then extract the dna and put it through electrophoresis... lalala...

dedicated to my sister Cindy (more to com)

During Sophie's last piano lesson I asked her to improvise a track on this piece. ( the mid range strings)  Then she started to improvise more.  I picked a key and told her to keep playing.  She did. She played beautiful music and she realized that she no longer needed music to play.  The light bulb turned on and she smiled.  People who only memorize music will forget it if they don't keep playing it.  When you can improvise in any key, you never forget that. You will always be able to play any time you sit at a piano and have no fear that you won't remember what you knew. it's important to know how to read music and the theory that goes with it,  but if that is all you can do, find a teacher who can teach you improv.  I'm very proud of her.  She has talent. 

Learning Forgiveness - Collab with Sophie

sea blue dusk

Exploration into the dark depths of the undergrowth......tenor saxes and moog leading the way.

Original recording:
https://soundcloud.com/user-146692255/moo155m3-equatorius-pre-daw?si=c5fbfe9c3dfc42f391d44e5d9645db83&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

EQUATORIOUS

I'm not too sure how to say this, but I need to. I am not well. I don't know how long I will be able to continue playing the piano. It is getting hard. I have a degenerative neuromuscular disease. It is probably ALS - Lou Gehrigs disease, but they are still doing tests. I can't walk any more ( I can't move my feet) or sit up without a brace and it is getting harder to breath and speak. I often need oxygen. I'm losing my left arm arm - it won't always go to the right piano keys. But I keep pushing. Creating music keeps the brain active and makes me feel like I still have a purpose. Playing the piano has kept my hands and fingers strong, but there are days I can't make it to the piano because I am very weak. I will keep going as long as I can.

All of the music I have written in the last 50 years I have recordings of, along with hand drawn lead sheets and piano scores that I have keyed into musescore for all of the future musicians in my generations to come who might want to play my music. Music is my diary, especially all the songs with lyrics that were written before my time here on SoundCloud. I have been here for 10 years and have made friends with many other musicians. I want to thank everyone who has supported me. It has been a wonderful time for growth when I could no longer play gigs but wanted to keep writing. It is great for senior musicians and for those where music is a creative hobby, not a profession. There is room for everyone. 

I realized after I posted this that I had just used the piano track.  I put different instruments to it and did a new mix. I can't believe I did that.  



Diagnosis Unknown

Oceanova

First Light

FIRST LIGHT

This is a track from Brandon Therialt we help promote because we find it pleasant!
https://open.spotify.com/playlist/0J7EFptNh6K6Qebrsrcx8d?si=ae32df247fdd4a1d

Aspirations

William Byrd's Elizabethan choral work for 6 voices arranged for 3 guitars.

Byrd Sing Joyfully taylors+3gtr-3-1

Sing Joyfully, William Byrd

waterside

closing the gap

suspend in amber

leaving home

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

suspend in amber

Chris Bright

Recent comments

timhopkinsound

NOSTRUMUVA

Related tracks