen both laid their magical guitars in there. Once we had it all in the can, Stephen used his powers of production to give us a great mix.
  This one came together relatively quickly, which is a good sign that we're all enthusiastic about what we're creating. We hope you enjoy listening to this as much as we enjoyed making it.

Mellow Travels (The Eclectic Collective)

method: first, I created a shaman-monk-version (mostly ‚Gregorian‘ voice and jaw harp) on cassette tape (this is where some of the noise - especially in the first section - derives from) and zoom r20 with a vacuum-tube pre-amp for the voice ….. all of which I then treated like a field recording sample in Samplitude - sculpting it with vst instruments and effects. 
narration: it feels like I have sonified this poem a million times before …. which might be the case because I have lived through it that often - I and others I dearly care for …. but then again … I might have actually done so. it is also part of the cycle SONIC CASCADE published in  A SINGLE LOOP OF FORTUNES. Alternative titles are ‚TWO-PLACE‘ and ‚04s SAMPLE‘. For this publication, I simplify the title to  ‚SAMPLE‘.
Image: copyright jo richter. you see some of the instruments used in the shaman-monk-version, arranged with a bracelet as though displayed in a museum. 

poem / copyright jo richter:

two-place sleeps on the ground
and still doesn‘t know where it is -
all of its strings sound sound
in heaven-hellish bliss -
nothing, it says, goes amiss
that doesn‘t want to be found

sample

A instrumental mix of Organic house and Ambient flavors

Wanderer Out Of Time

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Infinite Station

Carlos Vivanco

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