I see you cheated the cheater and hard panned the bass anyway :D

Nice, this littl epiano line came unexpected.

I used Tristan Louth-Robins  (@red_robin) guitar track as a basis for this. 

https://soundcloud.com/red_robin/disquiet_junto_0636-epochs-left-1-of-3-72-bpm

I added electric bass, playing a quite standard bass line and some harmonics.

This still sounds like a "basic track", hope somebody has an idea to complete this next week.
This collaboration between two austral guys is called Australopithecus.

I did alter the original to suit my taste, I added an intro (copy paste form the original's first bars) 'cause Tristan's track started a bit abruptly. And then added the coda using an Ecophlex tape delay simulation. My best contribution to the track  if you ask me.
So , yeah, I didn't follow rule number 3 "When composing and recording your part, don’t alter the original piece of music at all" so shoot me!
The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

Australopithecus - disquiet0637 with tristan louth robins

Part 2 of a 3 part assignment.
Incorporating John Wright's Just Percussion for Disquiet0636 (https://on.soundcloud.com/Xtc2d)

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

rightward feat John Wright [disquiet0637]

Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/66483

Includes this track from @Raincat: https://soundcloud.com/raincat-306596410/marsh-bones-disquiet0636

Track notes here:

[Disquiet_Junto_0637] Marsh Bone Epochs (feat. Raincat) (Right 2 of 3)

Part 2 of this project, first take(wasn't expecting that), ARP2600 patch from Arturia V. Tempo = 80BPM

Disquiet0637 Uno With Wild Card Part 2 Right

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet0637 - LR - Wasabicube - SamPlair

collab with https://soundcloud.com/lazenbeeindustries/bass-flurry-disquiet0636 / @LazenbeeIndustries

playing along with the original - set up a patch to manually trigger slow enveloped old recording pitched down, with delay - manual control of granular wet/dry - added field recording in live afterwards

panned hard left/right as per instructions

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 - bass flurry underground (with LazenbeeIndustries)

collab with https://soundcloud.com/rplktr/disquiet-junto-0636-left-1-of-3-disquiet0636 / @rplktr

glitchy kind of percussion thing added here. intentionally left out the kicks as it wouldn't sound right panned hard. fm voice triggered by a burst and going through some delay treatment

panned hard left/right as per instructions

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 - left retrograde (with RPLKTR)

For my second attempt this week, I chose the soothing track (left) https://soundcloud.com/fake-genius/disquiet0636-drma by @fake-genius and ran a weird generative Pigments patch alongside of it (right). 

The DRMA track had a lullaby vibe to it and to me the melodic moans in the patch ended up sounding like androids. The patch uses three square oscillators and some granular sampling. 

Sequence was keyed to D minor and 84 BPM, but its a bit loose.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

fakeg3nius & undermulden - Do Androids Dream of Sleep 2 of 3 (disquiet0637)

In the second part of the three week @disquiet Junto Project, I took @triermusic's Ableton Live track of street musicians and added three Logic Pro X bass. I panned Nate's track halfway left and my basses to the middle of the right and kept the tempo of 81bpm.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right 2of3 Disquiet0637- with Nate Trier

I took SAMPLAIR's track (https://soundcloud.com/user-248104983/disquiet0636-85bpm-1?si=7f73fecc7db545d6bdaa4d34fcb41c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) and played with long delays, granular and fft effects, against the original track.

The track is at 85bpm.
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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

cavernous (disquiet0637)

I downloaded this track: https://soundcloud.com/winterer/some-discriminative-finetuning-disquiet0637-23-second, with thanks to the original artists. I added a suitably adjusted and enhanced recording I made of men and machines at work.

disquiet0637 - left retrograde (with RPLKTR)

caustic_gates

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Torsten Goerke

RPLKTR

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