Thanks for the help identifying the Package and Producer for these cuts.

Recorded from stream

WBOW Terre Haute IN TM Studios EVO Classic Hits (WLS logo)April 2021

I see you

left hand of gemini

Mountaintop

winter soldier

Here is a montage of ReelWorld One Country jingles for 107-7 and 92-1 The Bull (WIBL/Fairbury-Bloomington-Normal, IL and W221CY/Normal, IL).

All jingles were recorded from the stream between February and October 2022. The montage is arranged in chronological update order, with updates ranging from July 2019 to August 2022. If the station brings back the other 2020 updates, I'll try to showcase them here. Enjoy!

WIBL ReelWorld One Country Jingle Montage 2022

Back when both WMJX and WMGQ were using Thompson Creative full time for their jingles (All while owned by the same company, Greater Media), they would heavily use jingles and air the same one sweeper every music set!

WMGQ, 'Magic 98.3,' New Brunswick, NJ - Thompson Creative Crescent City Magic

Picking up a thread from a long running set of loosely connected ideas around event-based patches that I've never really put into action. Not sure analog hardware is the right format (max exists, for one) but that won't stop me trying.

Treating events (eg triggering a voice)as the unit and observing measurements about these events should allow for feeding back these measurements into what's generating the events to begin with, thus opening up potential complex feedback systems

One of the building blocks for this is simple - what is the 'event rate' i.e. number of events per unit time - but rather than using the control voltage controlling whatever is clocking the events, observe the event rate as the events come in. In this case I'm using an exponential decay envelope triggered by a subdivision of the event counts. Measuring the level of this curve (using a sample & hold) then tells me the event rate - high held CV = high rate, low held CV = low rate. 

This measured CV is then fed back into the event distribution via the 4ms rotating clock divider rotate input (via some extra modulation derived using comparator, a sequential switch and a gate delay).

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More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

disquiet0597 - building blocks / event rate

Worth It

Wrong

More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/ 2

The image associated with this track is a photograph by Todd (Toaster) Elliott, who also provided the field recordings of the train.

Disquiet0635-trainingday

Underpole

Sabreur

Tongue Drum, OP1 Field, Chase Bliss MOOD MKII, SOMA COSMOS

More on the 645th weekly Disquiet Junto project, Speed Trap — The Assignment: Record something, slow it down, and then record over it — at https://disquiet.com/0645/

disquiet0597 - building blocks / event rate

caustic_gates

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