Serenity

https://spiralizer.bandcamp.com/track/dont-give-in

Bandcamp

Don't Give In

This track concludes the series of Lidar Waves. At least for now...

LIDAR WAVES 13 (THROUGH WATER)

翡翠（Jade）

perfect match

a gift from god (r.s.stropharia + rassmuss rassmussen) 24.01.2025

Beautiful Sleep

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

Collaboration Timothy McGuire / Francess Harris

Lost Then Found

Lost Then Found (feat. Fr. Harris)

Solo Kurzweil Piano.  Created in Real-Time in my home studio.

Photo by Darren Lovecchio, DarrensImages5157@yahoo.com.

Year of Music: June 27, 2025

NemoralisMusic - Sum It Movement 3

I hear you like to add up. (6).

This is an extract from a longer piece entitled Summit. The full length piece and 4 shorter movements are all available to stream.

SUMMIT TRACK LINKS
https://social.tunecore.com/linkShare?linkid=e9ROv1rSWcGCTHpfYEvh2w
https://youtu.be/szzoqz9QN9E?si=iIEPhzhiZNx_yRep
https://open.spotify.com/album/0DY6h5VgjiEPn1jvTqXdUM
https://music.apple.com/gb/album/summit/1780180028?i=1780180029
https://instagram.com/reel/DDpbH2vN41E/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Making Unashamedly Scenic Instrumental Compositions.
NemoralisMusic - compositions with no story…yet.
For More Musical Ramblings please visit:

Artist Links
https://youtube.com/@nemoralismusic/
https://open.spotify.com/artist/4N4v9XlpySDEhFjU6uDeCH/
https://music.apple.com/gb/artist/nemoralismusic/1759377212/
https://soundcloud.com/nemoralismusic/
https://instagram.com/nemoralismusic/
https://tiktok.com/@nemoralismusic/

#music #timelapse #sonicart #instrumental #slowtv #relaxed #nemoralismusic

Sum It - Movement 3

Somewhere between light and shadow, music breathes: a gentle divide where emotion floats formlessly. Each piece listens more than it speaks, gently unfolding like a silent thought. Clarity flickers and fades, memory intertwines in ghostly echoes, and understanding arrives without light. This is the final threshold, tender and timeless, where the pulse no longer pushes, but simply is.

Pulse and Shadow

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

perfect match

Chris Bright

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