DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

Multi-genre DJ and Producer 

Ikonika Sample Pack Vol 1:
https://ikonika.bandcamp.com/album/ikonika-sample-pack-vol-1-2

Mailing List:
https://docs.google.com/forms/d/e/1FAIpQLSeL2zQ6DP3S0GufUC3uJmV85YuP0hfgOpVP6idkMFH82cZnkA/viewform?fbclid=PAZXh0bgNhZW0CMTEAAaZmyUsk0MusHJz93b6QNQc04MeETZKH20AEsQW7Fuq2jKNbya5FLnQtGos_aem_WxYyvL-F1L3DIKszePvpWQ

Mgmt: hannah@repercussionmgmt.com
Bookings: roisin@suomotubookings.com

Bangers.

All mixes at https://www.mixcloud.com/SnortEccies/

Growing up in Chicago’s south side in the late 60’s and 70’s, Deeon experienced an era of profound change in America’s cultural and racial landscape which later became the subject-matter for his extensive musical portfolio. At a time when electronic music was new and starting to define itself, he was a pioneer in developing a sound that corresponded to the time and life of the people around him and the surrounding neighborhoods of Chicago’s downtrodden; those in dire need of profound change and liberation. His personal story and musical work is now indistinguishable from that rich tapestry that is America’s contemporary cultural history. 

Deeon started small producing gritty XXX club tracks with call and response chants which Deeon describes as "for the strippers, for the street”. These original masterpieces were created with a 606, 808, and 909 sampler where he made minimal ghetto beat tracks and played them off cassette. This is what provided the spark for Chicago House and Detroit Techno. Soon now-household name DJs and producers would start picking up on this sound, and remixing it and playing it in clubs, radio stations all over the world. It would be defined as “Ghetto House”. 

“it’s just fun music. It’s kind of like a getaway from the reality of life to music. Get freaky with a stranger music. Girls kissin’ girls music. Stress relief music” he would say in an interview for 5Magazine in 2013 regarding his sound. “The best thing [about Ghetto House] is there is almost always a packed dance floor! It moves the crowd. Ain’t that what we came here for?”

In 2002, Deeon’s started his on-going battle with his health problems. Diagnosed with Stage 4 Lymphoma, diabetes and a severe accident which resulted in having his left foot amputated, he has overcome adversity using his sound as a beacon of hope in his own life, to not lose the spark and to keep going strong. 

With a career of collaborations that reads like the who’s who of the history of dance music, remixes done by and for him that have delighted crowds all over the globe and a portfolio stronger than most of the artists in the industry, he’s now getting ready to launch a new stage in his career.

ATTENTION: All my tunes are now here: youtube.com/@DaftLimmy

20/20 Vision 
OpenLab
Exit Planet Earth 
Escape Pods

Bookings - jp@special-force.com

Comedian, TV and radio host Matt Forde presents The Political Party, the informal political chat show where politicians come to be themselves

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Ciaran is following