Concert Music

STREAM: https://fanlink.tv/_beyond 
DOWNLOAD ON BANDCAMP (For Free!): notzeroth.bandcamp.com/track/beyond

Guess what? Yet another song that started as a shitpost. This one dates back to around May 2021, I posted a clip called “cirno whatsapp” on Loudness Refuge, consisting of the first 8 bars of the drop into another drop, but with really shitty Tearout basses. I had a laugh and forgot about it, until a couple of months ago, when I was compiling songs for my 2022 Showcase. I extended the original clip from 8 to 32 bars, and because I had lots of fun doing that and people seemed to like it, I ended up making it into a full thing. Genres like these allow you to put so much cool harmony while still being aggressive and high energy. That blend of musicality and heaviness is my main goal with music as a whole, and I hope I can keep improving on it and pushing it forward.

This song would not exist without the music of Jayster (@jaystermusic) Tony Thai (@midiman10), Inverted Silence (@invertedsilence) and Mameyudoufu (@mameyudoufu). You can consider this song a kinda weird love letter to all four of them. Special thanks to Inverted Silence for all his help and for being a good lad in general.

Illustration, as always, by https://twitter.com/choroidplexus11

beyond

FORWARD

FAMJAM4000

@notzeroth

TOBER is a month long project where I produce/mix/master/upload a song every single day, from start to finish.

BUY BUG TOOLS:
kaifuaudio.gumroad.com/l/KFUBUGTOOLS

AMBIVALENCE w/ zeroth (TOBER 2023 #15)

STREAM: fanlink.tv/tkalook
BANDCAMP: notzeroth.bandcamp.com/track/takealook

UK Garage is hot again, isn't it? for the past 3 years or so there's been this explosion of bringing the 2-step sound back, and it's now all over the place now. That's cool and all, but you know what it's missing: dubstep. lol

A bunch of months ago I had this idea in my head that it would be cool to have some kind of four on the floor tune with garage-y rhythm, but with tearout sound design. I didn't see anybody doing that so I had to do it to em.
This combination is already a bit off kilter anyway so I decided to keep it simple and not go too extreme on the sparkly harmony bullshit. This is a Proper dance chune fr.

takealook!

Guy J - January "When The Time Is Right" Mix

It was during my stay in Panama that I discovered a song named " Pool " by Aladag, It really touched my heart !
The concept of the song talks about looking at life from the ending perspective to get a new approach to everything, and hopefully to be able through that switch to be more joyful, less critical, more connected to friends, to family!

Love - Believe - Respect - Beginning - Light - Darkness - Friends - Forever

These words reflect in my eyes my new family from Reactor/Radio Venao that expands every time anew with more normal and talented people full of love passion for doing and sharing - you are the best !

THANK YOU ALL BIG LOVE !

Sahar Z Extended SunRise Set Live @ Reactor Venao Festival April 2024

It's time to go back to the mighty ZION at Echoes from Agartha 2023. The epic closing set was marked by the one and only Guy J.

Guy J full profile: https://soundcloud.com/guy-j

Echoes from Agartha is an experience that exists in the center of Music, History, Culture, and Culinary to stimulate the senses and connect to your core. This is a 4-day odyssey to Cappadocia, the heart of Anatolia an area also known as “Cradle of Civilization” for the number of innovations that arose from the early societies in this region, which are among some of the earliest known human civilizations on earth. We welcome our community to one of the most breathtaking locations in the world to be part of an unparalleled adventure. A gathering designed to elevate your frequencies offering the best in music, culture, Turkish cuisine, and workshops in the naturally and historically rich Turkey. We are excited to showcase the unique feature of the ancient land of Cappadocia and its culture as it is the center of our experience.

Guy J @ Echoes From Agartha 2023 (Cappadocia, Turkey)

https://www.youtube.com/watch?v=A3uWlhsRMrs

Reach me on socials :
Instagram: https://instagram.com/heyjasa_
Spotify: https://open.spotify.com/artist/1oE6BqLMbTEmnKxkMWoZju
SoundCloud: https://soundcloud.com/jasa_music

Support the channel by leaving a tips : https://www.paypal.me/jasamusic?locale.x=en_FR

tracklist available in the Youtube description : https://www.youtube.com/watch?v=A3uWlhsRMrs

night drive house mix

Flyg med musiken

Piece for Piano with a looper pedal with reverb effects, pre-recordings, EQ level adjustments, and narrator.

Text from Edgar Allan Poe's "The Raven".

Jordan Chen, piano
David Dest, narrator
Charles Stacy, composer/audio mixer

Original piano recording, Houstan Hall, Boston Conservatory
Subsequent performance, Jordan Hall, NEC

Hommage à "Voiles" for Electro-Acoustic Piano, Looper Effects Pedal, and Narrator

This piece for string quartet is meant to illustrate crashing down onto the surface of an alien planet and then the atmosphere and environment around (inspired by New Horizon's recent visit to Pluto)

Worcester Chamber Music Society
Krista Buckland Reisner, violin 1
Rohan Gregory, violin 2
Peter Sulski, viola
David Russell, cello

Performed in Ipswitch Hall, Boston Conservatory

Thumbnail: NASA, Pluto's Atmosphere

Approximating Atmosphere 9 - for String Quartet

Short piece inspired by a kinetic sculpture at the MIT Museum. Also inspired by "The Knight Bus" soundtrack in The Prisoner of Askaban, and, unfortunately, me trying to see how many quotes for Stravinsky I can write in one piece.

Recorded by Transient Canvas
Amy Advocat, bass clarinet
Matt Sharrock, marimba

Recorded at The Record Co., Boston, MA
Mixed by Jamie Rowe

another dream machine - for Bass Clarinet and Marimba (and optional Flexatone)

FORREST EIMOLD, piano/organ
CHARLES STACY, celeste
SERGIO DE IUDICIBUS, harpsichord
CHRISTOPHER WALTER. piano

Broken Suite for Keyboards is an experiment in a variety of techniques for repetition from aleatory and tone-rows to fugues. Each movement starts with a tonal exposition, but quickly transforms into separate section that explores different styles, sets of notes, and tempos. The first movement, for organ, explores chromaticism, and more specifically, how pitches a semi-tone apart played by the organ interact. The short second movement explores different modes and utilizes the fantastical sounds of arpeggiated celeste. The longer third movement, for piano, inspired by the music of Messiaen, explores the repetition of motifs and note sets. The minimalist fourth movement, for harpsichord, draws inspiration from Bach. The fifth movement combines the four instruments – and the four musicians use stopwatches in order to correctly change the group of notes being played. In the entire piece, the chords of E minor, A♭major, F# minor, and B♭major (in that order), recur, mostly at the conclusion of each movement, and complete, in the bigger pictures, the final tone-row of the piece:
E, G, B,   A♭, C, E♭,   F#, A, C#,   B♭, D, F

Alliteration (Piano)

TIFFANY TIEN, vibraphone
- Text by ERICA NORK -
All things good are wild and free,
Light as a whistle in raw wind,
Breathless and alive
 
Light off for the warmth that must be Spirit!
Some raw spring, new wind, wading
In the ebbing and flowing of feeling,
Shimmering,
Watching bright filaments float on.
 
Two hands pressed upward. So, this,
This is light, the soul of all that’s good
And restless and alive: in a moment,
Nothing, yet all of it, all at once. 

15 MAY 2016 Fidelio Society

Bright Filaments, Shimmering - a prayer for choir and vibraphone

Royal Academy Contemporary Ensemble
St. Ethelburga's Bishopgate

27 JUN 2017

Royal Academy Contemporary Ensemble

REASONS WHY IT LOOPS IN MY HEAD - for soprano and ensemble

stop shooting the beat!

Composer & Producer
Soundtracks for all media
Genre-defying electronic music
Violin and keys for The Fightscuffs

cbs3music@gmail.com

Hommage à "Voiles" for Electro-Acoustic Piano, Looper Effects Pedal, and Narrator

Charles Stacy

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