New Rhymes

Words and Music by Adam Majdecki-Janicki.
Arrangement and Production by Blessed Studio.

"Cabaret Berlin"

I Start At The End

Infinite Frozen Kitchens

Collaborating can be a lot of fun!  This is the third released collaboration with Mark Spruce (Original Spruce). 

It was an interesting process. Mark came up with the oven glove line, I sent him a few abandoned lyrics I had from a song before about bulbs in the dirt, and he then developed them into the full lyric about a relationship and moving on and added the melody. He then sent me the main guitar track and his excellent double tracked lead vocals. I then migrated those into GarageBand and then built up the full backing instrumental and added the backing vocals. A bit technical for me but we got there! He then made the beautiful video! 

https://youtu.be/gV-YH0RPLMw?si=3t7aMOlotfAcoYi3

I hope you enjoy it! 👍😃

Lyrics 
You need more than
Oven gloves
To touch the sun
And a 5 ton heart
Makes it hard to run

But hey there now,
Why the long face?
Get up off the floor
Get back in the race

There are plenty more
Bulbs in the dirt
There are plenty more
Leaves on the stem

He was the grub on your shrub
And it’s eating you up
And I know he was

Starting to bug you.

But who knows?
It flows both ways.
Sometimes you didn't call
And you left when
You should have stayed

I'm not judging
I'm just saying
Black and white
Can start greying

The seams
They start fraying
They slowly come apart

Until you're right back at the start
 
Time for both to move on
If it’s wrong then its wrong
It once was special
But now it is gone. 

Lyrics © M Spruce and J Whiteman

Moving On (Collaboration Mark Spruce and James Whiteman)

Get in da groove (new edit)

This song is my unapologetic reckoning with the buried truths, deflections, and deep rot surrounding Donald Trump's ties to Jeffrey Epstein. It's a fiery protest anthem aimed straight at the lies, the denials, and the systems that protect the powerful while silencing the victims. I’m not pulling punches here—this track confronts the gaslighting, the vanishing files, and the cult-like defense of a man whose hands are anything but clean. It’s about accountability, memory, and refusing to let the truth be erased, no matter how hard they try to bury it.

https://www.pbs.org/newshour/show/trump-faces-growing-criticism-from-his-base-over-jeffrey-epstein-files


LYRICS:

[Intro]
We’ve seen the photos. 
We’ve heard the stories. 
Now the files are gone— 
But the truth don’t burn that easy. 

[Verse 1]  
They swore they'd crack it open, 
but they slammed it shut 
Promised light in the dark, 
now it’s ashes and dust 

He partied with the monster, 
arm around his prey 
Now he's “never heard of him”?
Get the fuck outta my way!

[Pre-Chorus] 
They fed us lies, 
now choke on truth 
You made the deal — 
now face the proof

[Chorus] 
Trump, you were listed — 
buried in the files 
You're hiding behind Justice 
with that phony smile 

You built your throne on blood, 
now it stains the floor 
You can’t kill the truth — 
not anymore 

[Verse 2]
You danced with Epstein,
grinning wide 
Now you act like the past 
just up and died 

But secrets rot, 
and rot stinks loud 
And your silence screams
above the crowd

[Pre-Chorus] 
Built your army 
on our rage 
Now the flames 
consume the stage 

[Chorus] 
Trump, you were listed — 
buried in the files 
You're hiding behind Justice 
with that phony smile 

The base you fed with blood 
now howls at your door 
You can’t kill the truth — 
not anymore 

[Verse 3] 
Pam Bondi 
gaslighting on FOX, 
Kash Patel mouthing off 
like a puppet in a box 

But receipts got teeth, 
and time don’t lie 
There’s a hard drive humming
with your name inside 

[Verse 4] 
Jones turned on you. 
Loomer’s sharpening blades. 
Even your own wolves 
Are howling at the gate. 

The cult's cracking. 
The mask's melting. 
The truth is screaming— 
And it’s got your name. 

[Bridge] 
You said you'd drain the swamp, 
you'd cleanse the stain 
But you rode the jet, 
drank the wine, 
and played the game 

Now the curtain’s pulled, 
and your hands ain't clean—
THE EMPEROR'S NAKED —
 IT'S OBSCENE!

[Chorus] 
Trump, you were listed — 
buried in the files 
You're hiding behind Justice 
with that phony smile 

The base you fed with blood 
now howls at your door 
You can’t kill the truth — 
not anymore 

[Final Chorus] 
Trump, you were listed — 
we remember your smile 
You called him “a terrific guy,” 
now you’re in denial 

The cracks in your story 
are flooding with light 
And we’ll scream this truth 
'til it scorches the night 

[Outro] 
You opened the door. 
Now run from the light. 
The names are still out there. 
And they won't stay buried.

Buried in the Files

what it's like 7.17.25

information hypostasis

Solo Piano.  Created LIVE in Real-Time at St. Stanislaus Church, St. Loius MO.

Photo provided by Greg Carr, my brother.

Year of Music XIC

Year of Music: September 1, 2025

polu

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

what it's like 7.17.25

Chris Bright

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