Matthew Jackfert (b. 1988), son of Jennifer Jackfert and the late Dr. Kent Jackfert, is a native of Charleston, WV. Jackfert holds undergraduate degrees of composition and Chinese studies from West Virginia University and his Masters in composition from the University of Texas in Austin. 

Currently, Jackfert works as a freelance composer as well as a composer and radio host with West Virginia Public Broadcasting.  
Jackfert’s “On the Shores of Qingdao” was a finalist for the ASCAP Morton Gould Awards. Also, his music has been featured on the national radio program “Performance Today” several times and has been featured on NPR's Morning Edition. Jackfert has been played by top orchestras like the Cleveland Orchestra, the National Symphony Orchestra, the Dallas Symphony Orchestra, the Pittsburgh Symphony Orchestra, and more.

dr. auxiliary is rocco harris. & he is sometimes called "fall precauxions." & that's okay. you can find lots more musings here ---> doctorauxiliary.bandcamp.com

these are compositions made from a variety of approaches using analog synths, digital ones, samplers & various effects... reason, finale, broken down pianos, pots & pans & springs & things.... these pieces span from 2002 to the present..... more will surely be revealed....

I'm very much interested in collaborating with dancers, filmmakers & artists of all sorts, so please do hit me up, y'all... let's collaborate!!

thanks a thousand & one bunches!!

Composer David Biedenbender’s music has been described as “simply beautiful” [twincities.com] and is noted for its “rhythmic intensity” [NewMusicBox] and “stirring harmonies” [Boston Classical Review]. “Modern, venturesome, and inexorable…The excitement, intensity, and freshness that characterizes Biedenbender’s music hung in the [air] long after the last note was played” [Examiner.com]. David has written music for the concert stage as well as for dance and multimedia collaborations, and his work is often influenced by his diverse musical experiences in rock and jazz bands as an electric bassist, in wind, jazz, and New Orleans-style brass bands as a euphonium, bass trombone, and tuba player, and by his study of Indian Carnatic Music. His present creative interests include working with everyone from classically trained musicians to improvisers, acoustic chamber music to large ensembles, and interactive electronic interfaces to live brain data. He has had the privilege of collaborating with and being commissioned by many talented performers and ensembles, including Alarm Will Sound, PRISM Saxophone Quartet, Stenhammar String Quartet, New Jersey Symphony Orchestra, U.S. Navy Band, Philharmonie Baden-Baden (Germany), VocalEssence, and Eastman Wind Ensemble, among many others. 

He is currently Assistant Professor of Composition at Michigan State University. He holds degrees in composition from the University of Michigan and Central Michigan University, and has also studied at the Swedish Collegium for Advanced Study, the Aspen Music Festival, and in Mysore, India where he studied carnatic music. For more information, visit: www.davidbiedenbender.com.

Hailed as "extremely moving" by New Music Box and "especially sweet" by the Austin American Statesman, the music of Joel Love (b. 1982) explores an eclectic mix of genres, from short video pieces to works for chamber and large ensembles.

Mexican born composer Luis Escareño (b.1989) began his formal music studies on Viola. His compositional writing reflects much of the world music he studied under percussionist Randy Gloss, with a particular musical emphasis on timbre, rhythm, pulse and elements of improvisation. In the spring of 2010 the Glendale Philharmonic String Quartet premiered his work, “Reflections of Lost Plains.” The piece was featured as part of the Glendale Philharmonic concert series, “Positive Motions.”

Luis has written and arranged for various ensembles and artists including Ruslan Biryukov,  Nonsemble 6, and Bunnies and Kitties. In 2013 Luis collaborated with the Bay Area guitar and percussion duo, The Living Earth Show (Travis Andrews, Andrew Meyerson), as well as Los Angeles based artist Christopher Mesa, to bring to life a multi-media work based on the book Bluets by Maggie Nelson. Currently he is working on a work for the Los Angeles Cello Quartet, as well as an orchestral work for John Marshall High School’s annual Bach Rock and Shakespeare festival (Greek Theater in Los Angeles)

Luis is a founding members of the bay area concert promoter SFNewMusic, where he serves as Artistic Director of their Sounds of the America’s concert series. He has also served as president of the LACC Composers Club, an organization which helps inner city youth acquire recordings of their compositions. Luis has performed in the Los Angeles area with folk artists such as Bunnies and Kitties, and Homesick Elephant. He has studied composition with Dr. David Conte, Dr. Kevin Kelly, Dr. Daniel Wanner and Dr. Matthew McGaughey, and Chamber Music with Christine Park. Viola with Keith Barry, and Alexander Kalman. Currently he resides in the Bay Area, studying composition at the San Francisco Conservatory of Music under the tutelage of Conrad Susa.

577 Records is proud to be celebrating its 24 year anniversary.  The legendary music master Daniel Carter was one of the first people 577 cofounder Federico Ughi met soon after arriving in New York from Italy in 2000, after a brief stint in London.  It was a meeting of like minds and shortly thereafter the two started a series of house concerts at 577 Fifth Avenue in Brooklyn, the apartment where Federico was living at the time. The spontaneous nature of the concerts along with the incredible caliber of the deep downtown underground music they were able to present inspired them to bring the unique nature of what they were doing to a wider audience and they founded the label 577 Records to further that mission. 

577 Records started the New York Forward Festival in 2015 to mark the momentous occasion of Daniel Carter’s 70th birthday, now with festival editions happening in Morocco and Italy as well, and the international residency program Sounds of Freedom, in which active musicians are awarded the opportunity to develop their own sound, skills, and improvisation concept.

100% of profit from the sale of most of these albums goes to the musicians.

 

 “Guided by a mission to capture the ephemeral, to keep jazz relevant, and to foster a collaborative community of artists, the music 577 releases is timeless, masterful, and mystical.” - Bandcamp

“the music of new possibilities, full of spirituality and introspection, an alternative that did not need volume or screaming at the top of your lungs to position itself, and coupled with a deep sense of pulse and the blues.” - Free Jazz Blog

“577 Records, the musical home of the daring and the brave” - All About Jazz


577 Records
Brooklyn, New York
www.577records.com
©+℗ 2025

www.MalekJandali.com | www.PianosForPeace.org
Hailed by Fanfare Magazine as “a major new addition to the 21st century’s symphonic literature,” Malek Jandali’s symphonic works have been described by Gramophone as “deeply enigmatic with voices and in tongues emerging from the composer’s Syrian heritage that generously repay more reflective listening” with “heart-rending melodies, lush orchestration, clever transitions and creative textures.” American Record Guide.

His large-scale orchestral works integrate Arabic maqams (modes) with persuasive craft and a marked seriousness of purpose that echo UNESCO’s call to preserve and protect the rich cultural heritage of his homeland Syria at a time when it is being eradicated. “Jandali captures the struggle, trauma and triumph of our displaced brothers and sisters, through the voice of a child. It is a beautiful and important message.” Marin Alsop

Recent commissions and premieres include a Viola Concerto for Roberto Diaz, a String Quartet for the Nashville Symphony Orchestra, and a world premiere by Baltimore Symphony Orchestra under the baton of Marin Alsop who described The Silent Ocean as “an evocative and emotional journey for musicians and audience members. In this piece Jandali captures the struggle, trauma and triumph of our displaced brothers and sisters, through the voice of a child. It is a beautiful and important message.” 

His causes go beyond those of humanitarian activism, as he is regularly recognized by and invited to speak to key academic institutions such as Harvard University, the Skoll World Form at Oxford, Duke University, Aspen Ideas Festival, Fordham University, the United Nations headquarters in New York City and the Doha Debates at Georgetown University in Qatar, TEDx Talk at Georgia Tech and Sydney Ideas talk at the University of Sydney.

Mr. Jandali also has self-produced seven albums representing excellent performances of 40 of his compositions. His albums Syrian Symphony, SoHo, Hiraeth, and The Jasmine Tree were released at Carnegie Hall’s Weil Recital Hall in 2015, 2016, 2017, and 2018 respectively. The Huffington Post described his work as “inspiring” and Bob Stevenson of NPR stated that his music is both “moving and thought provoking.” 

Mr. Jandali is the recipient of the 2014 Global Music Humanitarian Award and in 2015, The Carnegie Corporation of New York honored him as a Great Immigrant. He is a strong advocate for peace and was selected as a Visiting Scholar for the 2017/2018 academic year in the Center for the Study of Genocide and Human Rights at Rutgers University. Mr. Jandali is very passionate about making the arts accessible to all and is the founder and CEO of (www.PianosForPeace.org), a non-profit organization dedicated to building peace through music and education. He embraces young talent from all over the world through the annual Malek Jandali International Youth Piano Competition. Mr. Jandali makes his home in both Manhattan and Atlanta. His music is published exclusively by Soul b Music and his discography is available on iTunes, Amazon and at Virgin Megastores worldwide.

Christopher M is following