𝗠𝗶𝗻𝗶 𝗶𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄
CSQ: Tell us a bit about your local techno scene. How has it shaped you as an artist?

ABAT: I wouldn't go as far as to say that our scene is bad, but unfortunately, for the Industrial genre, the scene is non-existent. We only have Donu D and me at the moment, and this is on a country level. Currently, we are just two active DJs/producers of this genre here. We've searched for people who share the same vision and way of thinking as we do but to no avail. Sadly, it feels like we're on a stranded island, but nothing will stop us. Even if we live 400 kilometres apart, we are ambitious, and we strive to bring this genre to the underground scene as soon as possible, despite the challenges that are ahead 🖤🫡 

Despite the Industrial genre being almost zero, our Hard Techno community is waaaay bigger and striving; although it's the "commercial" type, at least we have this 😁👌

It has made me overcome many barriers. I am walking on thin ice in our country because nobody actually listens to Industrial Techno. Our scene is filled with commercial Hard Techno stuff, and I highly dislike that genre now. Currently, I am trying to revive the Industrial scene once started by Donu D and Sergiu TH. Luckily for me, I still have Donu D as a friend and colleague, as he is still active in the scene!

CSQ: Would you like to share anything with the listeners about the set?

ABAT: The set is straightforward, as all of my sets hit directly in your face as soon as an intro from a selected culture I admire ends. This podcast contains the Serbian chant "Terrifying Judgment", which adds a nice Orthodox touch.

CSQ: How does the set reflect the development of your style and your DJing since you started?

ABAT: The set reflects my mixing style, which includes around 30 tracks played throughout 60 minutes, which for some people may sound like too much. I am always running out of time, even before the time limit, because I am transitioning very fast from one track to another to keep the energy level very high and to make people dance to exhaustion! I want to say that mastering the EQ faders is a must for everyone who wants to play Bochka!

𝗧𝗿𝗮𝗰𝗸𝗹𝗶𝘀𝘁
Dietrich - King Of Death
SAS - ACTS OF FAITH
SLVL - Challenge
ALDES - Violence in my head (Skoutchi99 remix)
MenaceAnnihilation x JPSC - SCHYZA
SCAPEGHXST - CRAVING
esepsis - apexxxmorf
FOKUS - BERZERKER
DRACU - this is for my enemies
HATE SOCIETY - MASONERIA (G3ANXLN REMIX)
kask4r - zenthur
ALDES - Several Things
CEKTA - LITURGIA
DRØS - Window
EMBALMER - ABEL
JPSC x MenaceAnnihilation - Cinema Breakcore Sex
Gostwork - Gradient
GULAG - Ahora vas a conocer a Dios
JACK YODA - HOSTILE
XDRAIIN - Monastery in Abyss
DY Vertigo - GNARLED
DΛVЯ - Barking
ID - THE PROPHET
DOSTROIC- HARD SEX
LASZLO - BONFIRE Toxic Machinery Remix
ПАРАЛИЧ - KNEEL BEFORE ME
DΛVЯ - Synthetic_Dreams
Gostwork - Hell Bunker
EMBALMER - LOWEST POINT IN THE KALI YUGA
Gostwork x Slime Coca - Demonic March
B4 - EMMURE 
KURTZ 1928 - CULT

𝗜𝗻𝘀𝘁𝗮𝗴𝗿𝗮𝗺 www.instagram.com/abat.wav

YMII - ABAT

ABAT

TØLR An industrial King known for his dark, aggressive soundscapes combined with melodious sounds combined with this kind of beat. 

You will be taken to the real Hell. 

The talented owner of Normative has made a name for himself producing for major labels such as Falsive Records, Monasterio, Sub-Terra TRAX, Vast Perception, Heart’s Whispers.
His production is supported by the big names such as Paula Temple, SNTS, Rebekah, KOZLOV, Don Woezik, Cassie Raptor and many more..

As well as performed throughout Europe and Colombia With a reputation for delivering jaw-dropping live performances, TØLR is sure to leave a lasting impression on any dance.

TØLR ig : https://www.instagram.com/tolr666?igsh=dmQ1ODIxZW1maDNm 

TØLR soundcloud : https://on.soundcloud.com/XJKCQebbegheepgT8

Sounds of Ostrom - TØLR #11

Ḍ̷̴̷̸̵͘i̷̴̵̶̶̹̇s̵̶̷̷̴̼̍c̷̴̸̸̷̹̒o̷̶̸̸̵̟͝v̷̵̵̵̴̛̹è̶̶̵̶̶̠r̷̷̷̸̴͓̉ ̵̸̸̴̶̭̕t̸̸̷̴̵͚̒ḩ̸̷̴̶̴͘é̶̶̷̷̶͎ ̸̴̷̷̸͆ͅţ̸̸̴̶̵̏h̸̶̵̵̵͎͝r̵̸̵̷̷̙̚ǐ̷̵̷̶̷͉l̴̸̶̴̸̜̎l̵̶̵̷̸͕̉ ̵̵̶̶̶̪̑o̴̴̷̵̵̪͝f̴̶̸̷̴̭͂ ̴̵̶̶̴̭̉t̷̸̸̸̸̬̉ḥ̶̷̸̵̷̂ė̴̷̶̴̷̪ ̴̶̴̴̵̜̀u̴̶̸̴̸̮͝n̸̸̷̵̸̺̈k̸̷̵̵̴͔̓n̵̶̴̸̷̜̒ó̸̸̷̸̸̪w̶̴̵̴̶̖̋n̵̷̵̴̸̜̈́,̵̸̷̶̷̠̾ ̸̶̵̵̶̪͐w̷̴̵̴̴̦̾h̶̷̴̷̸̘̀e̸̷̵̸̵̞̎r̴̵̴̸̶̬̔è̸̸̵̵̷͎ ̵̴̵̸̶͉̅m̶̶̷̷̶̥̕u̵̵̶̷̵͂͜s̴̷̵̶̵̨͂ḯ̸̵̵̵̷̡c̶̴̸̷̶̳͝ ̶̷̸̸̶͔̓f̶̸̶̶̷̟͐r̵̸̶̴̴̥̊e̸̸̷̵̷͖͠e̵̷̷̸̵̝̽ş̴̶̵̷̷̾ ̷̵̸̶̷̼͒y̴̴̸̷̵̝͗õ̶̸̵̴̶̹u̵̸̶̴̷͇͋r̵̵̴̴̷̅͜ ̶̶̷̶̵̲̓s̵̷̴̷̷̹̉o̷̴̵̴̵̘͂u̸̶̴̷̷̺̾l̵̵̷̸̶̗̾ ̵̵̴̶̷̘̈́â̶̵̶̵̵̹ň̶̵̸̸̵̖d̷̶̵̵̸̺̽ ̵̴̸̶̵̬̕t̴̴̵̵̴̜̓h̶̷̵̵̴̥̿e̴̴̷̵̴̿͜ ̴̵̸̶̴̡͌a̸̸̵̵̴͉̓d̵̵̴̸̸̨͗v̷̷̷̸̴̨̊e̸̵̴̴̷̥̎ṉ̵̴̵̴̵̒ẗ̵̶̶̶̶͚u̶̷̶̶̷͌͜ŗ̶̴̷̴̷́e̸̵̶̸̷͈͘ ̴̴̴̵̴͓̃i̵̴̷̵̴̲͆s̵̵̶̷̸͕̽ ̴̴̴̶̶̮̎ş̶̸̶̴̸̑h̶̷̵̴̴̡̍ọ̵̷̶̵̷̽w̷̶̵̸̵̱̌n̶̶̶̶̶̥̓.̷̶̴̶̸̳̈ ̴̶̵̶̶̱̀O̸̵̸̴̶̫̊ǔ̶̵̶̷̶ͅr̴̷̶̵̷͉̓ ̶̸̵̴̷̘͝p̵̷̷̶̴̟̿õ̴̵̵̷̷̦ḍ̵̶̵̶̷̅ç̵̴̸̴̷̊a̵̵̵̴̸̙͑ś̴̷̷̸̵͜t̸̸̸̴̶̎ͅ ̸̸̴̵̸̣̽i̷̶̷̸̸̭͝s̴̵̷̵̴̝͗ ̴̸̷̵̴̭̒a̷̵̵̵̸̺͛ ̸̷̸̸̸̺̒j̵̸̶̵̷͙̀ȯ̸̶̶̸̷͓u̸̶̴̶̵͍̒r̸̸̴̷̵͙̔n̵̶̸̴̴̳̐e̴̸̵̸̸͐ͅỳ̴̷̸̶̶͚ ̴̵̷̷̴͖͝o̵̴̷̶̸̟̿f̶̷̸̵̴̧̈ ̷̸̴̷̷̄͜s̷̷̶̸̸̞̾ĕ̵̷̴̷̵ͅl̵̸̶̷̸̬̿f̸̵̸̵̴̗̅-̵̵̸̵̷͇̏e̴̸̶̵̴̛̫x̶̷̸̷̷͈́p̴̸̷̸̴̯̕l̴̸̸̶̸͕̄o̶̵̴̴̴̹͗ř̷̴̷̴̷̞ä̶̸̷̷̴̡́t̴̵̴̴̸̢̿í̶̶̶̴̸̭o̴̵̸̸̵̳͂ṉ̶̴̷̵̵̉,̷̶̴̸̵̙̐ ̸̴̵̵̴͔͌w̵̵̵̷̴̲̔h̸̸̶̸̷̟̒ę̸̴̷̵̵̏ṟ̵̴̸̸̴͐e̴̵̴̷̶͚͠ ̶̸̴̸̷̠͌s̶̵̵̶̴̺͌t̸̶̶̸̸̢̄e̶̴̵̶̸̲͠p̸̷̶̵̶̜̍p̴̶̵̴̶̝̚i̶̵̸̷̵̳̽n̷̸̴̸̵̟͊g̸̸̴̴̶̮̚ ̸̶̸̸̴͚͝ǒ̶̴̴̶̸͕ų̷̵̴̸̸̒t̷̴̷̸̶̡͝ ̸̸̵̸̴͙̊o̷̶̵̵̴̞̿f̶̷̶̷̵̻̀ ̸̷̸̷̵̡̌y̸̸̸̴̶̩̽o̸̴̶̵̷̜̎u̶̴̴̵̶̗͊r̵̸̴̴̸͚̐ ̷̷̶̷̴̥́c̴̴̷̵̴͈͝ỏ̵̷̷̸̴͙m̶̸̵̷̵͖̏f̷̶̸̷̷̯̌ó̷̴̶̸̸̟ṟ̶̷̵̶̷́ṫ̶̶̵̷̴͜ ̷̶̵̸̶̹͐z̶̴̸̴̸̘͑ò̸̵̵̷̶͇n̸̸̵̶̴͙̄e̵̸̷̵̷͖͆ ̵̴̵̶̵͛ͅl̴̴̸̶̸̘̋e̵̶̵̷̸̗͋á̷̴̴̸̶̠ḏ̷̵̷̷̸͒s̸̷̴̴̶̻͝ ̴̴̶̴̶̳̄ț̴̴̶̵̵̃o̶̷̵̴̷̊ͅ ̴̷̸̶̶̲͐â̵̴̴̴̶͓ ̸̵̴̷̸̺̔n̴̶̸̸̷͉̿e̵̵̶̸̸̻͋w̶̴̵̷̶̟̓ ̴̶̴̷̶̧̊s̸̷̶̷̷̺͑ȇ̷̷̴̷̸̗n̴̶̶̴̸͈͊s̵̶̷̷̵͖̃ã̴̵̶̴̴̜t̴̸̵̸̷́ͅï̸̴̴̸̴͉ö̷̷̵̵̷͇n̷̷̵̷̵̜͝.̴̶̶̴̴̯̐ ̶̵̴̷̷̢́Ė̷̸̸̸̴̥m̴̵̵̷̸̼̕b̶̴̸̵̸̛̭r̶̴̶̵̵̘̊ą̷̵̸̴̴͘c̴̶̷̷̸͓̋é̶̵̴̴̵̟ ̷̷̴̸̵͙͝t̵̴̸̶̸͖̀h̵̷̵̴̸͂͜ẹ̸̷̵̶̵͝ ̴̴̶̷̶̧̏u̵̴̷̸̵̮̒n̴̷̸̶̶̲̎c̶̶̵̵̸̤̑ő̵̷̷̶̸̺n̵̴̶̸̴͍̓ṽ̴̷̷̷̵͉e̶̸̶̸̷͖͊n̴̸̵̴̵̠͗t̸̷̸̶̷̙̚ḯ̶̵̶̵̶̗o̵̴̵̴̷̗͒n̵̵̷̶̷̢̔á̵̸̷̵̴̢l̴̶̶̸̴̙̄,̴̷̷̶̸̭̔ ̶̴̸̵̴̖̒l̵̴̸̶̷̺̔ẻ̸̴̵̸̶̩ẗ̷̷̴̶̷͚́ ̴̷̵̸̶̭̆t̴̵̷̵̸͇̽h̷̸̸̴̴͘ͅe̵̷̵̵̴̝̚ ̸̵̵̵̶͎̚b̷̷̵̸̸͓͗e̴̶̵̶̵͔͑a̸̴̷̷̷̘̍ț̸̸̴̷̸͆s̶̶̴̷̸͇̄ ̵̴̴̶̴̭̐t̶̷̵̴̶̗͝ȧ̴̷̷̴̵̙k̷̸̴̷̴̜̑ẽ̶̸̸̶̸͚ ̴̵̴̵̸̘̃h̷̸̶̴̷̹̆ö̵̷̷̵̵͚l̵̵̸̸̵͔̽d̴̷̵̸̸̛͖,̸̶̵̶̷̙͌ ̶̴̶̸̷͇̎j̷̸̸̴̷͓̅o̵̸̷̶̶̭̾i̸̵̶̴̵̫̔n̵̵̷̸̵̘̄ ̵̸̶̶̶͎́u̵̵̷̴̴̗̒s̷̷̵̷̵͖͗ ̸̴̸̸̶̙̓i̴̸̵̶̷̼͐f̵̵̶̵̵̗̆ ̷̸̷̸̸̝͝y̷̵̶̷̶̯͝o̶̶̷̷̶̦̅u̵̷̴̷̷͊ͅ ̷̷̶̶̶̺̌d̷̸̶̷̴̬̃ā̴̸̶̵̴͎r̶̴̵̸̵̤͑e̸̴̷̵̵̮͂,̸̶̷̵̶̠̎ ̴̴̸̴̴̬́f̴̴̸̶̸͕̑ö̴̶̸̴̵̺r̶̷̶̷̴̪̍ ̶̵̶̵̵̱͒ä̶̸̵̴̸̖́n̴̷̶̷̵̜̆ ̵̷̶̶̸̥͊i̴̴̵̴̸̲͑ñ̵̸̶̶̴̹s̴̵̵̶̶̭͐p̶̴̷̷̴̟͝i̴̶̵̶̸̳̍r̵̵̵̷̶̳̿i̶̵̵̶̶̹̾n̴̴̷̵̴̠͗g̷̶̵̷̸͚͆ ̴̷̴̸̴̯̈́m̶̵̶̶̸̳̓u̷̴̵̵̴͍͊s̷̸̷̵̴͝ͅḯ̵̶̶̷̸͚c̵̵̶̷̵͙͆a̶̸̷̴̷̱͑l̶̸̵̸̸̮̒ ̸̶̶̴̶̛̮e̴̵̴̵̶̦̅x̶̶̶̸̴̧̓p̵̸̴̷̷̝̅e̸̷̵̸̴̙̐r̶̴̶̵̸̳̍i̸̶̴̴̴͌ͅė̵̶̸̶̷̫n̵̷̶̵̸̳̿c̸̷̵̶̶̥͐e̵̴̷̷̶̝͐ ̵̴̸̵̷̜̃t̷̴̴̶̵̤̊h̶̶̴̴̷͚͆ả̵̴̶̸̶̺ṭ̴̷̴̸̴̕ ̷̴̷̷̸̭̆ń̷̴̸̷̷͇ė̵̸̷̶̴͜v̴̷̶̸̶̜̊é̷̷̴̸̸̟r̷̵̶̷̷̛͙ ̴̴̸̷̷͚͠g̵̸̸̵̶̬̅e̵̶̴̶̶͕̎t̴̷̸̴̴̝͂s̷̴̵̶̸͍̍ ̵̶̸̷̶̪͂o̵̸̴̸̶̫͘l̵̵̶̷̴̠͝d̴̶̸̸̴̲̈.̵̸̴̵̸̨̊
̶E̵M̶E̶R̴G̴E̶N̷C̷Y̴ ̷P̶O̸D̴C̵A̴S̶T̶ do not fuck with us.
̸̷̶̸̵̥̅
̷̸̶̵̷̜̓Ò̸̶̴̴̷̡U̴̵̸̸̶͙͝T̵̸̶̴̷̒ͅ ̵̵̷̸̷͉̃Ȇ̸̶̸̸̸̺V̴̶̵̶̸̮͒Ẹ̷̴̷̶̶͠R̸̷̵̴̸̠͋Y̷̴̷̵̸̠͛ ̶̶̵̷̵̮̾T̷̵̴̵̷̹͝H̴̴̷̵̶̩̀U̸̵̷̵̶̝̿Ṙ̷̷̴̷̸̲S̶̴̴̷̷̗̽D̴̵̴̷̸̖̀A̴̷̸̴̷͓̔Y̸̵̶̴̵̼̎ ̵̷̸̵̴̱̀O̸̶̸̸̷͙͌Ǹ̸̸̶̵̷̫ ̴̵̶̸̸͚͝S̴̷̵̸̴̖̉Ö̸̸̷̵̶̙́U̶̸̷̷̷̦͊N̴̴̸̸̸͚̈D̶̴̸̵̵̺̈C̵̵̷̵̶̯͒L̷̸̵̷̴̳̉O̶̶̷̵̵͔̅U̴̶̴̶̴̻͐D̸̷̶̶̷̯̍
̶̶̷̵̸̛̭
̵̴̴̷̸̤̿#̴̷̵̴̸͙̇G̴̵̴̵̴͎͛4̴̴̵̵̸͕̓N̷̴̵̸̵̫͛G̵̵̴̴̷̛̝S̶̵̵̵̷̥̊T̸̶̵̷̸̮̚Ë̴̴̶̵̶̝́R̶̸̴̶̴͈̕C̶̵̷̶̷̘͑Ã̶̴̷̷̵̰S̴̴̷̷̸̜͆T̵̴̵̸̷͍͂ ̸̸̵̵̵͓͆E̴̶̵̵̵͔͘P̵̷̵̵̶͉͘ ̵̴̷̶̴̟̉∞̶ ̷̸̷̸̸̡̇:̸̷̷̵̵̗́ ̷̶̴̶̴̹͗@xouja_wav

𖤐

G̴4̵N̸G̶S̶T̸E̶R̴C̸A̸S̴T̸ ̶E̴P̶ ̴∞̸ ̶:̸ ̷X̵Ø̴U̴J̷A̸

The 25th chapter of the ECLYPSE INVITES Podcast series brings us back to Hungary as we showcase one of the most appreciated DJs in the industrial scene of Budapest: Nøblesse

Read his interview here: https://thegreateclypse.com/2024/08/09/eclypse-invites-noblesse/

NØBLESSE SOCIALS
🌑https://soundcloud.com/nobl3sse
🌑https://www.instagram.com/kerekesdd/

ECLYPSE
🌑@eclyp_se
🌑www.instagram.com/_____eclypse_____/

🌑🌒🌓🌔🌕🌖🌗🌘🌑
Follow ECLYPSE if you've ENJOYED this PODCAST!

𝐄𝐂𝐋𝐘𝐏𝐒𝐄 𝐈𝐍𝐕𝐈𝐓𝐄𝐒: 𝐍Ø𝐁𝐋𝐄𝐒𝐒𝐄

𝗠𝗶𝗻𝗶 𝗶𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄
CSQ: Tell us a bit about your local techno scene. How has it shaped you as an artist?

Tempot: As a lot of you know, the scene here in The Netherlands is one of the biggest. I’m very grateful and aware of how blessed I am growing up and living here. What really shaped me as an artist tho are the people living abroad. I’ve met so many amazing people through music and that shaped me as the artist I am today.

CSQ: Would you like to share anything with the listeners about the set?

Tempot: This podcast is a one take with songs I’ve recently downloaded and enjoy listening to, even tho I produce tracks myself I haven’t used any of my own tracks in this podcast. Eventually I want my set to only contain TEMPOT tracks and build from there. When the time is right I want to switch to live gear so I can have full control.

CSQ: How does the set reflect the development of your style and your DJing since you started?

Tempot: From the moment I’ve started DJing I’ve always wanted to achieve a seamless set. A solid podcast with transitions that blend perfectly together, overtime I’ve been building on this skill and have been challenging myself by learning various new tricks to achieve what I’ve been wanting to achieve. I hope you will enjoy the set and can hear the work I’ve put into the craft overtime.

𝗜𝗻𝘀𝘁𝗮𝗴𝗿𝗮𝗺 https://www.instagram.com/tempot.fl

YMII - Tempot

Tempot

Sounds of Ostrom SFN.808 #34

Tonight we invite another upcoming hungarian talent whom has been making a name for himself in the underground scene and made us this astonishing podcast for this evening. He introduces himself in a few words below. 

Meet SFN.808, a 19-year-old DJ from Kalocsa who’s already made a name for himself in the Hungarian nightlife scene. Bringing the fierce energy of Bochka and Hard Industrial, his raw and hard-hitting sets have lit up venues like DARK NINE D9, Arzenál, Kraken, and Off Kultur. 
SFN.808’s passion for music shines through in every performance, guaranteeing an unforgettable experience for his audience.

Check out his podcast and let him guide you through an electrifying musical journey. Enjoy!

SFN.808 ig : https://www.instagram.com/safran.zsolt?igsh=MXdwcmk3M2hxZG80Nw==
SFN.808 sc : https://on.soundcloud.com/CnTHM9SjcyqFHPr39

Sounds of Ostrom - SFN.808 #34

For the 37th edition of the ECLYPSE INVITES Podcast series we're back to Spain, a country that hides more quality than one could think. And we're doing it with a young artist that has been steadily consolidating his path in the world of industrial techno with zero fear and all the love possible for this genre. He aims to convey the latter to you with the same dynamics experienced by him: brutal mixes that will leave without energies.  Welcome to NAVI!

Read his interview here: https://thegreateclypse.com/2024/11/28/eclypse-invites-navi/

NAVI SOCIALS
🌑https://www.instagram.com/navi.techno/
🌑https://soundcloud.com/navi-techno
🌑https://www.youtube.com/@navi.techno

ECLYPSE
🌑@eclyp_se
🌑www.instagram.com/_____eclypse_____/

TRACKLIST 
CSMR - Viscera
NAVI - Naebeo (Unreleased)
Aslan - Solitude of the darkness
3.2KM - Cant talk
VERIOSKA X BONEK - Le sang
MIKO - Ormousatan
KLEEPERIS - Hard line family
XDRAIIN - They´re coming right after you
PURGATORY - DIABOLI LINGUA
Optimuss - Abibas
ReeseEngineer - Jesus didnt buy his followers. And neither should you...
KARUTH - WANTED (TYRÄXX REMIX)
NAVI - Hjartasár
HTRX - Demonic Ressurgence
TYS - Actuator
LÄRM - Sketches of Persia
Khors666 - Distorted heaven
De Plaag - Cry for me
KLEPERIS - Basement
scapeghxst - No one is your friend
X.Ø. VS QHAOS - DARK LABORATORY
NAVI - Gaius (unreleased)
SOO7 X Rima - Fear no shame
KØRENA - Your corpse, my secret
ID - ID
VØLK - Radarat
VØLK - Ghafiloun
DeepHellBoy - GИRZÄ
NAVI - Khonshu (unreleased)
Müssy - I Can't Do This
KØRENA - No shadow will shelter you
RIMA - ID
AK47 X WARHEAD - ذُلَّ من لا سيف له
w1goss - DROBOVIK
FARZAED - I sacrifice myself to myself
FØGG X KØRENA - A wasted sacrifice
FARZAED - INESCAPABLE NOISE
RIMA X FARZAED - VOID FREQUENCIES
FØGG - Belligerent

🌑🌒🌓🌔🌕🌖🌗🌘🌑
Follow ECLYPSE if you've ENJOYED this PODCAST!

𝐄𝐂𝐋𝐘𝐏𝐒𝐄 𝐈𝐍𝐕𝐈𝐓𝐄𝐒: 𝐍𝐀𝐕𝐈

𝗠𝗶𝗻𝗶 𝗶𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄
CSQ: Tell us a bit about your local techno scene. How has it shaped you as an artist?

Electra: Where i live there is not really an "Industrial scene", here mostly people listen to commercial music. I started making events 5 years ago, trying to bring some underground vibes to my city but it was not so easy since people here don't really want to go to events if is not a famous Dj. Right now I own a label with my partner and we try to also push Industrial music with it in both continents.

CSQ: Would you like to share anything with the listeners about the set?

Electra: n/a

CSQ: How does the set reflect the development of your style and your DJing since you started?

Electra: I defiantly started to play a bit faster since 2 years because I personally like more exploring high bpms. Since the begin I explored different sub genres of the Techno till I felt comfortable playing and producing only Hard Industrial.

𝗜𝗻𝘀𝘁𝗮𝗴𝗿𝗮𝗺 www.instagram.com/666.electra
𝗕𝗮𝗻𝗱𝗰𝗮𝗺𝗽 https://electra666.bandcamp.com

YMII - Electra

Electra

BILL

You can download it for free on Bandcamp : 

https://fromdaundergroundrecords.bandcamp.com/album/apatribe-01

Download HQ

Z3Y - Toonka Boom

A safe space for the underground.

Cᴀʀᴇᴛᴀᴋᴇʀ
- Lea Wettmann -
- Dénis Wettmann -

YMII - ABAT

challengingstatusquo