I just reposted this beautiful solo piano piece — it feels like the last light before nightfall. Delicate, cinematic, and full of quiet emotion. Perfect for moments of reflection.

Copy of Daily Drops

The song, We Will Meet Again, was written by the great jazz pianist Bill Evans in 1979. The trumpet part is more or less improvised primarily around the improvised piano arrangement.

We Will Meet Again was Evans's last studio recording. Dedicated to his brother Harry who died prematurely. Piano/bass arrangement and performance by Australian jazz pianist Doug McKenzie. An amazing arrangement!

We Will Meet Again—Trumpet Piano + Bass 2021

At ad21, we are delighted to present Piano Whispers 01, a unique compilation celebrating Piano Day 2025 (March 29). This album brings together 51 talented pianists from around the world, each contributing their artistic vision to the neoclassical piano music landscape.

Greek pianist Manos Milonakis crafts a beautifully cinematic and evocative piece with 'Viaje a la Memoria', featured in Piano Whispers 01. Bucolic and deeply imaginative, this composition unfolds like a nostalgic journey through time, weaving pure magic and emotion.

Piano Whispers 01

Viaje a la Memoria

Listen

Viaje a la Memoria - Manos Milonakis

This is a transcription of the cantate: "Ich ruf zu Dir Herr Jesu" of the famous pianist Busoni.(1866-1924) Acoustic environment King's Collage Chapel in Londen.
It's played in a very modest volume so don't pump up the volume!
It's meditative....

Bach, Ich ruf zu dir, Herr, transcription Busoni (performer Ad van Nederpelt)

some recent lyrics written with kind of street ballad in my head (german ‘moritat’) – pure, uncontrolled and intense. as usual it took well over a hundred of attempts (low-key!!!) and never-ending novels of prompts to get my AI-voice ‘carina’ close to my imaginations. anyway, at the end she delivered a challenging match. 

I didn’t have the chance to get a barrel organ for the final embedment (just used a reed one, accompanied by an erhu sound and other stuff), but I like the result very much because this song means a most personal topic to me.

©Hans-Michael Albers
lyrics, composition and production by hans-michael albers, 
vocal performance by suno 4.5

Oh kein Gott

Hat man dich jemals schrei‘n gehört
Gespürt, dass es dich schmerzt, entsetzt, verstört
Weil alles, was du einmal machtest
Ganz anders läuft, als du es dachtest

Gab‘s da mal Zeichen, die der Himmel schickte
Ein Schwert, das einer deiner Engel zückte
Spürtest du Verzweiflung, Sorgen, Nöte
Milliarden mal Millionen Gebete

Nicht ein Versucht, ein Leid zu drehen
Du lässt es einfach so geschehen
Du duldest schweigend all die kranken Köpfe 
Das Treiben deiner tödlichen Geschöpfe

Ist das ein Spiel für dauernde Verlierer
Sehende Puppen, blinde Führer
Hat sich darin ein großer Plan erfüllt 
Ist alles noch dein Ebenbild

Macht euch die Erde Untertan
Folgt Selbstgefälligkeit und Wahn
Nehmt was ihr wollt, ihr müsst nichts geben
Ihr habt ja nur dies eine Leben

Ist Schicksal, was passieren muss?
Gibt’s niemals einen guten Schluss?
So siehst du zu, ums wie es ist, zu lassen
Statt anzubeten, müsste man dich hassen

Oh, Oh, Oh, kein Gott
Oh, Oh, Oh, kein Gott
 
lyrics google translation 

Oh no god

Have you ever been heard screaming?
Felt that it hurts you, horrifies you, disturbs you?
Because everything you once did
Turns out completely differently than you thought it would

Were there ever signs sent from heaven?
A sword unsheathed by one of your angels?
Did you feel despair, worry, hardship?
Billions of millions of prayers?

Ever tried to turn a suffering around?
You just let it happen.
You silently tolerate all the sick minds.
The doings of your deadly creatures.

Is this a game for perpetual losers?
Seeing puppets, blind guides.
Has a great plan been fulfilled in this?
Is everything still in your image?

Subdue the earth.
Follow complacency and delusion.
Take what you want, you don't have to give anything.
You only have this one life.

Is fate what must happen?
Is there never a happy ending?
Are you just watching to let things be?
Instead of worshipping, people should hate you.

Oh, oh, oh, no God.
Oh, oh, oh, no God.


Oh kein Gott

"There is always a road back, if we have the courage to look for it, and take it." - Louise Penny

"The road back is always longer than you think, but generally never as long as you fear. " (Usually attributed to F. Scott Fitzgerald)

This composition draws inspiration from those who've traveled "the long road back"—whether to find their way home, reclaim their health, or revive a cherished dream. The composition begins slowly and tentatively, mirroring the first steps of such a journey. Around the 2:20 mark, the music gains momentum, signaling that the end of the long road is near. The piece ultimately resolves on a major chord, symbolizing a successful and hopeful return.

The Long Road Back

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Aurora

Inspired by Erik Satie's 1920 Premier Menuet.
Artists are found in many forms and persuasions.
Loving those French Impressionists with avant-garde natures !!

Premier Menuet

from the 'Lektraphase' album:
https://sparkybonehead.bandcamp.com/album/lektraphase

Lektraphase

Lektraphase 22

#Storytelling #Gothvibes #Ruminator #Deep #Emotions #KiiMA

Ruminator

below sunset7.13.25

French touch (remaster)

This is a remix of GTA originally made by Kennedy Wilde.Hope you like this one.

Kennedy Wilde - GTA (Remix by Pop House Production)

5 more minutes

Evening Meal

Einsamkeit

Listen to tried, a playlist by Vinylmind on #SoundCloud
https://on.soundcloud.com/vr9kb14JKyhG7pgDMM
Techno is a community. I grew up spinning vinyl records on belt-drive turntables and playing piano.  Music is a special language.  Why is everyone so full of anger and hatred?  Love is what binds us.
Let me take you to another place.
Close your eyes and come with me.
 
Someone tried to kill me yesterday   stabbed me and hit me over the head with a broom handle.  why?   why'd he fail?

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

below sunset7.13.25

Chris Bright

Recent comments

ZDCOM

Annie Smart

Francesco Adornetto - Emotional Piano

No Mates Ensemble

Related tracks