The claustrophobic immersive sounds of space travel  

Electric Supply Station reimagined/ remix of the the amazing Into Oblivion by https://soundcloud.com/user-704533157

https://soundcloud.com/user-704533157/into-oblivion-2

Into Oblivion -( original track by Leone Linder) Electric Supply Station Reimagined

Big thanks to my dear friend https://soundcloud.com/holgerengel for playing bass and guitar.

The picture shows a section of „The Crystal Seer“(c. 1530) a painting by Titian (c. 1490 - 1572).

One Glance

in
From a large, old quartz crystal
Grown up in a cavity in the depths
Under a lot of pressure, 
Temperature and mineral supply,
32D3, trigonal and trapezoidal,
Perfectly cut spherical 
Two hands it takes to hold the orb

1
Think of a great dark hall
And in front of a candle this ball
And you look, watch and see
But you cannot find 
A fixed point

The glimpse wanders 
From the surface into the depths
Inside the light is refracting in its rays
And splits further along 
Structural network faults

ref
Peering into the crystal ball 
Glaring into the crystal ball
Risking a look into the crystal ball
And can`t see nothing at all
Nothing at all

So many things that obscure and disguise 
Imagining can be such great surprise

2
Unforeseen the past stands tall
And the line gets small 
Between „i don’t recall“ and
„I can’t remember at all“

But what’s wrong with the future?
Every picture dissolves into fumes
Or is it because it seems to be, 
That the quartz is rather smoky than rosy ?

ref + out
Staring into the crystal ball 
Gazing into the crystal ball
Loose oneself deep in the crystal ball
And can`t see nothing at all
Nothing at all ?

So many things that obscure and disguise 
Imagining can be such great surprise

And for a blink, just a very short while
Really, just the twinkle of an eye, 
Thought that i had looked into your eyes,
Meant that i had seen you somewhere smile

One Glance (ft Holger Engel)

How Do You

Composed, arranged, performed, and produced by
Carlos Vivanco

Petrichor

Light Pillars

dyttiloop?

this song is sung to love itself, not to a person.

when i was young, with a hopeful heart
so full of love, never been hurt
but that wont come again
love wont be your friend

don't you come back to me
no don't you come back to me

when i was young, so full of trust
i gave my heart, love was a must
but that wont come again
love wont be your friend

don't you come back to me
no don't you come back to me

Love aversion.

UN HOMME MAGNIFIQUE


HE’S A SPIRITUAL MAN IN A MATERIAL WORLD
LA VIE A SON PRIX ASTRONOMIQUE
HE CAN’T STAND A SNIPE BUT LOVES ANY BLUEBIRD
LE CIEL EST ORNITHOLOGIQUE
C’EST LOGIQUE 
MAIS ERIC
EST JUSTE UN HOMME MAGNIFIQUE
YES ERIC
C’EST LE CAPITAINE FANTASTIQUE
YEAH YEAH YEAH YEAH

HE DOESN’T CARE FOR DOUGH 
AND DOESN’T GO FOR  BLING BLING
IL SE MOQUE DE GAGNER DES BRIQUES
THE SPEEDIEST OF QUAKERS WITH NO SOCIAL STANDING
NON SA CAROTTE N’EST PAS LE FRIC
C’EST LOGIQUE
CAR ERIC 
IL MET LES VOILES SUR SON BRICK
YES ERIC
C’EST JUSTE UN MEC FANTASTIQUE
YEAH YEAH YEAH YEAH

HE’S A SMOOTH NAVIGATOR
A LEGENDARY CHRISTMAS CAKE MAKER

 
CAR ERIC
IL MET SES PAROLES EN MUSIQUE
YES ERIC
C’EST LE CAPITAINE FANTASTIQUE
YEAH YEAH YEAH YEAH

HE WILL JUMP ON ANY BOAT COS HE CAN’T STAND THE BEACH
AIN’T THAT TYPIQUE OF ERIC
SO YOU CAN ASK MCGURK LE STUMBLE OR DOBSER
THEY’LL TELL YOU WHAT KIND OF MAGIC
IT’S A KIND OF MAGIC


FÉERIC
MAGNIFIQUE
YES ERIC
POÉTIQUE ERIC
SOMETIMES ÉROTIQUE
FANTASMAGORIC ERIC

UN HOMME MAGNIFIQUE (Lyrics) Song for Eric

High Energy Contemporary Jazz with a mixture of Cool Jazz, Funk , Fusion, Latin, R&B and Blues

Heavy Vibes

I See

Airborne - I See

inspired by the traditional song "Jack-a-Roe," which most folks have heard played by the Grateful Dead, and not difficult to play as a "round," when you're looping along . . .

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B2K: electric guitar, loops, MIDI: electric piano, cello, trombone

and endless gratitude for both the intrepid:

Oh: drum kit/trap set/e-drums, and

Tree: bass guitar, e-bass
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Electric Guitar: 1984 Alembic Electrum (prototype)

Pedals: Musictronics: Mutron Octave/Divider, Mutron Phasor II, Mutron III (envelope); Tube Works Real Tube Overdrive, Ibanez AD-9 Analog Delay, Thomas Organ Cry Baby Model 95, Ernie Ball Volume, Saturnworks 6-pedal connector - Loops: Digitech Trio+ - MIDI: Roland GR-20 Guitar Synthesizer + GK-3 Divided Pickup

Guitar Amp/Speaker: Fender Rivera-era Super Champ - 8” JBL K-110 speaker

Looper recording: Looper pedal stereo direct to Tascam Model 12, (24 bit @ 48kHz) - initially all live, one take, edited for duration only.

Jack-A-Roe
Music By Traditional arr. Grateful Dead
Words By Traditional

Jack-a-Round-a-lope

Um Grito Em Mumbai

ArtEctomy.

Everything. Matters.

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.