In geometry, the tesseract is the four-dimensional analog of the cube; the tesseract is to the cube as the cube is to the square.

Founded By - Cagan Ozturk [D Flect]

Co-Managed By - Elliot Bowman [Arcus]

Our bandcamp - https://tesseractrecordings.bandcamp.com


Send Demo's to tesseractrecordings@yahoo.com

Mastering - Lockjaw (Sine Sound Mastering)

Support From - Zero T, Amoss, S.P.Y, HLZ, Batchelors Of Science, Random Movement, Philth, Skank&Bass, Mauoq, Mindscape, Mixmag Spain, Arkaik, Was A Be, Ill Truth, Kumarachi, DBR UK, Fearful,  plus many more

Artists- 

D Flect 
Arcus 
Taelimb
Fuj
Lao Wai
Bios Destruction
Hazqa
Madusea
Altered Perception 
Quantum Mechanix 
Internal
Dr Sloth
Nerv
Pen
Underspawn
Ding
Kubic Eye
Dubtrax
Optimal
Gifted Individuals
Javano
Shock Tactix
Felix The Red Cat
Oxytocin
Diasporah
Bassdubbers
Matt Pulsar
Dubterra
Theejay
Alex SLK
Frame
Nooch
Neothrope
Thematic
Peeb
Aeson
The Urbanizer
Hannah Small
Re:Edit
Not Guilty
Arks
Montesco
Incus
Rafiki
Draize
Hebra
Sedo 
St.iff
K2T

All releases for our first year will be free to download

Please send demo's to - tesseractrecordings@yahoo.com
If we like what we hear we will be in touch

Quadrant used to have a very outdated bio, so he wrote this one. Since the last update, this Seattle native has risen to the top of the stateside DnB scene, alongside his partner (in production, DJing, and life), Iris. Together they have toured (some parts of) the world, released tens of mixes, completed a debut LP with their good friend Kid Hops entitled “206”, and released EPs and collabs with some of their favorite people in the entire world (names your friends have probably heard of, like Klute, Total Science, DLR, Ulterior Motive, and Ant TC1). If your friends still aren’t convinced, make sure to mention their signature blend of deep but techy rolling vibes– only the good stuff, the stuff that makes you remember how good Drum and Bass can be. If that doesn’t work, tell them that 2008 will be Quadrant’s best year yet.


More information:
facebook.com/quadrantdnb
soundcloud.com/quadrant
quadrantsound.com

Label affiliations:
Commercial Suicide
Dispatch
Metalheadz
Hospital
C.I.A
Sofa Sound
Guidance

Digital Drum & Bass Label
Releasing music by artists such as : 
@oxytocinmusic
@niacin-dnb_junglist
@montescodnb
@martin-buchanan
@bolled
@messymandnb
@ruffboy73 

We are always looking for new artists so feel free to send us a message here or alternatively oversightrecordings@gmail.com

Irish Drum & Bass Label with a focus on highlighting emerging artists across the scene. 

Pushing Drum & Bass Sound and Culture in Ireland since 2018

Demo -
BoeyAudio@gmail.com

Ant TC1 along with Hidden Agenda founded Dispatch Recordings back in 2001, Ant originally helped out with the management side of the label before finding his feet within the realms of production; which was a natural progression for him having DJ’d on pirate radio and in clubs from the age of 14 (since 1992).  His first release alongside frequent production partner Stress Level appeared on Dispatch after almost 3 years of hard work getting their collective sound where they felt it needed to be before even thinking about turning on a DAT recorder.  After their first release hit the stores they quickly picked up a wealth of DJ support across their early material and went on to release for a who’s who list of established Drum & Bass record labels including the likes of Renegade, CIA, Advanced, Critical Records Integral, Liquid V, Commercial Suicide, Good Looking Records, Bingo Beats and Samurai Music.

By demand remix work started to feature heavily within their output and the duo went on to remix for the likes of Hidden Agenda, Chris SU, Artificial Intelligence, Kabuki, Total Science, Optical & Ryme Time (Jagged Edge), Atlantic Connection, Tactile & DJ Marky.  Branching out and working with other producers such as Survival, DLR & Philth has only furthered experience Ant’s skills at the controls over the years, Ant has also released his own solo material more recently on top of remixing for the likes of Lomax on Integral Records.  In 2014 Ant realised a lifetime ambition, securing his first ever release for the legendary Metalheadz label “Hungry For Atmosphere” alongside Mako, DLR & Villem with further releases for the label and counting going into 2024.

Ant’s production output has featured on a mass of compilations and mix CD’s compiled by the likes of Shy FX, LTJ Bukem, Total Science, AI, Spectrasoul, Klute and Brian G.  Additionally his work has featured very heavily within the radio shows of Friction, Grooverider, Fabio, Goldie, Bailey & Rene LaVice on their respective BBC Radio 1 slots over the years as well as BBC 1Xtra where Ant once hosted his own one-off 4 hour show, he has since additionally made 2 guest DJ appearances for DJ Friction on his Radio 1 show.  His DJ’ing work has seen him play all over the globe from Adelaide to Los Angeles, from Hong Kong to Sarajevo, Vancouver to Bangkok and last but by no means least regularly UK and EU wide. Additionally for the most part of the decade beyond 2010 Ant also worked as the Artist Manager for both Outlook and Dimensions Festival in Croatia, leading up the booking process, budgets and travel aspects for the festival.

Fast forward through to 2024; Ant is now responsible for the lead label management roles of both Metalheadz & Dispatch Recordings and is based in Thailand, with a purpose built studio room recently finished the plan (alongside managing a mass of planned record label releases) is to get back to focusing on writing music more consistently than he ever has previously.

Belfast-born Dominick Martin has spent the last 30 years simply creating. He’s done so with a sort of restrained melancholy that’s broad enough to encompass a myriad of tempos and genres. Over 22 albums, this includes his more song-based experimental LPs, from drum & bass into dub, techno, house, ambient, jazz, soul, blues and folk.

The same can be said of his award winning DJ sets: Fluent within his own vast range, favouring the bookings where space and time allow him to draw out a narrative and provoke emotions, predominantly based on his own material. Calibre sets draw from his own personal spectrum, never resort to hype tactics and are perennially sprung with never-before-heard surprises. Whether you experience him taking over a room for the full 6+ hour trip, or he plays a shorter higher impact role on a bigger bill, his singular signature persists: a soulfully honest sense of the transcendental and a unique perspective and approach.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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