Resident for Froot Radio and Back Yard Stoke. Not a DJ, Natus:Selector and one T of TNT.

Dj, Producer, Label owner. Andy Riley has been busy over the last 30 odd years. His productions as one half of Inland Knights, as well as various solo outings under his Toka Project guise, have ensured that he has remained a prominent fixture both from behind the decks and on wax.
After a few years serving his apprenticeship as an in-demand local Dj in and around Nottinghamshire UK, Andy’s inevitable step into production started in earnest with fellow Dj Steve Walker. 
Toka Project was born with the release of Swungbeats ‘King Sized Blue’Ep in early 1995. Originally a collaboration with Walker, all early output was released on Nottingham’s ‘Strictly 4 Groovers’ label, now better known as DiY Discs. Andy and Steve went on to remix a number of artists on the labels roster at the time, notably Gibby Music of Crash Records fame and Fred Everything amongst others. By 1998 Toka Project productions were in full flow and in the same year they released the much acclaimed ‘Be Free’ Ep for Chicago’s legendary Guidance Records, the title track also appeared on Guidance’s’ High Fidelity House Imprint Vol 2’. These two releases helped to push the Toka Project brand abroad and in 1999 Andy embarked on a three-month tour of the U.S and Canada with Andy Macari and Jay Cowley, stopping off in New York, LA, San Francisco, Phoenix, Philly, Tampa, Seattle, and Washington D.C amongst other places, and Montreal, Vancouver ,Whistler and Victoria in Canada. Ep’s and remixes on top labels such as Transport, Silver Network, So Sound, Amenti, Robsoul and Tango were to follow, all released to critical acclaim globally.
Over the course of the 90’s, Riley had been DJ’ing with Smokescreen,the legendary UK Sound System reponsible for throwing notorious free parties acroos the UK counties and beyond,by 1998 he had started writing tracks with fellow Smokescreen DJ Laurence Ritchie. As Inland Knights Laurence and Andy undertook a hectic production schedule to write tracks for Drop Music, Laurence’s fledgling House label. Drop Music has gone on to become one of the most highly regarded House labels in recent times. Inland Knights have become one of the most prolific and respected production outfits in the House community, carving a distinctive and unique House sound, and regularly taking on remix and Ep duties for fellow labels and producers, not to mention a Dj schedule which takes them further and further afield as their reputation grows. Bookings have included slots at UK clubbing institutions such as Fabric, The End, The Egg, Turnmills, Shindig, Back 2 Basics,Chibuku Shake Shake, Ministry Of Sound, Cargo, déjà vu,The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Release highlights include the ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations, Ep's and remixes for NRK, Om Records, 2020 Vision, Amenti Etc and Inland Knights first full length album entitled ‘Creative Spaces’.  More recently Inland Knights have released an album celebrating 10 years of Drop Music entitled ‘Dust till Dawn’ as well as the Retrospective ‘Inland Bytes’, a look back at Inland Knights career so far.
Currently, as well as remix and production commitments, Riley maintains a busy international Dj ‘ing schedule, and can be found most weekends playing up and down the UK and Europe, as well as regular visits to the U.S, Australia, New Zealand and South Africa playing both as one half of Inland Knights, and solo under his own name.
Andy has recently released several solo Ep’s for the first time under his own name: ‘Cant Contain This Ep’ on Frosted Recordings, ‘Slipmode Ep’ on Soul Fuel, ‘Somthin4theweekend Ep’ on Odour Recordings and two Ep’s on his own imprint, Borrowed. As of 2019 Riley is poised to release under the alias ‘7000 Possibilities Of Existence’ with DiY’s Peaceful Ones(DJ Pete Woosh) as part of the ’52 Card Trick Project’ on Pete’s Spirit Wrestlers Label.

The Notorious Duvet Gang is a bunch of Bristol-based folk who sporadically gather to indulge in a touch of the old "Duvet Vous?" 

We have been hosting parties, either indoors or out since 1999 with a firm dedication to all things House.

During this time we’ve enlisted the help of friends and colleagues such as Inland Knights, Nick Harris, Kinky Movement, Jamie Anderson, Chris Simmonds, Johnny Fiasco, Jason Hodges, Freaky Behaviour, The Littlemen, Tom Special Interest, Jazzy Eyewear, Deep Cartel, Giom, Justin Harris, Slum Science, Smokescreen, Jay West, Alejo Galvez and Da Sunlounge to name but a few.

Media platform driving electronic music culture. 
📄🎧🩸🇧🇷
A música conecta.

Inquiries:
alan@alataj.com.br

Bookings: info@dnzagency.com
Benelux: karel@burst-artists.com
Asia: jonathan@warungagency.com

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output. 

Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez) and PS Project/Bubba Beats & Kid Piston (with DJ Sneak). Production highlights include Phil’s three albums ‘Love Affair’ (2011), ‘Yeah I Like That’ (2003) and ‘Raw Instrumental’ (2012), alongside style‐defining singles ‘Hypnose’, ‘It Put Me Well’ and ‘All Day Every Day’. The music has been
heavily supported by international dance press including achieving accolades such as MixMag’s and De‐Bug’s ‘Album Of The Month’, while DJs ranging from
Danny Howells and Yousef to Mark Farina and DJ Sneak consistently play his tracks. Behind the decks, Phil has racked up enough air miles to take him around the
world several times over, with appearances at the world’s leading house clubs ‐ Queen’s Club, Sankeys, Circus, Ministry of Sound, Back to Basics and Stereo are
all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club.

Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries
on Youtube or his personal relationships on Facebook.
Despite his success Phil isn’t one to brag. To him it’s all about keeping proper house music alive. Which just goes to prove Phil Weeks is a house music purist.

Traxsource LIVE is your guide to the underground. 
The hottest guests and the finest underground dance music, delivered weekly. A place to hear the freshest new and exclusive tunes before they hit the dance floor, an authority on upcoming artists and labels and your ‘source’ of knowledge for the tracks shaping the scene.
 
20+ countries, 80+ radio networks and 10million+ weekly listeners can’t be wrong. Keep it Traxsource. Keep it underground.
 
#ForDJs #RealDJs #TraxsourceLIVE #VoiceOfTheUnderground
Support: support@traxsource.com

El Capitán 
A&R @ Lingo Recordings
Dustpan Recordings

https://www.facebook.com/juwan.rates

I plays no games

Groove is in the heart.. It perfectly explain how I feel the music generaly.. DJ since 2001 like one of the few friends, who started Magors sound system..later: Magors/Magors Collective/ group of people who found  the passion and love in underground deep/tech/funky/rap/disco/house music style commin mostly from UK's free party sounds systems like: Smokescreen, DiY,Quadrant,Babble..etc. 
Open air free party lover
Motto: You must feel the vibe! 
Playin mostly underground deep/chunky house music with rough beats and full bassline..touches by rap/funky/soul music and this all packed and prepare for fun in the middle of nowhere..
Enjoy with me, what I like..What I feel and sending to you via my sets..
You will probably feel the same and that's what "WE ALL" love it!!!
Fair for all!! Double feedback guaranteed!!
Slow house/Downtempo/DiscoDubby/  mostly play during late afteernoon shows or before sunday lunch mostly...
So..Just let the sound system play..and come to see how we rollin..
VM

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

Chris Dubweiser is following