Armon Lost His Mind Again

Roaming through the   heavens  2.

For more on this disquiet junto prompt, see https://llllllll.co/t/disquiet-junto-project-0655-soothing-sounds-ii/67983

Congrats to the new parents in the Junto!

Technical stuff:
Made with SuperCollider and processed in Audacity. The background paddy stuff is a chorused morphing wavetable synth and the foreground is a perc-enveloped FM synth, both playing notes from the same chord throughout.

dream, kiddo (disquiet0655)

*** Rien Ne Va Plus. ***

Faites vos jeux!
Moi, je veux bien, car mon système est infaillible.
Je vais placer tous mes jetons d'une façon sûre et progressive
a chaque tour doublant la mise sur tous les manques de passion.

Les jeux sont faits!
Mon indecision est prise:
Je vais crever refléchissant si j'aurais dû marier Denise
si j'aurais dû tuer Bertrand
si j'aurais dû doubler la mise, passionément, a la folie,
au lieu d'épouser Sophie
et m'enliser dans la routine de tous ces piètres cependants
de tous ces tièdes caquetages...
Oui! J'aurais voulu doubler la mise pour annoncer mes finalements.

Rien ne va plus!
Dans ce tripot clandestin
je vois enfin la vérité des martingales
mes yeux figés pour contempler
la danse affreuse et inégale des mains habiles du croupier
poussant la bille et le manchon
pour amorcer les pièges à cons.

Faites vos jeux... 
Les jeux sont faits, rien ne va plus...

Il faut partir. Je suis fauché.
Je n'ai plus rien à faire ici.
Malgré tout ce que j'avais promis,
j'ai gaspillé tous mes jetons
dans la folie des illusions.
Comme un voleur lassé de nuits,
je prends la route, en écoutant
un sourd appel au seuil des vents.

Rien Ne Va Plus (over Gérald Oliviéri "Mysteries and Investigations")

Seems like this is the second track of a jazz album with my humble sax on Hendrik's relaxed composition. Cheers @cosmic-ratzzz !

Lunatics 191 // The Swing Thing // Ratzzz & joerxworx

method: employing the presets of the arpeggiator on the a50 to narrow in on philip glass, bbc's celts, orinico flow, the moldau, pata pata or sonamos or whatever your enlarged and numerous senses might perceive
narration: a flow, a bend, afloat
image: copyright jo richter

poem / copyright jo richter

striations of birthing she bore
as though no one had suffered before

shattercone . the final couplet

shattercone - the final couplet

have a great day

Heavenly Steps (2023) Anthology CD2 Track 18

Hesitate -  15 - 11 - 2024

Co-written by a software drum computer called Microtonic by Sonic Charge. Since version 3 (2019) or so, if no buttons of the plugin are touched for 3 minutes, it will start playing random sound effects and rhythmic noises. The first musique-concretè generating AI? 

Nachtmusik 1
Aleatoric
free time

Vesicles are involved in metabolism, transport, buoyancy control, and temporary storage of food and enzymes within the cell.

Vesicle Night Drive

Title:
Ruapuna Track Day

Dates:
07-Dec-2025 (inception), 08-Dec-2025 (finalised), 08-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/ruapuna-track-day

Description:
My son was driving on the Ruapuna (official title "Euromarque Motorsport Park") race way on a track day, so I went along to watch and make some field recordings. Some raucous sounds. I made some 22 field recordings, taking eight of them into my granular synthesiser, Granie to mess with the sounds, then improvise on top with my Soma Lyra 8 analogue synthesiser. 


Granie replayed portions of the field recordings in a stereo cloud of twelve sound grains, grain sweep frequency, length, start position were controlled through a looped recording of parameter changes. As a live performance, I brought the eight granular voices in and out (sound gate ON|OFF), adjusted the delay+feedback network live and at the same time played the Soma Lyra 8 synthesiser, recording all this to the master audio recorder on Granie.

The Granie Granular synthesiser is available on my GumRoad site at:
https://normanfreund.gumroad.com/l/granie


Ruapuna Track Day

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Roaming through the heavens 2.

Anthony Cutrera Morales

Recent comments

Martin Hoogeboom

Nadìr

Malevolent Entities

Mesmo

Related tracks