DJ since 1994. Lover of good music <3. 

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Bio:
DJ BK started DJing in 1994 (Club Plastique) and has since had numerous club and bar residents in his hometown of Duisburg (Desperados) and its surroundings (Friday Night Club @ Kobra Moers). In 2022 he DJed at an official ADE event in Amsterdam with great success.

Just before the pandemic, BK started the FB group  “The Art of Edits” and ever since he’s been specialising in creating edits-filled-mixes for SoundCloud, the most successful being his series “The Love Edits”, “Pop Art” and “Yacht or Not Edits”. 

BK and his wife Jasmin (@houseofJayKay) are members of the @DiscoWaltons family. Since the end of 2023 they are doing a bi-weekly live-radio-program "The Couple Show" on ndcradio.co.uk .

Darren Daz Dalton aka one half of dj duo Get Down Edits & the man behind all the Get Down Edits production work has been a music lover since his early teens & began collecting Vinyl back in 95 at the tender age of 15 by the time he hit 17 he was out playing gigs in bars & clubs in his native Waterford City & has been djin ever since, 
Over the years he has supported or played beside international djs like Kenny Dope (MAW), 
Kerri Chandler, Chez Damier, Greg Wilson, DJ Deep, The Revenge, Atjazz & Charles Webster to name a few & as part of Get Down Edits alongside dj partner Martin Roche has 
been doing the festival and international circuit with great reception playing some incredible events including the famous Glastonbury in 2016, Electric Picnic, Body & Soul, Electric Elephant in Croatia, the House of Disco Warehouse Project Takeover in London, and so on. Summer 2017 saw Get Down Edits playing as part of the Glitterbox Ibiza family alongside huge names like Dimitri From Paris and Aeroplane at the incredible Hi Ibiza venue and Defected Croatia at The Garden in Tisno, they also went onto to play Suncebeat Croatia,
Production wise Darren grew a curiosity & interest in how the records he was playing were put together very early & started doing edits for use in his own dj sets back 2001,
It was years later before the whole edit scene emerged & he was drawn to it straight away & under the advise & encouragement of Greg Wilson set up Get Down Edits the record label in 2011, since then the labels put out 6 vinyl releases which included his own edit work along side guest producers like Late Nite Tuff Guy, Deep & Disco (JKriv), Fingermann, LTJ as well as releasing with other labels including Disco Deviance, Editorial, Samosa Records, Glenview Records, Daje Funk, Queen & Disco, Wall Of Fame, Masterworks Music, Nang, Paper Disco, Hot Digits, File Under Disco, Re-Loved, Golden Soul, Slighty Transformed, Hotbox Boogie, Reckless Records, Deep Sense, Alpaca Edits, Unkwn Records, Ism Records, Elevation Recordings & Midnight Riot.
Darren has also been busy with remix work & has remixed for artists like Funk My Jesus, Nine Lives, Heion, Slync, JMRS, Darran Nugent, Oh Yeah, JFunc, Stephen Richards, Smashed Atoms, JB Dizzy, Jay Ru, Fran Deeper & Rayko, Soopaman inc feat Andre Espeut, JKriv & The Disco Machine As well fellow Irish artists & acts like Le Galaxie, King Kong Company, Kormac, Danny G & The Major 7th`s & Peter Vogelaar as well as written some original pieces of his own including “Sweet Love” where he teamed up with two piece Irish electronic act Cut Once which got released with a serious of remixes from Mix & Fairbanks, Fingerman, Jay Ru, Micko Roche, 
Darren`s bandcamp page does well also (https://darren-daz-dalton.bandcamp.com/) & you’ll find more of his bootleg style stuff up there one of which was an incredible rework of 1988 house classic “Good Life” by Inner City with the amazing vocals of Paris Grey, Darren`s Get Down Edits - Life Is Good caught the ears of Defected Records boss man Simon Dunmore & featured heavily on his “Defected In The House” radio show.

Moulton Music is a collaboration of artists obsessed with both the future and past of house music.  Being run by producers and music-makers, our output is varied, ranging from deep house to soul to jackin' disco, but always with a sense of historical perspective and an ear for fine-tuned production, as well as a deep connection to the dancefloor.  We're based around San Francisco's legendary Moulton Studios, where most of the production takes place, but our friends and collaborators stretch far and wide.  

There are many people involved, but our core consists of Chris Lum and David Harness (who together form Harlum Muziq), as well as Homero Espinosa and Allen Craig (both formerly of Yerba Buena Discos), along with San Francisco cult favorite DJ's Sergio Fedasz and Ivan Ruiz, and producer and marketing guru Anish Acharya (of Dream In Audio).  Of course, we have many more friends and compatriots when you include all the people involved in our regular Molton Sessions underground house party, our various club nights, and the rest of the artists and remixers on the label, but it's that spirit of collaboration, along with our past-meets-future musical values, which defines Moulton Music.

As they gear up to celebrate 20 years of riotous marauding, the Dub Pistols are prepping their seventh as-yet-untitled album in 2017 and there’ll be a documentary about the band dropping at some point in the year, too. And they’ll be out on the road, as usual, of course — the hardest working band in showbiz.

A kinda 21st century equivalent of 2-Tone acts The Specials or The Beat, the Dub Pistols are the quintessential festival band. Coming over a bit like if King Tubby and The Skatalites bumped into Terry Hall at a Goldie gig, the Dubs have reached their two decade milestone with a lot of ups and downs along the way. 

They’ve worked with vocal legends like Rodney P, Busta Rhymes, Gregory Isaacs, Terry Hall, Lindy Layton, Akala and Horace Andy, while the band’s mainstays are fiercely loyal and dedicated. An unorthodox collective of musicians who each have their own personal interests and solo projects, when they come together to form the Dub Pistols some dubwise magic happens.

The rhythm section of Jack (drums) and Dave (bass) are granite-solid, and guitarist Andreas (or sometimes the rock & roll stand-in, Johnny Rockstar) provides all sorts of licks and skanking chords to nice up the dance. The brass section is on fire, and rapper Seanie Tee brings the mic skills to complement main man Barry Ashworth perfectly. They’re a proper gang of outlaws, rebels with a cause, renegade outsiders who know how to bring the good times. If you haven’t seen the Pistols yet
Barry might be the heart, face and mouth of the Dubs, but they are still very much a band — as tight as fuck, and yet able to cut loose to rock venues to the core. Tracks like epic drum & bass cut ‘Gunshot’, ska ditty ’Problem Is’, early beat-freak single ‘Cyclone’ and singalong anthem ‘Mucky Weekend’ have become firm fan favourites, and onstage see the band getting deep, down and dirty. With a nod to their ska influence, and the fact that Terry Hall was an honorary Dub Pistol for a few years, they still do a lively version of ‘Gangsters’ - The Specials’ first ever single. But otherwise it’s all their own work — the back catalogue is rich in flavas.

“The next album is actually a bit more chilled-out than the last two,” says Barry. “It’s still a classic Dub Pistols album, but ‘Return Of The Pistoleros’ and ‘Worshipping The Dollar’ were more club-orientated — leaning more towards peak-time bangers. This album is a bit more relaxed, with a smoked-out reggae vibe — although there are still a couple of bangers on there.”

The guests on the next album read like a who’s who of conscious styles. Dancehall dons Beenie Man and Cutty Ranks, reggae singer Earl16, young hip-hop act Too Many T's, seminal MCs Navigator and the Ragga Twins, and long-time collaborator Lindy Layton (and dope rapper Genesis Elijah??) all bring their unique talents. Some of these will be appearing with the Dubs live over the coming year as the band present a history lesson in all the different bases they’ve covered over the past two decades. With added bass!

Band members may have come and gone, but the progression of the core of the band is constant. “It’s never like everyone leaves at once,” says Barry. “People’s priorities change: they get married or have kids and the lifestyle isn't for them anymore, so they leave — but luckily not all at the same time. So someone new comes in, and suddenly it feels like a new band.”

Traxsource LIVE is your guide to the underground. 
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Kinky Movement, formed in 1997 by friends in Nottingham passionate about house music, began hosting events at venues like the Sky Club (later Blueprint), The Bomb, Dubble Bubble, and The Edge. Members Andrew McLoughlin, Lee Eden, and John Symms transitioned into music production, releasing their first track in 2004 on Tango Records. Since then, they’ve produced over 300 tracks and remixes across more than 50 labels, including Salted Music, Large Music, Swing City, Drop Music, King Street, Jalapeño, and Erase. Their extensive discography has led to performances in over 20 countries, including Australia, the US, New Zealand, Russia, South Africa, Bulgaria, Belgium, Georgia, and Ukraine. Their music has been licensed to Armada Music and Hed Kandi compilations and featured on BBC Radio 1 Extra by Monki. With new releases planned for 2025 on their label Replay Recordings and others, Kinky Movement continues to thrive in the house music scene.

We Out Here Festival is a Worldwide Family Gathering in the heart of the Dorset countryside. This year the festival takes place from 20th - 23rd August 2026.

A festival that joins the musical dots between soul, hip hop, house, afro, electronica, jazz and beyond, showcasing both outstanding live music and some of the best record collections in the world. 

Curated by Gilles Peterson in association with Brownswood Recordings and Worldwide FM.

20th - 23rd August 2026, Wimborne St Giles, Dorset. 
Tickets: www.weoutherefestival.com

Wyth's DJ career was carved out for him in the stars well before he hit the decks, in the plains of Zambia at the young age of 8 when he fell in love with the magic of music and the joy of dancing to it all night until the sun came up for New Year. He launched into honing his craft as the industry started exploding in the UK in 1988. Like the genre that birthed House Music he started his craft in a disco as resident DJ and curator for King's College SU nights. He built it up to be a popular regular sell out night that was ahead of the curve in trend spotting booking emerging acts at the time like Paul Oakenfold. Moving out of Uni to the rapidly expanding scene he was quickly shoulder to shoulder playing alongside legends such as Psychmagik, Luke Brancaccio & Lexicon Avenue as their popularity was rocketing.

When Danny Tenaglia's music hit Wyth's ears his own style was born out of his love for the "deep, dark & delicious" sound his idol named. Wyth focused his own sound around his passion for playful, cheeky, naughty, dirty, deep, groovy and tribal tinged elements in the music he chose. He started playing all over the UK and was being flown out to play internationally. As incredible as this explosion in his career was, his desire to stick to his roots was stronger. His love for the true underground experience outshone the popularised scene he was rising in. Wyth has been selective about playing events that are all about the music and the people, honouring the origins of the house music scene vibe, tribe and intention. So whilst you may not know his name the past few years has seen him billed right next to Roy Rosenfeld, Tripswitch, Omid 16B & Gabriel Ananda.

His sole driver as a DJ is to MAKE YOU DANCE... his infectious personality shines through in the music he plays. You bring your dancing shoes and he'll bring the rest.

For more regular enjoyment in London you can find him playing as a 3 strong collective of misfits that echo the same ethos with their own complimenting styles - hosting their own nights (soon to be reinstated). Their name: Serendipity.

Choppers is following