Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

https://nunodossantos.net/
bookings: samir@goodlifeagency.nl


alias: https://soundcloud.com/dwaalgast108 // sayne //
recordlabel: https://soundcloud.com/sohaso //

Record label and artist project from Cologne/ Germany, focussed on Drum & Bass and electronic music, derived from Junglegrowers Crew, run by Heiner Kruse a.k.a The Green Man (TGM) since 1997.

It started as an artist collective with Basztart, Cheetah, Kingz & The Green Man.
Later on, label was run by Cheetah and The Green Man before Cheetah focussed on painting and moved to Hungary in 2007. We released music from musicians all over hte world, including around 40 vinyl singles and 8 albums/compilations.

Now were going back to the roots and an album from The Green Man & Kingz is coming. Additionally Jumpat and Decon are our resident DJs. Also most future releases will be accompanied by coops with one of us.

We started off as an artist collective in 1997. Then we released music from artists all over the world. Now we want to go back to the roots again: We are working on collaborations with artists all over the world! These will be released as a compilation in 2018 - plus additional digital EP‘s and remixes. The Green Man & Kingz as original members are still there and work on a new album as well! The concept is sponsored by the cultural department of the City of Cologne as well (Kulturamt Köln)



Artists participating so far (amongst others, to be confirmed, alphabetically): Aqua Sky, Brian Brainstorm, Digital, DJ Freeze,  Gourski, Klute, Navigator, Thorsten Q (Tangerine Dream), Ultima C, Seibel...and also some Cologne electronic legends!

Previous Releases include also : Big Bud, Phace, Misanthrop, Camo & Krooked, Enei, Stunnah, Klute, Phoneheads, N.phect & Dizplay, Giana Brotherz, Rregula & Dementia, Molecular Structures

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton

A key figure on the Dutch scene since 1991. An international headlining artist known for his sets in Berghain, Space Ibiza, Womb Tokio, Watergate, his frequent Elrow gigs or headlining every major festival in the Netherlands. Gem Records label boss responsible for moving the careers of Egbert, Enrico Sangiuliano and Reinier Zonneveld forward. Steady producer of countless essential techno classics for over 25 years. One of the most original and down to earth pioneers of electronic music on the planet. All legitimate ways to describe Jeroen Verheij a.k.a. Secret Cinema.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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