2. LIGHT - DARK

In my past productions, I have focused on how to mix natural and artificial sounds. I have been experimenting with methods and proportions of mixing the two because I have always believed that only when the two are perfectly blended in an exquisite way can a beautiful work of art be created.

One day, I came across a passage in a book by the Japanese artist Taro Okamoto in which he referred to the beauty of Japanese gardens, and I was very strongly attracted to it.

He wrote, "The artificial garden, which is the unreal, and the landscape outside the garden, which is the real, are distinguished and recognized more clearly by the stone wall or fence that separates the two."

In other words, by placing not only the two but also a third party between them, a dialectical resolution is achieved, and the whole becomes more beautiful.

I began to feel strongly about applying this to my sound production and put it into practice. To incorporate something else between the melody produced by the synth, which is the unreal (artificial), and the field recording, which is the real (natural). In fact, you can see the struggle in some of my past works. I will not go into it here, but anyway, I pursued the third party, the so-called "Boundary line," and became strongly interested in the "Boundary line" itself.

It is something that lies between two things and separates them. In my daily pursuit of this, there was a moment when I suddenly looked at the sky at dusk. The sky was a beautiful gradation of bright yellows and reds left behind by the sun, and blues and blacks as the evening sun began to set. At that moment, I wondered, "Is there a border between each color of the sky?" I began to wonder if it would be possible to answer this question with sound.

As in the previous work, the theme of this piece is that "While being in the midst of transition, it is almost impossible to recognize that transition itself", and this time, I imitated the changing colors of the sky at sunset and dawn. Just as I cannot clearly distinguish the color of the sky I saw from yellow up to this point and blue from there, you will spend these 20 minutes without being able to clearly perceive the changes in the sound itself.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Transition 2

The experience of beauty is in our daily lives, and within us.

Shinbigan (審美眼) - Appreciation, Eye for beauty

1. Hirusagari (昼下がり) - Early in the afternoon
2. Chouryou (跳梁) - Jumping about
3. Senkoji (千光寺) - A temple in Onomichi, Hiroshima
4. Youtou (揺蕩) - Swaying
5. Boukyaku (忘却) - Oblivion
6. Harusame (春雨) - Spring rain
7. Kanjyaku (閑寂) - Quietness
8. Syugyoku (珠玉) - Gem
9. Amagiri (雨霧) - Misty rain

All tracks are produced by Hidekazu Imashige
Cover Photo by Hidekazu Imashige

Shinbigan

Boukyaku

hello friends !

#64 release our ambient electronic label @secretdomainlabel
by Amanita Phalloides & Heavenchord !
Welcome  ! 

Our telegram , feel free -> t.me/secretdomain

Mastering by Jurij Sophijsky [ Shebuzzz ] - [ soundcloud.com/shebuzzz ]

Full digital discography at a discount - 60% , thanks for support !

Also for you FREE SAVE EP's :
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FREE DL EP's :
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hello ▼ strange
- t.me/hellostrange ( all podcasts )
- https://hellostrange.bandcamp.com
- www.instagram.com/hello.strange

also our projects :

► slow dub techno label - soundcloud.com/sedubtive
- t.me/sedubtive
- https://sedubtive.bandcamp.com

► ambient field recordings label - soundcloud.com/secretdomainlabel
- t.me/secretdomain
- https://secretdomainlabel.bandcamp.com
- www.instagram.com/secret.domain

► nature dub glitch label - soundcloud.com/20label21
- t.me/label20_21
- https://2021.bandcamp.com

Buy & Support

Amanita Phalloides & Heavenchord - Lost Tape #3

This compilation is an ethereal blend of ambient tracks inspired by the mystical allure of gems, minerals, and ancient stones.

Cover picture by Dionis Afonichev with AI
Cover design by Dionis Afonichev (Dionisaf)

Gems and Minerals

Aquamarine Semblance

Peridot

Birth Of A Moonstone

Through The Haze

Morning Light

Warmth, Human Is Alive – Morning Light

will we meet again? - instrumental

Derek Carter (KapTep) about this release:

Ambient music seems to be fascinated by nature, oceans and the sky. For this KapTep release I wanted to explore the sky and more importantly all we can’t see, the millions of signals and mysteries that it hides.

I wanted to leave room for the songs to breathe and allow plenty of open spaces within them. At times these compositions may seem empty, that is by design. Although the current environment is to pick a track or two add them to your playlist.

I hope you will spend 49 minutes and listen to this as a body of work, as it was recorded to be listened to in one continuous sitting. In addition to the 6 original tracks there are two wonderful remixes added by Arrival In Eden, and Sacred Seeds.

Numbers Station – I’ve always been fascinated with them. The mystery and intrigue.

Naming the Sky – Melancholy drifting and not a care in the world.

LA Scanner – I simply love the voyeur nature of a cheap scanner.

Cold Luck Moon – Blurred images, sounds and emotions. Plus, three words that don’t mean anything together as a title.

I Need Light – In a world of conflict, doom scrolling and fear… I need light. In fact, I think we all do.

One Hundred Miles Until Sunrise – Have you ever driven somewhere and not remembered a second of it? Totally sober, auto-pilot. This is your soundtrack.

Produced and mixed by Derek Carter (KapTep)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Derek Carter
Cover design by Dionis Afonichev

Naming the Sky

LA Scanner

Beautiful new age music from UK's Astralla recorded in 2025
Get a free download: https://newagemusicplanet.com/free-download
© 2025 Aeon Records
℗ 2025 Ditto Music LTD


Free Download

Calm

Experimental ambient music label.

Surreal music for a deep listening experience.

Birth Of A Moonstone

Chitra Records